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DTSTAMP:20260610T103237
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SUMMARY:Margo Price "Wild at Heart" Tour with Logan Ledger at The Wilma
DESCRIPTION:Logjam Presents welcomes Margo Price for a live concert performance on her “Wild at Heart” Tour with Logan Ledger at The Wilma in Downtown Missoula at 8:00 pm Sunday\, November 2\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Margo Price for a live concert performance on her “Wild at Heart” Tour with Logan Ledger at The Wilma in Downtown Missoula at 8:00 pm Sunday\, November 2. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor / standard balcony and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Margo PriceNearly a decade ago\, Margo Price turned Nashville on its head with her breakthrough\, beloved debut solo album\, Midwest Farmer’s Daughter. Released in the throes of bro-country and before pop stars were crossing over into the genre left and right\, it showcased an artist completely unafraid to double down not only on herself\, but what she’d always loved: classic country songs written from the intellect and the gut\, hell-bent on truth-telling and both timeless and urgent all at once. Respected by her peers\, praised by critics and beloved by her fans\, Price created a lane where independent-minded\, insurgent country music can exist and thrive alongside the mainstream\, and became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A trailblazer and a champion for the craft\, Price redefined what it meant to be a modern country artist. \n\n\n\n    And now she’s back with an exquisite\, truly timeless album that reconnects with her roots and pays tribute to the art of the country song\, inspired in part by the legends whom she now calls colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to march forward while staying true to yourself when the path of less resistance is right there in front of us\, and short cuts are around every corner. And a way to look back when we need to trim what is no longer working\, and to stay connected with where we’re from. It is a promise and a manifesto\, a love song to both a city and a genre\, and a defiant cry for individuality. \n\n\n\nIn creating Hard Headed Woman\, Price brought all of her power as one of  our most beloved and respected songwriters to craft a deep exploration of love and America in a time of unprecedented uncertainty. Featuring appearances from Tyler Childers\, co-writes with Rodney Crowell and a Waylon Jennings song that his widow\, Jessi Colter\, urged her to sing\, it is country music as only Price can make it: free of rules\, cherishing tradition\, hard headed to the core but with a delicate\, beating heart. \n\n\n\nSince releasing Midwest Farmer’s Daughter\, Price has barely slowed down. She’s made four records\, played Saturday Night Live\, been nominated for a Grammy\, toured the world alongside artists like Chris Stapleton and Willie Nelson\, released a lauded memoir (Maybe We’ll Make It\, due on paperback September 2nd)\, became an in-demand producer and was appointed as the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to genre\, venturing into psychedelic rock on her most recent\, Jonathan Wilson-produced record\, Strays. It would have been easiest to just stay that course\, and keep running. But Price doesn’t follow success or comfort. She follows the art. \n\n\n\n    It took a whole lot of hard work and honesty with herself and others to get there\, but that’s never stopped Price before.  “I made the decision that I had to rebuild everything from the ground up\,” Price says. “There’s all this pressure to be pumping out content\, and I felt the opposite in the way I wanted to approach this record and my life in general.” \n\n\n\n    Price had also established herself as one of the most passionate\, vocal artists in country music and beyond when it came to standing up for political and personal causes\, from the presidential election\, to abortion to gun control: happily hard headed when it came to the fight for equality and justice\, especially for the working class and underserved in our society. Price has always brilliantly woven her activism into her songs\, but her role as a spokesperson had started to overtake\, on occasion\, her role as a songwriter. She wanted to focus on using her written word to deliver the most potent punch of all. \n\n\n\n    “I always hope to do like Johnny Cash did\,” Price says\, “which is speak up for the common man and woman. But there have been so many threats and anger and vitriol over the years\, when I am only coming from a place of love.” \n\n\n\nPrice realized she just needed a break from everything outside of the bubble of family life and her art. She started spending more time at home\, writing songs alone and with her husband\, Jeremey Ivey. She started popping up in the dive bars and tiny venues around Nashville where she got her start\, sometimes just to play a country cover or two or dance with the crowd. She refused guidance to write for pop stars or compromise her values for a quick buck. Most of all\, she turned the emphasis in her music back to songwriting\, exactly where she began.          \n\n\n\n“So much of Strays was leaning into this psychedelic\, textural territory\,” says Price. The music lent itself to vibrant\, heavy stage jams\, with Price often hopping behind the drumkit and bruising her thigh from a tambourine beat. She found herself longing for the days when it was just her and her guitar\, playing at an East Nashville dive bar. “I always knew\,” she adds\, “I would come back to this more rooted sound.” \n\n\n\n    Hard Headed Woman is rooted to its core. Rooted in Price’s history and struggle to make it as a musician for so many years in a town that prizes uniformity and the bottom line\, rooted in the country and folk sounds that have become her signature\, rooted in the simplicity of a few key collaborators instead of songs-by-committee. At the heart of Price’s work is her creative partnership with Ivey\, with whom she describes as having a “soul connection.” “I’m a songwriter\,” Price says. “I’m not somebody who goes out and needs five people to craft a song\, and then tack my name on it. That’s never been my style. I have something to say.” \n\n\n\nSomething to say\, nothing to prove. The first song they wrote for the album that would become Hard Headed Woman was “Close to You\,” a simple\, pining call for a lover that is infused with the sounds of the desert. It’s unfettered and truth-telling\, accented by some flamenco guitar and Price’s gorgeous\, urgent vocals. “We played the jukebox while democracy fell\,” Price sings\, never letting her songs fall out of the context in which they exist. It’s the kind of thing that only she could write\, carrying both love and fear in one single line. \n\n\n\nAs more songs started to form\, an early boost of confidence came from her friends Rodney Crowell and Emmylou Harris\, who heard some of the work at a political fundraiser and encouraged Price to keep going.  “I have both of them to thank for building me up and making me believe in the songs I am writing in this season of my life\,” Price says. Crowell remained not only an inspiration and supporter of the album but a contributor: he co-wrote two songs with Price and Ivey. \n\n\n\n    The album that unfolded from there is drenched in Price’s unique story and unshakeable instincts: while Midwest Farmer’s Daughter was about her journey from childhood to Nashville\, Hard Headed Woman is very much her battle since from dive bars to tour buses\, through parenthood and marriage\, through scrutiny and sacrifice all while fighting constantly for what she believes in\, and the music she loves. It begins with a proclamation on the prelude\, which serves as the album’s mission statement: or\, Price puts it\, “a disclaimer and reminder that I don’t owe you fucking shit.” \n\n\n\n    Songs like the album’s lead single\, “Don’t Let the Bastards Get you Down\,” speak for the downtrodden and the forgotten\, an “anthem for people who are being overlooked in society and need to be lifted up\,” Price says\, “because we are up against so much right now.” As so many of Price’s songs do\, it speaks both for the personal and the political all at once. Price was inspired by the message Kris Kristofferson whispered to Sinead O’Connor when she was booed on stage at a Bob Dylan 30th Anniversary show\, and even got Kristofferson’s widow’s blessing to include his name on the credits. “I always admired Kris for how he stood by her in that moment\, instead of pulling her off the stage like they told him\,” Price says. It serves as a reminder to anyone who encounters resistance in the face of fighting for justice to keep going\, especially when it would be so much easier to capitulate and cower. \n\n\n\n“The song was originally written for a movie that never happened\, but it feels so timely with everything that’s going on in the world\,” Price explains. “The phrase\, ‘Don’t Let The Bastards Get You Down’ originates from Margaret Atwood’s brilliant 1985 piece of literature\, The Handmaid’s Tale. It’s referred to in Latin and used as a rallying cry for resistance against the oppressive regime that symbolizes resilience and hope in the face of adversity. Nolite te Bastardes Caborundorum.” \n\n\n\n    That spirit resonates all across the songs of Hard Headed Woman. The blistering “Don’t Wake Me Up” was based around some writings that Ivey stumbled upon in one of Price’s notebooks\, inspired in part by her deep readings of Frank Stanford\, one of her favorite poets due to his freewheeling work free of boundaries. They spun it all into song in minutes that chugs with the essence of Dylan’s “Subterranean Homesick Blues”: “The way this world is going\, ain’t where I’m at\,” Price howls in her powerful\, unmistakable voice. “Nowhere is Where\,” turns slow and contemplative\, road-worn but never broken\, the call of someone who has been to the mountain but never forgets the prairie below. And “Losing Streak” whirls in with an organ and out with a weary\, world-worn defiance: our worst times don’t define us\, but they’re always part of who we are. \n\n\n\nThere are songs that go back to the beginning of Price’s early grind\, like the western-tinged “Wild at Heart\,” reflecting on how much her life and the city of Nashville has changed over the years – and how important it is to stay true to exactly who you are despite it all. Another\, called “Red Eye Flight\,” is about both leaving a lover and also leaving her longtime band the Pricetags. “I’ve been with those players for ten\, thirteen years\,” she says. “But I could feel that I needed to make a change\, and to change texturally what’s going on with the band. But it’s a familial bond\, different than a friendship.” \n\n\n\nThere are a few choice covers and cuts\, too: “Love Me Like You Used To Do” is by Price’s friend Steven Knudson\, an unsung Nashville writer on whom she hopes to shine a spotlight (helping to elevate the town’s incredibly talented but buried voices is one of Price’s favorite pastimes). Friend Tyler Childers joins Price on