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SUMMARY:The Beach Boys at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 7:00 pm Sunday\, October 5 (rescheduled from August 29)\n\n\n\n\n\nDoors @ 5:30 pm \n\n\n\n\n\n\n\n*THIS IS A RESCHEDULED EVENT*\n\n\n\nAll tickets purchased for the originally scheduled date\, Friday\, August 29\, 2025\, will be honored at the rescheduled date. No exchanges necessary. If you purchased tickets to the original date and are unable to attend the rescheduled date\, refunds will be available until 5pm on September 12\, 2025 by submitting a Refund Request Form. Refunds will not be available after the refund deadline. \n\n\n\nFor more information regarding refunds and ticketing visit logjampresents.com/ticketing/For any additional questions\, please reach out to boxoffice@logjampresents.com \n\n\n\n\n\n\n\nLogjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 7:00 pm Sunday\, October 5. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved stadium seating\, general admission seated pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing information and policies can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Beach BoysYou can capsulize most pop music acts by reciting how many hits they’ve had and how many millions of albums they’ve sold. But these conventional measurements fall short when you’re assessing the impact of The Beach Boys. This band has birthed a torrent of hit singles and sold albums by the tens of millions. But its greater significance lies in the fact that The Beach Boys’ songs have forever changed the musical landscape\, profoundly influencing countless performing artists to follow. \n\n\n\nAt the helm of The Beach Boys is lead Singer & Critically acclaimed lyricist\,  Mike Love\, a founding member whose leadership has steered the band through decades of musical evolution. Grammy-winning songwriter Bruce Johnston joined The Beach Boys in 1965\, replacing Glenn Campbell\, who filled-in for Brian Wilson\, on vocals/bass\, when he retired from touring. Highly regarded in his field\, Johnston brought with him a wealth of experience from working with icons like Elton John and Pink Floyd\, The Byrds\, cementing his place among rock’s elite. \n\n\n\nThe current lineup\, including musical director Brian Eichenberger\, Christian Love\, Tim Bonhomme\, Jon Bolton\, Keith Hubacher\, Randy Leago\, and John Wedemeyer\, continues to honor and expand upon the band’s iconic Live performance legacy. This dedication is evident in their rigorous touring schedule\, with the band performing an average of 150 shows a year across a variety of venues worldwide. \n\n\n\nIn 2012\, The Beach Boys marked their 50th anniversary with a reunion tour and the release of “That’s Why God Made the Radio\,” which debuted at #3 on the Billboard charts\, their highest chart position in 37 years. This resurgence of interest highlighted the band’s continued relevance and their ability to resonate with both long-time fans and new listeners alike. \n\n\n\nTheir discography includes milestones like the triple platinum-certified Sounds of Summer and “The Warmth of the Sun\, which have contributed to a renewed interest in their music. Despite having numerous opportunities to retire at the height of their success\, such as after the release of the groundbreaking Pet Sounds masterpiece in 1966\, or after Mike Love’s concept album Endless Summer ignited a second generation of Beach Boys fans and stirred a tempest that rocked the music world\, or after recording Love’s co-written Golden Globe nominated “Kokomo” in 1988 and seeing it become its best-selling single ever\, or after being inducted that same year into the Rock & Roll Hall of Fame\, The Beach Boys have chosen to continue touring and sharing music with the world\, a testament to their commitment to their art and fans. \n\n\n\nThe Beach Boys celebrated the 50th anniversary of the hit “Good Vibrations” – which is widely considered one of the greatest masterpieces in the history of rock and roll – in 2016 with a 50 Years of Good Vibrations tour\, underscoring the song’s status as a rock and roll masterpiece. Mike Love’s memoir\, GOOD VIBRATIONS: My Life as a Beach Boy\, further cemented their place in music history by becoming a New York Times Best Seller. \n\n\n\nRecent years have seen the release of comprehensive box sets like Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971” and Sail On Sailor – 1972\, exploring in-depth the band’s transformative periods. These collections\, featuring a plethora of previously unreleased tracks\, showcase the band’s versatility and profound influence on the music industry. \n\n\n\nIn 2023\, The Beach Boys were celebrated in the CBS tribute special “Grammy Salute to the Beach Boys\,” featuring performances by a diverse array of artists including Beck\, Brandi Carlile\, Michael McDonald\, Pentatonix\, St. Vincent\, Weezer\, Norah Jones\, John Legend\, and Mumford & Sons among others. \n\n\n\nLooking ahead\, the band is set to debut their official book\, The Beach Boys by The Beach Boys\, in April 2024 via Gensis Publications.  