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SUMMARY:Kitchen Dwellers with The Infamous Stringdusters and Leftover Salmon at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Kitchen Dwellers + The Infamous Stringdusters + Leftover Salmon for a live concert performance on the Rowdy Summer Nights Tour at KettleHouse Amphitheater in Bonner at 6:30 pm on Saturday\, August 9\n\n\n\n\n\nDoors @ 5:00 pm \n\n\n\nLogjam Presents welcomes Kitchen Dwellers + The Infamous Stringdusters + Leftover Salmon for a live concert performance on the Rowdy Summer Nights Tour at KettleHouse Amphitheater in Bonner at 6:30 pm on Saturday\, August 9. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission lawn\, general admission standing pit\, reserved stadium seating and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nPremium Box Seating: Premium Boxes are sold in bundles of two tickets and located in the private box area between the Reserved Stadium Seating the General Admission Lawn. These tickets include one parking pass or two shuttle passes\, a separate entrance for expedited venue entry\, and a dedicated cocktail server offering an expanded menu in addition to concessions. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n*We have partnered with PLUS1 so that $1 per ticket supports Conscious Alliance’s mission to end hunger nationwide and feed families in need.* \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Kitchen DwellersIn Dante’s Inferno\, the author grapples with sin\, its various manifestations\, and its consequences. This time ultimately traces a trajectory of self-realization\, acceptance\, and accountability. Kitchen Dwellers embark on a similar odyssey over the course of their fourth full-length offering\, Seven Devils. The Montana quartet—Shawn Swain [Mandolin]\, Torrin Daniels [Banjo]\, Joe Funk [Upright Bass]\, and Max Davies [Acoustic Guitar]—thread together an immersive and inimitable conceptual arc inspired by Dante’s Inferno and set to a soundtrack of folk-infused bluegrass spiked with psychedelic vision and rock energy. \n\n\n\nContinuing their own journey as brothers\, they deliver their most ambitious and anthemic body of work yet. \n\n\n\n“These tunes deal with the human experience\, and Torrin initially drew a parallel between the music and Dante\,” Max states. “We explored the connection by correlating each song with a sin. Some of these connections are only apparent if you dive deep into the lyrics. Our goal is to essentially take the listener through our own interpretation of the Inferno story.” \n\n\n\n“We didn’t go into the studio with the intent of making a concept album\,” recalls Torrin. “I was driving around listening to everything\, and I noticed these parallels. To dive deeper\, we’re discussing topics like mental health\, the human condition\, and what we go through on the road. In life and music\, everything is recurring and universal. I was reading Dante at the time\, and it naturally fit.” \n\n\n\nIt proved to be a logical next step as well… \n\n\n\nThus far\, Kitchen Dwellers have engaged and enraptured listeners with albums such as Ghost In The Bottle [2017]\, Muir Maid [2019]\, Live from the Wilma [2021]\, and Wise River [2022]. Of the latter\, Holler. praised how “Kitchen Dwellers have preserved their sense of youthful experimentation\,” and Relix proclaimed\, “The songs on the new record build on this range\, while also reflecting on the group’s Bozeman\, Montana home.” Between tallying millions of streams\, the band ignited hallowed venues such as Red Rocks Amphitheatre and graced the bills of Telluride Bluegrass\, Northwest String Summit\, WinterWonderGrass\, and beyond. \n\n\n\nIn order to bring Seven Devils to life\, the musicians opted to work with producer Glenn Brown. It would not only mark their first time collaborating with the producer\, but it also would be the first time they decamped to Michigan in order to record. \n\n\n\n“The studio itself definitely impacted the vibe\,” Torrin notes. “It’s a tiny workspace\, but it’s full of old recording equipment with legendary stories attached to it. For almost the entire time\, we were forced to congregate in this room together. The process was ever-evolving\, because ideas kept flowing.” \n\n\n\nFittingly\, “Seven Devils (Limbo)” opens the album and serves as the first single. Nimbly picked banjo and upbeat acoustic guitar set the pace as the regretful chorus bemoans\, “Am I supposed to hop the next train? Or stand here drowning in the Oregon rain?” A guitar-driven bridge dips in and out of effects-laden echoes and stark strumming. Coming full circle\, a ten-minute version of “Seven Devils” later bookends the record with an epic finale. \n\n\n\n“I incorporated some elements of grunge in terms of the chords\, which are a little dissonant\,” Torrin elaborates. “Thematically\, it’s the descent into Hell. First\, Dante goes through limbo before reaching any of the circles where the cardinal sins are addressed. ‘Seven Devils’  evokes the feeling of being in limbo.” \n\n\n\n“It also signifies you’re embarking on some type of journey\,” Max agrees. “By the end of the LP\, you know the protagonist isn’t going to be the same person.” \n\n\n\nThen\, there’s “The Crow and The Raven (III).” The track’s emotionally charged vocals seesaw on top of