Tickets are on sale now at The Top Hat, online, or by phone at 1 (800) 514-3849. Reserved premium balcony seating, reserved standard balcony seating, and general admission standing-room-only floor tickets are available. All ages are welcome.
Additional ticketing and venue information can be found here.
*Please note: This is a rescheduled event. All tickets purchased for the originally scheduled date will be honored at the rescheduled date. No exchanges necessary. If you purchased tickets to the original date and are unable to attend the rescheduled date, refunds will be available until 5pm Fri, Feb 25, 2022 by submitting aRefund Request Form. Refunds will not be available after the refund deadline.
About Ashley McBryde Ashley McBryde cut her teeth playing country songs in rural biker bars – and it shows. Her 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed the New York Times, NPR, Rolling Stone, Paste, The Washington Post, and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist of the Year, a New Artist of the Year win at the 53rd Annual CMA Awards, and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will, released April 3, was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her lead Top 10 RIAA Gold-Certified single “One Night Standards” as one of the best songs of 2019. Produced once again by Jay Joyce, Never Will reveals the witty, confessional, detail-driven songwriting addressing a wide spectrum of blue-collar Southern women’s experience introduced on Girl Going Nowhere is still here, but perhaps even sharper, earning McBryde a 2021 GRAMMY nomination for Best Country Album, along with 2021 ACM nominations for Album of the Year, Female Artist of the Year and Song of the Year for lead single “One Night Standards.” The music itself is stadium-ready rock-and-roll with a bluegrass wink or two and country music’s storytelling heart––and McBryde, no longer new, is the music’s ordained and highly capable standard-bearer.
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