that waltzing country ballad\, while “I Just Don’t Give a Damn” is Price’s “Jolene goes to Memphis” take on the Jimmy Peppers and George Jones classic. And showcasing how Price has been trusted by the greats to lead the next generation of country music renegades\, “Kissin You Goodbye” was given to Price by Jessi Colter\, Waylon Jennings’ widow\, when Price was producing her record. They’re songs chosen to appreciate the past and the present as she sees it – not as Music Row or the algorithm might dictate – and place Price squarely amongst her heroes as a living and breathing part of the new country tradition. \n\n\n\n    When it came time to record Hard Headed Woman\, it was important for Price to keep that ethos alive\, decamping to Nashville’s RCA Studio A and reuniting with producer Matt Ross-Spang\, with whom she made her first two solo albums. Though she has worked with everyone from Sturgill Simpson to Jonathan Wilson since\, it was Spang’s vocal rebuke of easy studio shortcuts that made her eager to reunite again. “He’s so unpretentious\,” Price says. “He fully believes in me\, he fully believes in my songs. He got us back to feeling it in your gut and not needing everything to be so perfect.” \n\n\n\n    It felt truly significant for Price to make the album in Nashville\, a city where she’s lived for over two decades and played a seminal role in its transformation\, yet somehow never recorded an album in the place she’s called home. The historic RCA Studio A helped connect Price even closer to the legacy of songwriting she holds so dear\, a place where everyone from Dolly Parton to John Prine to Loretta Lynn have made albums. “It felt like there were ghosts and spirits just hanging out\,” Price says. In perfect kismet\, she also launched her own signature Gibson J-45 guitar\, inspired by her 1960’s Gibson she’s had by her side for years as her career took off. It’s all part of the continuity that she wishes to create with her art\, not just with timeless songs but inspiring future generations of women\, mothers and artists in general who don’t want to sacrifice their vision\, moral compass or family life in favor of mainstream success. \n\n\n\nAt its core\, Hard Headed Woman is about that furious instinct to never waver\, especially when ourselves\, our values and our future is so clearly on the line. As she sings on the title track\, “I ain’t ashamed\, I just am what I am.” \n\n\n\n    “I hope this album inspires people to be fearless and take chances and just be unabashedly themselves\,” Price says\, “in a culture that tries as hard as it can to beat us into all being the same.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Logan LedgerA Nashville-based singer/songwriter with a smooth voice and classic tone\, Logan Ledger built a buzz around Music City in the late-2010s\, calling to mind names like and . His career got a significant boost when producer signed him and brokered a record deal with \, resulting in an eponymous full-length record appearing in 2020 as well as 2023’s Golden State. \n\n\n\nA native of California\, Ledger developed a fondness for bluegrass\, old-time\, and honky tonk music from a young age. After a brief post-college stint as part of a Bay Area bluegrass band\, he migrated east to Nashville and put in the requisite hours working on his songs and playing at venues around the city. Industry insiders quickly took notice\, and before long he was working with the legendary \, who signed him to his imprint and helped foster a deal for Ledger with . The first official release from these sessions arrived in early 2019 with the singles “Starlight” and “Imagining Raindrops.” \n\n\n\nFor 2023’s Golden State\, Ledger worked with producer \, along with such musicians as Nick Bockrath and Jamie Douglass; it also featured a cameo by on “Some Misty Morning.” ~ Timothy Monger
URL:https://missoulaunderground.com/mugevent/margo-price-wild-at-heart-tour-with-logan-ledger-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Country,Country Music,Music,Singer Songwriters
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
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DTSTART;TZID=America/Denver:20251106T180000
DTEND;TZID=America/Denver:20251106T200000
DTSTAMP:20260610T103237
CREATED:20251106T184835Z
LAST-MODIFIED:20251106T184837Z
UID:10124435-1762452000-1762459200@missoulaunderground.com
SUMMARY:TNR / Thursday Night MTB Ride Missoula - Rattlesnake Fenceline by Moonlight
DESCRIPTION:Meet up with TNR at 6:00 pm at the main Rattlesnake Canyon Trailhead parking lot in Missoula for this week’s Thursday Night MTB Ride with a moonlight loop on the Fenceline / Ewok trails\n\n\n\n\n\nRattlesnake – Fenceline by Moonlight RideIt looks like we have at least another couple of weeks of decent riding weather before we make the switch over to winter hiking/skiing. This Thursday we’ll meet at 6:00 pm in the main Rattlesnake trailhead parking area for one last Fenceline ride before the snow flies. The route includes the climb up to the Snowbowl overlook\, but we’ll make the call Thursday night on whether to include that section. Either way\, we’ll finish with the rambling Fenceline–Ewok descent back to the trailhead. \n\n\n\nWhen we transition to winter activities\, messages will only be sent to the winter hiking/skiing group. You can update your group preferences anytime using the links in the group emails or through the Facebook page. \n\n\n\nMeeting PointRattlesnake Main Trailhead \n\n\n\nTrail MapTNR Snowbowl Overlook and Fenceline \n\n\n\nEssential GearNight-riding lights \n\n\n\nSee you out there!
