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DTSTART;TZID=America/Denver:20251126T170000
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UID:10125339-1764176400-1764186300@missoulaunderground.com
SUMMARY:Thanksgiving Beer Run with The JIVE and Dr. Fly at KettleHouse Tap House Bonner
DESCRIPTION:Make the drive out to KettleHouse Brewing’s Bonner Tap House to stock up on beer to impress the guests for Thanksgiving with live music from The JIVE and Dr. Fly 5:00 pm to 7:45 pm Wednesday\, November 26\n\n\n\n\n\nGet your holiday libations sorted out with KettleHouse Brewing Company the day before Thanksgiving.Great deals happenin’ while The JIVE performs live jazz with Dr. Fly helping to bring in the holiday cheer! \n\n\n\nGreat food by Pattie Wagon starts at 4:00 pmLive Music from 5:00 pm to 7:45 pm!
URL:https://missoulaunderground.com/mugevent/thanksgiving-beer-run-with-the-jive-and-dr-fly-at-kettlehouse-tap-house-bonner/
LOCATION:Kettlehouse Tap House Bonner\, 605 Cold Smoke Avenue\, Bonner\, Montana\, 59823\, United States
CATEGORIES:Beer,Holiday Events,Jazz,Music,Thanksgiving
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2024/05/KettleHouse-Brewing-Tap-House-in-Bonner-Montana.jpg
ORGANIZER;CN="The JIVE":MAILTO:joodanm24@gmail.com
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DTSTART;TZID=America/Denver:20251126T170000
DTEND;TZID=America/Denver:20251126T210000
DTSTAMP:20251119T185121Z
CREATED:20251119T185119Z
LAST-MODIFIED:20251119T185121Z
UID:10125273-1764176400-1764190800@missoulaunderground.com
SUMMARY:Whistling Wonderland opening night with The Bad Larrys at Andy's Crafthouse
DESCRIPTION:Andy’s Crafthouse in Bigfork hosts live music by The Bad Larrys starting 5:00 pm Wednesday\, November 26 for the grand opening of their Whistling Wonderland Christmas Pop-Up Bar filled with twinkling lights\, festive decor\, and handcrafted holiday cocktails from Whistling Andy Distilling\n\n\n\n\n\nWhistling Wonderland is back!Join us at Andy’s Crafthouse on Wednesday\, November 26th for the grand opening of our Christmas Pop-Up Bar filled with twinkling lights\, festive decor\, and handcrafted holiday cocktails from Whistling Andy Distilling. \n\n\n\nOpening night features live music by The Bad Larry’s\, setting the perfect tone for the start of the season. \n\n\n\nAll December long\, enjoy holiday-themed events\, from trivia nights and cookie decorating to our annual Aged Egg Nog release and our 15th Anniversary. \n\n\n\nSave the date\, and bring your friends.Whistling Wonderland is your holiday hangout this season!
