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DTSTART;TZID=America/Denver:20260129T180000
DTEND;TZID=America/Denver:20260129T200000
DTSTAMP:20260105T033854Z
CREATED:20260105T033852Z
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SUMMARY:Bluepoint Bluegrass at Bitter Root Brewing
DESCRIPTION:Catch Bluepoint for an acoustic evening of Bluegrass Americana 6:00 pm to 8:00 pm Thursday\, January 29 at Bitter Root Brewing in Hamilton\n\n\n\n\n\nBluepoint is a fusion of old-time\, bluegrass\, and folk music… more or less acoustic Americana. The five-piece string band ensemble has been making music for three years now and plays a tasteful selection of classic traditional and original tunes with melodies that you’ll surely be whistlin’ after the show. Come join us for both new and old sounds in the world of acoustic music!
URL:https://missoulaunderground.com/mugevent/bluepoint-bluegrass-at-bitter-root-brewing/
LOCATION:Bitter Root Brewing\, 101 Marcus Street\, Hamilton\, Montana\, 59840\, United States
CATEGORIES:Acoustic,Americana,Banjo,Beer,Bluegrass,Fiddle,Folk,Music,Old Time
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2022/03/Bitter-Root-Brewery-logo-hz-JPG.jpg
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DTSTART;TZID=America/Denver:20260215T200000
DTEND;TZID=America/Denver:20260215T230000
DTSTAMP:20260211T180815Z
CREATED:20260122T070133Z
LAST-MODIFIED:20260211T180815Z
UID:10129174-1771185600-1771196400@missoulaunderground.com
SUMMARY:Hayes Carll - We're Only Human Winter 2026 Tour with Ryan Montbleau at The Top Hat (SOLD OUT)
DESCRIPTION:(SOLD OUT) Logjam Presents welcomes Hayes Carll for a live performance on the “We’re Only Human” Winter 2026 Tour with Ryan Montbleau at The Top Hat in Downtown Missoula at 8:00 pm Sunday\, February 15\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Hayes Carll for a live performance on the “We’re Only Human” Winter 2026 Tour with Ryan Montbleau at The Top Hat in Downtown Missoula at 8:00 pm Sunday\, February 15. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only with limited bench seating. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Hayes CarllHayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life\, quieting the noise\, and sitting with his real voice – the one that’s candid\, consistent\, and often inconvenient. \n\n\n\n“We’re Only Human” is Carll’s tenth album. Like his best lyrics\, it is also an understated masterpiece\, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to\, well\, ourselves\, in the midst of confusing\, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. \n\n\n\n“I’ve lived outside of myself for so long\,” Carll admits. “Distractions\, fear\, anxiety\, insecurity\, and the complexity of being human in this world have so often pulled me away from being present or at peace.” \n\n\n\n“I feel like there’s been a voice riding shotgun all my life\, pushing me to do better\, but I’ve struggled to listen to it\,” Carll says. “The idea behind this record was to do the personal work I needed to do\, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if\, and inevitably when\, I get lost again.” \n\n\n\nCarll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe\, but many of Nashville’s stars have recorded them\, including Kenny Chesney\, Lee Ann Womack\, and Brothers Osborne. As a solo recording artist\, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals\, wit\, and heart dance through wordplay that’s always clever\, and never too precious. Through it all\, whenever Carll points a finger\, it’s most often at himself. \n\n\n\nAs We’re Only Human collects moments of Carll figuring out how to be with himself\, the songs feel forthright\, hopeful\, and timely. In today’s onslaught of instant gratification\, rage-baiting headlines\, glorified intolerance\, and falling empathy\, the record is a startling outlier: an artist’s raw\, real-life effort to live well—both with himself and others. Carll embraces private epiphanies\, and shares them with the world\, allowing them to unfold for all to see and share. \n\n\n\nOf course\, We’re Only Human is also art. So while appreciating the motivation and compelling themes driving it will underpin the listener’s experience\, Carll’s album also matters because of the sheer brilliance of its execution. These are songs composed by a writer’s writer\, wielding his considerable skill with precision and beauty. \n\n\n\nThe album’s title track unfolds with plaintive piano and a mantle of grace. Carll sings\, with a calming sincerity\, “We’ll do most anything to avoid the pain / Hiding our hearts and casting the blame / 6\,000 tongues\, but we’re all the same / Ain’t no need to carry that shame / ‘Cause we’re only human.” \n\n\n\nHard-won minutes of quiet clarity inspired some of the record’s most beautiful moments. Accented by bright mandolin and soft\, simple percussion\, “Stay Here a While” captures a peaceful reprieve from a racing mind. “I remember sitting on the couch\, looking out the window\, watching the