strings in a moment of terse reflection. “I went through a horrible breakup in 2018 when I wrote the first version\,” Shawn remembers. “‘The Crow and The Raven (III)’ sat in my notebook for a half-decade before we revamped it. Now\, it’s a sad\, slower lament about enduring the loss of a relationship.” \n\n\n\n“Pendulum” rushes towards a mournful refrain offset by a plucky crescendo. “It’s about dealing with an addiction in your life and how it affects relationships\,” Joe says. “People often trade one addiction for another\, whether positive or detrimental to their life\, as a means to satisfy their baseline addictive tendencies.” \n\n\n\nOn the other end of the spectrum\, “Here We Go (VI)” laments the epidemic of shootings in America with unfiltered frustration projected through a powerful ebb and flow punctuated by a cameo from Lindsay Lou. \n\n\n\n“I was riding a Greyhound from Seattle to Missoula in 2012\,” Max goes on. “There had just been another school shooting. It’s terrible to think of how many shootings have happened since. Why is this happening? The chorus shifts gears to miscommunication between two parties in a relationship. Those are the two driving forces.” \n\n\n\nAn electric guitar lead heralds the onset of “Unwind (Paradiso)\,” building towards one climactic moment of catharsis. \n\n\n\n“A psychedelic experience and life-changing ego death changed my outlook on many things\,” Torrin admits. “‘Unwind (Paradiso)’ was one of those moments where you surrender and let it take you. You’re letting go of the human things in your brain that make you want to fight or cause you to be afraid. It also came together in the studio as a band\, which was super cool.” \n\n\n\nIn the end\, Kitchen Dwellers may just leave you changed with Seven Devils. \n\n\n\n“The record is a trip inward within the self\,” Torrin concludes. “It tackles a lot of things in the world people try not to think about. The reality is we’re only truly happy when happiness comes from within. That’s the message.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Infamous StringdustersThe Infamous Stringdusters rise to new heights on their ninth full-length record Rise Sun. For the album\, the GRAMMY® Award-winning quintet—Andy Falco [guitar]\, Chris Pandolfi [banjo]\, Andy Hall [dobro]\, Jeremy Garrett [fiddle]\, and Travis Book [double bass]—expanded their signature sound by perfecting their seamless fusion of All-American-bluegrass and rock. \n\n\n\nOnce again sail into uncharted territory moored only by their expressive patchwork of All-American bluegrass threaded together with strands of rock\, jazz\, funk\, country\, old-time\, and more. \n\n\n\nAs they approached this latest body of work\, the group’s ambition matched their outsized creative curiosity. \n\n\n\n“Rise Sun was sparked by the feeling of wanting something better for the world—more love\, more awareness\, and more compassion\,” says Hall. “It’s a message of taking care of each other\, our planet\, and ourselves. We all shared this feeling as evidenced by the songs we brought to the project. It’s the feeling of a rising sun as opposed to a dark night. Sometimes a message of hope is less popular than one of despair\, but it’s much-needed nevertheless.” \n\n\n\nIn the end\, that’s precisely what The Infamous Stringdusters do on Rise Sun as they boldly welcome yet another new day\, new phase\, and new chapter. \n\n\n\n“We’re a brotherhood\, but that family extends beyond the band even\,” Falco leaves off. “Our music gives us an opportunity to bring some light in a world that can be dark sometimes.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Leftover SalmonFew bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special\, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. \n\n\n\nSince their earliest days as a forward thinking\, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound\, to their role as a pioneer of the modern jamband scene\, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play\, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly\, unique style. \n\n\n\nThe band now features a lineup that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of founding members Drew Emmitt and Vince Herman\, the band is now powered by banjo-wiz Andy Thorn\, and driven by the steady rhythm section of bassist Greg Garrison\, drummer Alwyn Robinson\, and dobro player & keyboardist Jay Starling. \n\n\n\nThe current lineup is continuing the long\, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam bands\, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live. \n\n\n\nSalmon is a band who for more than thirty years has never stood still; they are constantly changing\, evolving\, and inspiring. If someone wanted to understand what Americana music is they could do no better than to go to a Leftover Salmon show\, where they effortlessly glide from a bluegrass number born on the front porch\, to the down-and-dirty Cajun swamps with a stop on Bourbon Street in New Orleans\, to the hallowed halls of the Ryman in Nashville\, before firing one up in the mountains of Colorado.
URL:https://missoulaunderground.com/mugevent/kitchen-dwellers-with-the-infamous-stringdusters-and-leftover-salmon-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Jam,Music
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