URL:https://missoulaunderground.com/mugevent/whistling-wonderland-opening-night-with-the-bad-larrys-at-andys-crafthouse/
LOCATION:Andy’s Crafthouse\, 8030 MT Hwy 35\, Bigfork\, Montana\, 59911\, United States
CATEGORIES:Acoustic,Americana,Christmas,Country,Country Music,Cover Bands,Covers,Holiday Events,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/10/Andys-Crafthouse-in-Bigfork-Montana-logo.jpg
ORGANIZER;CN="The Bad Larrys":MAILTO:jaybadlarry@msn.com
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DTSTART;TZID=America/Denver:20251126T193000
DTEND;TZID=America/Denver:20251126T230000
DTSTAMP:20251106T082709Z
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UID:10124425-1764185400-1764198000@missoulaunderground.com
SUMMARY:Trivium Struck Dead Tour with Jinjer and Heriot at The Wilma
DESCRIPTION:Logjam Presents welcomes Trivium for a live performance with Jinjer and Heriot at The Wilma in Downtown Missoula at 7:30 pm Wednesday\, November 26\n\n\n\n\n\nLogjam Presents welcomes Trivium for a live performance with Jinjer and Heriot at The Wilma in Downtown Missouila at 7:30 pm Wednesday\, November 26. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout TriviumVarious belief systems throughout history exalt the number 10 as divine. 10 years comprise a decade\, we traditionally possess 10 fingers and 10 toes\, our very decimal system remains based  on 10\, and so on and so forth. Trivium grasp for collective perfection on their 10th full-length offering\, In The Court of the Dragon [Roadrunner Records]. Following 22 years\, over 1 million units moved\, hundreds of sold-out shows\, and half-a-billion streams\, the GRAMMY® Award nominated Florida quartet—Matt Heavy [vocals\, guitar]\, Corey Beaulieu [guitar]\, Paolo Gregoletto [bass]\, and Alex Bent [drums]—deliver a definitive statement cast in ironclad guitar fireworks\, pummeling rhythms\, lyrical provocations\, and stadium-shaking choruses. It springs from the past\, seizes the present\, and hints at the future of Trivium—and metal—all at once. \n\n\n\n“Getting to album 10 felt momentous\,” says Paolo. “Not many bands get this far\, so it had to live up to being the 10th record. We didn’t know if we were going to be able to tour\, so it had to still be impressive enough to keep everyone’s attention. It was the sole focus for the last ten months. We had to make sure we met the bar we’ve set for our fans and ourselves.” \n\n\n\n“To be 10 records in is an accomplishment in and of itself\,” agrees Corey. “To us\, this music felt special. We’re the strongest we’ve ever been as friends and as a band. I hope it shows in the songs.” “I feel like we’re four people who just started a new band with all of the aspirations and dreams in the world\,” exclaims Matt. “I’m excited to go to practice. I’m excited to play our music. I’m very happy to be in the band with these three guys. 22 years into this thing\, that’s incredible.” \n\n\n\nThose 22 years have set the stage for this era. Trivium crafted a classic in the form of Ascendancy. It concluded 2005 as KERRANG!’s “Album of the Year\,” went gold in the UK\, and has since surpassed global sales of 500\,000 copies. Retrospectively\, Metal Hammer cited it in the Top 15 of the “The Greatest Metal Albums of the Century.” They’ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3 debuts on the Top Rock Albums Chart. One of many standouts from 2017’s The Sin and The Sentence\, the single “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.” The quartet reached new heights on 2020’s What The Dead Men Say\, appearing everywhere from The New York Times\,NPR\, Forbes\, Billboard\, Tech Crunch\, and Kotaku to Revolver and Alternative Press. They are the rare band who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of thousands on a Twitch stream. \n\n\n\nIn the midst of the Global Pandemic\, the members safely congregated in order to practice and volley ideas back and forth. During the summer\, Alex and his wife moved across the country from California to Florida as Paolo also relocated back home. Once conditions permitted\, they returned to the studio in Full Sail University with producer Josh Wilbur [Lamb of God\, A Day To Remember] in 2021. \n\n\n\n“When I moved\, everything changed\,” says Alex. “We could easily get on a group text to practice or write virtually anytime. It isn’t like I had to hop on a plane anymore. Everything was so much simpler and smoother. We weren’t working with any time limitations\, and everything paid off.” It most certainly did…Trivium sent shockwaves through heavy metal with the surprise release of the first single and title track “In The Court of The Dragon.” Within a month\, the song piled up millions of streams as Guitar