birds do their thing\,” Carll says with a laugh. “I got lost in their lives for a moment\, and it was such a wonderful feeling because my mind is always going in circles\, seeking excitement\, and frankly\, just thinking about myself. I enjoyed the peace I felt in that moment and I thought\, this is lovely and I’d like to stay in this place.” Carll shared that takeaway with MC Taylor\, aka Hiss Golden Messenger\, who not only could relate\, but helped finish the song. \n\n\n\n“High” offers another invitation to stop and breathe. Opening with a solo horn\, flute\, and stripped down piano\, the track is lovely and sincere\, with Carll’s signature humor hovering comfortably nearby. There are also times when Carll’s sharp wit comes roaring to the foreground. “Progress of Man (Bitcoin and Cattle)” sends up society’s disorienting––and conflicting––forces\, while “Good People (Thank Me)” is a masterclass in comedic timing\, stubborn humanism\, and the untapped potential of gratitude. \n\n\n\nA dogged insistence on acceptance\, both of one’s self and others\, courses through the album— as does Carll’s determination to hold himself accountable. “If I’m judging others\, then I’m not having to look at myself\,” Carll says. “I’m flawed as hell\, judgmental\, and critical of myself and those around me. That’s a loop that feeds itself. But I figure If I can look at myself clear-eyed and acknowledge my own shortcomings\, it might help me have some grace and acceptance for myself and others.” \n\n\n\nIt’s that sort of harmonious duality––embracing one’s self and confessing one’s own mistakes––that solidifies the record’s big-hearted honesty. “The creative process was in large part a self-therapy session. I don’t think that would work if I was only looking at everyone else’s issues\,” Carll says. \n\n\n\nA moving series of grounding vignettes\, realizations\, and self-love roll through “What I Will Be\,” as Carll promises to not compromise himself to fit in. A slow-burning\, blues-tinged standout\, “I Got Away with It” is painful and gorgeous. Brimming with hope\, “One Day” balances the work Carll sees as necessary with the certainty that satisfaction\, contentment\, and peace are reachable by trusting in yourself and the universe. \n\n\n\nFeaturing a parade of Carll’s longtime friends\, album closer “May I Never” is a plea to himself. As Ray Wylie Hubbard\, Shovels & Rope\, Darrell Scott\, Nicole Atkins\, and The Band of Heathens’ Gordy Quist and Ed Jurdi each take verses\, listeners are swept up in a resolute promise to keep after good. “It brings up a lot for me when I hear them singing those lines\,” Carll says. Each of those people – whether they know it or not – have played a part in my story\, and it’s gratifying and humbling to me to have them lend their voices to this song.” \n\n\n\nIn the end\, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it\, too” Carll says. “Through it all\, I am trying to stay appreciative\, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Ryan MontbleauA relentless road warrior and masterful wordsmith\, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty\, Galactic\, Steel Pulse\, Tall Heights\, Martin Sexton\, Anders Osborne\, and George Porter\, Jr; shared bills with the likes of Tedeschi Trucks Band\, Ani DiFranco\, Todd Snider\, The Wood Brothers\, Rodrigo y Gabriela\, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent\, soulful songwriting” to Bill Withers and James Taylor\, while Relix celebrated his “poetic Americana\,” and The Boston Herald raved that “he’s made a career of confident\, danceable positivity.” \n\n\n\nMontbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before\, touching on folk\, rock\, funk\, soul\, hip-hop\, and reggae\, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable\, grappling with a modern world perpetually teetering on the edge of chaos\, but the performances are relentlessly optimistic\, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet\, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love.
URL:https://missoulaunderground.com/mugevent/hayes-carll-were-only-human-winter-2026-tour-with-ryan-montbleau-at-the-top-hat/
LOCATION:Top Hat\, 134 W. Front Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/02/The-Top-Hat-Lounge-e1585257580391.jpg
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DTSTART;TZID=America/Denver:20260409T180000
DTEND;TZID=America/Denver:20260409T200000
DTSTAMP:20260409T070156Z
CREATED:20260409T070154Z
LAST-MODIFIED:20260409T070156Z
UID:10134020-1775757600-1775764800@missoulaunderground.com
SUMMARY:TNR / Thursday Night MTB Ride Missoula - Blue Mountain
DESCRIPTION:Meet up with TNR at 6:00 pm for this week’s Thursday Night MTB Ride Missoula at the Blue Mountain Trailhead parking area\n\n\n\n\n\nBlue Mountain RideIt looks like it going to be about 30 degrees warmer than last Thursday! Meet at the main Blue Mountain Trailhead\, and the group will decide on the route.Meeting PointBlue Mountain TrailheadTrail MapBlue Mountain AreaHave a good one!