Published in a limited edition of only 500 copies worldwide\, the book offers an intimate look at the band’s journey from a Hawthorne garage band to international stardom\, enriched with rare photographs and historical documents. \n\n\n\nThe Beach Boys have been a significant presence at major events\, including Live Aid and the Statue of Liberty’s 100th Anniversary Salute\, showcasing their unparalleled ability to captivate audiences. Mike Love’s contributions as a songwriter\, in collaboration with Brian Wilson\, have produced timeless hits like “Surfin’\,” “Fun\, Fun\, Fun\,” and “California Girls\,” “Warmth of the Sun\,” “Good Vibrations\,”  and long list of other titles highlighting his enduring talent. \n\n\n\nContinuing to engage his fans with new and innovative projects\, in 2020 Love released the single “This Too Shall Pass”  featuring John Stamos aimed at offering hope during the Covid-19 pandemic. In 2019\, he released “12 Sides of Summer\,” featuring a mix of original songs\, covers\, and new versions of Beach Boys hits including “Surfin\,” “Surfin’ Safari” and “It’s Ok\,” featuring Hanson. The song marked Love’s second recording with Hanson\, after previously collaborating on “Finally it’s Christmas” for Love’s 2018 holiday album\, Reason For The Season\, which also features vocals from Love’s children: Ambha\, Brian\, Christian\, and Hayleigh Love. In 2017\, Love released a special double album entitled Unleash the Love featuring 13 previously unreleased songs and 14 re-recordings of Beach Boys classics to positive acclaim. \n\n\n\nMike Love’s philanthropy extends his influence far beyond the musical stage\, demonstrating a deep commitment to giving back to the community.  A Grammy® winner and Rock and Roll Hall of Fame member\, Love has been at the forefront of numerous charitable efforts\, using his platform to support a wide range of causes. In 1990\, he responded to President George H. W. Bush’s call for service by founding StarServe\, an initiative aimed at motivating young people towards community service\, showcasing his early commitment to philanthropy. His philanthropic efforts were recognized when he and his wife Jacquelyne received the prestigious Points of Light Award\, highlighting his significant contributions to volunteer service and impacting lives across the globe. Through the Love Foundation\, Mike has supported initiatives focusing on education\, health\, environmental conservation\, and disaster relief\, showcasing a legacy of compassion and service alongside his storied musical career.
URL:https://missoulaunderground.com/mugevent/the-beach-boys-at-kettlehouse-amphitheater-2/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:60s,70s,Americana,Classic Rock,Music,Pop
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
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DTSTART;TZID=America/Denver:20251005T200000
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CREATED:20250924T160615Z
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SUMMARY:Nation of Language with Greet Death at The Wilma
DESCRIPTION:Logjam Presents welcomes Nation of Language for a live performance with Greet Death at The Wilma in Downtown Missoula at 8:00 pm Sunday\, October 5\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\n* Due to popular demand\, the Nation of Language performance on October 5\, 2025 has been moved from the Top Hat to The Wilma. All originally purchased tickets will be honored at the new venue. No exchanges necessary. Event details available here. \n\n\n\nFor more information on box office hours and ticketing please visit https://logjampresents.com/ticketing. Additional questions regarding ticketing can be directed to boxoffice@logjampresents.com. \n\n\n\n\n\n\n\nLogjam Presents welcomes Nation of Language for a live performance with Greet Death at The Wilma in Downtown Missoula at 8:00 pm Sunday\, October 5. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Nation of LanguageFour years on from the release of their unexpectedly self-assured debut album\, NYC based Nation of Language have attracted a rapidly growing international audience via their danceable and impassioned take on new wave\, post-punk & shoegaze genres. Following the critical acclaim of their their first LP Introduction\, Presence\, its 2021 follow-up A Way Forward pushed them to a wider audience—landing them their late-night TV debut on The Late Show with Stephen Colbert and a string of sold out tours—and their 2023 record Strange Disciple has continued this momentum\, landing Rough Trade’s coveted #1 album of the year spot. Now a mainstay atop lists of the best live acts of recent years\, the band continue to charge synth-first into their latest chapter as a major festival draw at recent iterations of Austin City Limits Festival\, Desert Daze\, Pitchfork Festival\, Primavera Sound\, Corona Capital\, Outside Lands\, Bonnaroo and many others. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Greet DeathTrue to the band’s name\, death creeps into nearly all of Greet Death’s songs. And yet\, through this ever-present certainty\, the band finds the absolute core of what it means to be alive. \n\n\n\nSince 2011\, elementary school friends Logan Gaval and Harper Boyhtari have been writing songs full of big ideas and everyday details. Their music\, loud and full of melodic sensibility\, draws from shoegaze\, doomgaze\, and a little-bit-of-everything-gaze\, creating an emotionally maximalist palette. Writing separately but playing together (think of them as small-town Michigan’s Tom DeLonge and Mark Hoppus)\, they’ve been drawing in a devoted crowd ever since their unexpectedly successful debut Dixieland in 2017\, followed by their next-level opus New Hell in 2019. You’d be hard-pressed to find albums with such heart: ones flooded both with full-bloom feelings and the dumb stories we tell ourselves in order to get through the day. \n\n\n\nReturning six years later with Die In Love\, their third and best album\, Greet Death faces the great human problem—that we must go on living despite knowing we’re going to die\, and loving despite knowing we’re going to lose it all—with great sensitivity\, humor\, and flourish. With this album\, Greet Death has found a way to anthemize our suffering\, to turn it into one great\, big\, beautiful singalong: we’re all gonna die\, woo! \n\n\n\n“Everybody struggles in a roundabout way\,” goes the album’s opening lyric. No longer just honing in on their own pain\, the band is now using suffering as a jumping-off point\, a way to connect\, and ultimately love one another. “Emptiness is everywhere\, so hold each other close\,” Harper sings later on\, another of the album’s key lyrics. After years of performing their songs live\, the band has seen firsthand how keenly their audience connects to their music. “So I wanted to try to write something less fatalistic\, because I feel some kind of responsibility to help\,” says Logan. \n\n\n\nPrior to recording\, Logan had been listening to a lot of The Beatles and Paul McCartney’s solo work\, “because I was trying to figure out how to write a song that wasn’t just depressing\,” he says. He and Harper had been talking for a while about the direction of Die In Love; why not a bunch of love songs?” They tried to do just that\, but of course\, death came creeping in as usual. Die In Love speaks to the most tragic and beautiful scenario possible: dying beside the person you’ve spent your whole life loving. Tragic\, because we have to die. Beautiful\, because we might be able to do it together. \n\n\n\nThey recorded the album in Harper’s parents’ basement in Davisburg\, Michigan\, the place where she and Logan spent much of their preteen and adolescent years. They cut their teeth in that basement\, learning how to be a band around the time School of Rock came out and inspired in aughts kids a new possible life path. Logan and Harper covered Metallica and Blink-182 and wrote songs about batteries and frozen yogurt. Returning to that basement well over a decade later to record their third album felt like the back-to-basics moment they needed\, something that would take the pressure off after years away from the studio. \n\n\n\nEver since they were kids\, music has been the primary form of communication for Logan and Harper. Between them\, they’re able to mine the absolute essence of everything both through big picture ideas and small vignettes of life. In Logan’s songs we hear the former\, and in Harper’s the latter. While Logan takes big\, beautiful hits at existence\, Harper focuses on small shards. On her songs — ‘Country Girl’\, ‘Emptiness Is Everywhere’ and ‘Love Me When You Leave’ — she takes us through DVD viewings of Halloween\, buckets at KFC and family gatherings soundtracked by ‘Hotel California\,’ “that bullshit Eagles song”. Then\, she’ll deliver a Loganism in quick succession\, one absolutely devastating lyric that blitzes it all to pieces: “family is everywhere ‘til it’s not there.” \n\n\n\nDie In Love asks how we can possibly cope with all the inevitable loss we’ll experience in this life. How on Earth can anyone survive it? The point is that none of us do. So\, enjoy the bullshit Eagles songs while they last; the cheap beer\, the disappointing New Year’s Eve celebrations\, the family members and the lovers who choose to stay a little while. \n\n\n\n“Pain and loss. Everyone feels it\, it’s a very human thing\,” says Logan. “At the end of the day\, we’re lucky to lose people we care about\,” says Logan.
URL:https://missoulaunderground.com/mugevent/nation-of-language-with-greet-death-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Music
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