World hailed it as “one of the standout metal tracks of the year.” With its striking renaissance-inspired artwork\, enigmatically unnerving fantasy visual\, and conflagration of guttural screams\, hammering percussion\, orchestral intro courtesy of Ihsahn [Emperor]\, and sweeping hooks\, it unlocked a gateway into another realm. \n\n\n\n“As far as the meaning goes\, there is no right or wrong answer\,” grins Matt. “I want people to come up with their own interpretations of everything they hear\, see\, and experience on In The Court of the Dragon. Of course\, I’m obsessed with Scandinavian stories\, Vikings\, Japanese history\, and the tales of Odin\, Thor\, Ragnarok\, and the end of the world\, Paolo was like\, ‘Why don’t we create our own mythology?’ We’ve definitely used pre-existing myths for inspiration in the past. We created our own myth now.” \n\n\n\nMeanwhile\, “Feast Of Fire” burns bright with a massive chant hyper-charged by nimble melodic thrash and a smart-bomb precise solo. “To us\, ‘Feast Of Fire’ is in the direct lineage of ‘Dying In Your Arms’\, ‘Unti The World Goes Cold’\, and ‘Black’\,” Matt observes. “We really fleshed it out perfectly with the chorus\, and it was meant to feel big.” \n\n\n\nThen\, there’s “Like A Sword Over Damocles.” A hulking groove gives way to a skyscraping refrain uplifted by thick distortion. \n\n\n\n“I had the initial backbone of the song\, and I really wanted to do a barnburner\,” Corey reveals. “I had researched the concept. It was a cool story about the struggles of being someone in power  and always having people question you. What happens when the person who’s questioning you has your job and responsibility? They don’t want it. Paolo built on that idea\, and we made our own story. I’m really stoked for everyone to hear it.” \n\n\n\nThe near eight-minute “Fall Into Your Hands” originated on Matt’s uber popular daily Twitch stream and organically progressed into one of the most epic compositions in the band’s catalog. However\, everythingculminates on “The Phalanx.” It twists and turns through incendiary leads\, heart-wrenching screams\, an entrancing melody\, and final symphonic comedown. “Thematically and musically\, the song has three acts\,” Matt states. “For as conceptual as it is\, it also reflects our chemistry in the room. Since we’re so technically proficient at our instruments and I spend hours singing every day on stream\, we’re over prepared. For In The Court of the Dragon and What the Dead Men Say\, we went in and played without thinking. We default to technical\, elaborate\, and long ideas\, because that’s what we grew up on. It all felt natural.” \n\n\n\nIn the end\, Trivium have inched towards this moment for ten albums and finally arrived like never before as they triumphantly rise In The Court of the Dragon. \n\n\n\n“This album has everything\,” Matt leaves off. “It has the singing\, the screaming\, the death metal\, the black metal\, and the catchy metal. When we have all of those elements together\, we’re the happiest. It’s the key to Trivium.” \n\n\n\n“This is a new chapter\,” Paolo concludes. “We’re crossing into something else. I don’t know what it is\, but I’m excited for it. We have a lot left in us\, and I want to prove that.” – Rick Florino\, August 2021 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout JinjerThrough their relentless hard work\, non-stop touring and critically acclaimed /chart-breaking releases gaining over 250M streams/views across all platforms globally – JINJER are truly one of modern metal’s hottest and most exciting bands around today. The band has become synonymous with doing things their own way and breaking every rule in the Heavy Metal handbook- which they made loudly clear on their hugely successful fourth studio album: WALLFLOWERS. \n\n\n\nIn less than12 years\, the four-piece Progressive Groove metal wrecking machine known as JINJER have carved their very own place in the Metal landscape. Hailing from Donetsk but now based in Kiev\, this Ukrainian musical oddity formed in 2009 but consider the official start of the band with the addition of the incredible vocalist and Femme Fatale Tatiana Shmayluk in 2010. The band labored intensively and honed their sound in practice rooms and local stages relentlessly\, culminating in their now cult debut album release INHALE\, DO NOT BREATHE in 2012 and winning Best Ukrainian Metal Band in 2013. They would be awarded this prize again a few years later.
URL:https://missoulaunderground.com/mugevent/trivium-struck-dead-tour-with-jinjer-and-heriot-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Hardcore,Metal,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
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