URL:https://missoulaunderground.com/mugevent/tnr-thursday-night-mtb-ride-missoula-blue-mountain/
LOCATION:Blue Mountain Parking Lot & Trailhead\, Blue Mountain Road & Forest Hill Lane\, Missoula\, Montana\, 59804\, United States
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/07/Blue-Mountain-Missoula-Trailhead-Sign.jpg
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DTSTART;TZID=America/Denver:20260604T180000
DTEND;TZID=America/Denver:20260604T203000
DTSTAMP:20260604T212155Z
CREATED:20260604T212153Z
LAST-MODIFIED:20260604T212155Z
UID:10140751-1780596000-1780605000@missoulaunderground.com
SUMMARY:TNR / Thursday Night MTB Ride Missoula - Blue Mountain - Hayes Creek & Orchard Trails
DESCRIPTION:Meet up at Missoula’s Blue Mountain Trailhead with TNR at 6:00 pm for this week’s Thursday Night MTB Ride up to the Hayes Creek and Orchard Trails\n\n\n\n\n\nBlue Mountain – Hayes Creek & Orchard TrailsThe trails are in great shape after all that rain! This week we’ll head down out Blue Mountain and ride the Hayes Creek and Orchard Trails. \n\n\n\nMeeting PointBlue Mountain Main Trailhead \n\n\n\nTrail MapTNR Hayes PointHave a good one!
URL:https://missoulaunderground.com/mugevent/tnr-thursday-night-mtb-ride-missoula-blue-mountain-hayes-creek-orchard-trails/
LOCATION:Blue Mountain Parking Lot & Trailhead\, Blue Mountain Road & Forest Hill Lane\, Missoula\, Montana\, 59804\, United States
CATEGORIES:Bicycle Club Rides,Cycling,Mountain Biking
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/07/Blue-Mountain-Missoula-Trailhead-Sign.jpg
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DTSTART;TZID=America/Denver:20260611T170000
DTEND;TZID=America/Denver:20260611T210000
DTSTAMP:20260602T052903Z
CREATED:20260602T052734Z
LAST-MODIFIED:20260602T052903Z
UID:10140363-1781197200-1781211600@missoulaunderground.com
SUMMARY:Downtown ToNight at Caras Park
DESCRIPTION:Downtown ToNight returns to Caras Park for another epic summer in Downtown Missoula with live music\, food trucks\, children’s activities and Missoula Makers Collective Summer Market pop-up 5:00 pm to 9:00 every Thursday from June thru August – featured music on June 11 is the Blue Point Bluegrass Band\n\n\n\n\n\nDowntown ToNight is back for another epic summer along the Clark Fork River in the heart of Missoula with live music\, local food trucks\, a pop-up bar with adult beverages\, children’s activities\, and the Missoula Makers Collective Summer Market. Shop over 30 local makers while you dance to the music and enjoy local eats. Soak up the energy and enjoy the heart of Downtown Missoula! \n\n\n\nFeatured Live Music at Downtown ToNight on Thursday\, June 11 will be the Blue Point Bluegrass Band\n\n\n\nChildren’s Activity: Missoula County FairgroundsPop-Up Bar: The BadlanderSponsors: Black Knight Security and Missoula in MotionSeason Sponsors: Opportunity Bank and NorthWestern EnergyMedia Sponsor: The Trail 103.3
URL:https://missoulaunderground.com/mugevent/downtown-tonight-at-caras-park-10/
LOCATION:Caras Park\, Missoula MT\, 123 Carousel Dr\, Missoula\, Montana\, 59801\, United States
CATEGORIES:Children,Children Crafts,Craft Fairs,Festivals,Food Truck Festivals,Food Trucks,Kids,Music,Shopping
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2026/06/Caras-Park-Downtown-Tonight.jpg
ORGANIZER;CN="Missoula Downtown Association":MAILTO:info@missouladowntown.com
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DTSTART;TZID=America/Denver:20260625T193000
DTEND;TZID=America/Denver:20260625T230000
DTSTAMP:20260601T165144Z
CREATED:20260601T165142Z
LAST-MODIFIED:20260601T165144Z
UID:10140344-1782415800-1782428400@missoulaunderground.com
SUMMARY:Dierks Bentley - Off the Map 2026 Tour with Mountain Grass Unit and Cole Goodwin at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner at 7:30 pm Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner on Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Dierks BentleySeven albums into one of country music’s most-respected and most-unpredictable careers\, award-winning singer/songwriter Dierks Bentley continues to grow. His latest evolution comes in the form of RISER\, a project due out Feb. 25\, 2014 that stands as his most personal to date. \n\n\n\nWritten and recorded in the year following his father’s death\, the album draws its title from “I’m A Riser\,” a song about resilience and determination. “I’m A Riser” works as a commentary on spiritual\, personal and societal recommitment\, but it also applies to the competitive battlefield of the music industry. It’s particularly appropriate for an album about rejuvenation delivered by Bentley. \n\n\n\n“Life in general has a way of knocking you down\,” Bentley says. “It’s different reasons for different folks – could be personal reasons\, could be family reasons\, your job\, drugs\, alcohol. That song really applies to anybody that’s lived. There have always been those moments when we have to get back up and get on our feet. They are defining moments…breakthrough moments.” \n\n\n\nAccepting change – and growing from it – is a key theme in RISER\, and it is reflected by the tone of the album\, which demonstrates a new artistic depth and an extra level of intensity for Bentley. It evolves from track to track\, exuding a range of emotions\, all the while impressing upon the listener that Bentley’s instinct for a hit is stronger than ever. Bentley made significant reconfigurations in his creative team to shake up his sonic texture without sacrificing his commercial drive. He re-enlisted executive producer Arturo Buenahora\, Jr.\, who worked on Bentley’s first two albums; and utilized producer Ross Copperman\, who co-wrote “Tip It On Back” for Bentley’s previous album Home. \n\n\n\nThe new atmosphere yielded the most focused and intense vocals of Bentley’s career. Some were recorded live with the band as the musicians laid down the tracks\, but others were captured in less-than-obvious locales. One track’s vocal was recorded on Bentley’s tour bus. Still others were cut at Copperman’s house with the producer literally at Bentley’s side\, pushing him to some of his most emotional\, and seasoned\, performances. \n\n\n\n“It’s not even really a studio\,” Bentley says of Copperman’s set-up. “It’s just kind of a corner of the house he’s taken over\, so there was a kind of intimacy to the vocal process. It was important to get out of the studio and sing in different places\, and to do it with other people in the room. That way\, you have an audience and you get a sense of what’s working\, what’s not working\, when it’s feeling good\, not feeling good. It brings a little more emotion and energy out of your voice.” \n\n\n\nSince making a life-altering drive with his father from Phoenix to Nashville when he was 19 years old\, Bentley has forged his own path in an industry built predominantly on formula. He has mixed elements of modern country\, classic country\, bluegrass and rock\, maintaining an unmistakable identity while constantly reinventing his sound. His album Home debuted at No. 1 and spawned three consecutive chart-topping hits\, marking 10 career No. 1 songs for Bentley as a singer and songwriter. His five previous studio albums have sold more than five million copies\, garnered 11 GRAMMY nominations and earned him an invitation to join the Grand Ole Opry. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Mountain Grass UnitMountain Grass Unit\, from Birmingham\, Alabama\, is a young quartet redefining bluegrass with a fresh narrative. Comprised of Drury Anderson (mandolin\, vocals)\, Luke Black (guitar\, vocals)\, Josiah Nelson (fiddle\, vocals)\, and Sam Wilson (bass\, vocals)\, they blend tradition with bold exploration. Their journey began with a shared musical passion\, forming a sound that merges bluegrass with country\, jazz\, funk\, rock\, and metal influences. Their debut EP\, “Runnin’ From Trouble\,” released in 2024\, showcases their original music and inventive covers\, inspired by legends like Tony Rice and Billy Strings. \n\n\n\nRecorded at Nashville’s Hartland Studios\, and produced by Mike Harris (Old Crow Medicine Show)\, the EP captures their live energy. The leading single\, “Hey Mama\,” explores life’s transitions with inquisitive lyrics\, while “Cicada Song” and “Smugglin’” highlight their funk and traditional sides. \n\n\n\n2024 marked a turning point with performances at Renewal\, DelFest and WinterWondergrass\, broadening their audience and deepening their musical exploration. With plans for extensive touring\, festival sets\, and new music\, Mountain Grass Unit is ready to share their luminous sound with the world\, each performance a new chapter in their unfolding story. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Cole Goodwin24-year-old singer/songwriter Cole Goodwin has garnered attention for his strong\, textured voice paired with his meaningful writing and return to old-school Country sound. The Pooler\, Georgia\, native burst on the scene in 2023 with the release of his original\, self-produced EP Soon Enough. Cole has toured the Southeast playing honky tonks\, clubs and festivals\, as well as opening shows for artists including Zach Top and Billy Currington. Last year\, the up-and-coming artist released what are now fan-favorite songs including “When You Get Home\,” co-written with fellow Georgia Southern University alum Will Moseley\, and “Catchin’ On\,” written with songwriter Justin Dukes. Cole was voted Savannah’s Best Country Artist of 2023 and 2024\, as well as 2024’s Best Singer/Songwriter\, Best Local Concert\, and Best All-Around Musician. Recently signed to Big Machine Records\, more new music from Cole is expected throughout the summer as he crisscrosses the country opening on select dates of Luke Bryan’s Country Song Came On Tour.
URL:https://missoulaunderground.com/mugevent/dierks-bentley-off-the-map-2026-tour-with-mountain-grass-unit-and-cole-goodwin-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Americana,Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
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