URL:https://missoulaunderground.com/mugevent/tnr-thursday-night-mtb-ride-missoula-rattlesnake-fenceline-by-moonlight/
LOCATION:Rattlesnake Canyon Trailhead\, Rattlesnake Trail at Sawmill Gulch Road\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Bicycle Club Rides,Bike Rides,Cycling,Mountain Biking
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/07/Rattlesnake.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251107T180000
DTEND;TZID=America/Denver:20251107T200000
DTSTAMP:20260610T103237
CREATED:20251107T063950Z
LAST-MODIFIED:20251107T063952Z
UID:10124497-1762538400-1762545600@missoulaunderground.com
SUMMARY:The Prairie Sisters Vintage Christmas Market at Missoula Fairgrounds
DESCRIPTION:Shop early-bird hours 6:00 pm to 8:00 pm Friday\, or all day 10:00 am to 4:00 pm Saturday at the Prairie Sisters Vintage Christmas Market at the Missoula Fairgrounds\n\n\n\n\n\nJoin us on Saturday\, November 8 for The Prairie Sisters Vintage Christmas Market in Missoula\, Montana! \n\n\n\nWe are excited to welcome a wide selection of hand-picked\, high-quality vintage and handmade vendors. You can expect to find a beautiful building full of vintage and handmade: \n\n\n\nHome goodsFurnitureJewelryClothingCandlesBody productsHoliday decorationsSweet treatsand MORE! \n\n\n\nShop local and support small businesses this holiday season! Because of our high quality standards\, shopping The Prairie Sisters Vintage Market means you’re shopping the best of the best vintage and handmade vendors in Montana! \n\n\n\nDoors open Saturday at 10:00 am\, and tickets are $5 at the door. \n\n\n\nWant to shop before the crowd\, and enjoy a night of Christmas Market magic? Purchase an early bird ticket from our website to shop from 6:00 pm to 8:00 pm on Friday\, November 7: https://www.theprairiesisters.com/early-bird-ticket
URL:https://missoulaunderground.com/mugevent/the-prairie-sisters-vintage-christmas-market-at-missoula-fairgrounds/2025-11-07/
LOCATION:Missoula Fairgrounds\, 1101 South Avenue West\, Missoula\, Montana\, 59801\, United States
CATEGORIES:Christmas Market,Markets,Shopping,Vintage Market
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2025/06/Missoula-Fairgrounds-Commercial-Building.jpg
ORGANIZER;CN="The Prairie Sisters Vintage Market":MAILTO:info@theprairiesisters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251108T100000
DTEND;TZID=America/Denver:20251108T160000
DTSTAMP:20260610T103237
CREATED:20251107T063950Z
LAST-MODIFIED:20251107T063952Z
UID:10124498-1762596000-1762617600@missoulaunderground.com
SUMMARY:The Prairie Sisters Vintage Christmas Market at Missoula Fairgrounds
DESCRIPTION:Shop early-bird hours 6:00 pm to 8:00 pm Friday\, or all day 10:00 am to 4:00 pm Saturday at the Prairie Sisters Vintage Christmas Market at the Missoula Fairgrounds\n\n\n\n\n\nJoin us on Saturday\, November 8 for The Prairie Sisters Vintage Christmas Market in Missoula\, Montana! \n\n\n\nWe are excited to welcome a wide selection of hand-picked\, high-quality vintage and handmade vendors. You can expect to find a beautiful building full of vintage and handmade: \n\n\n\nHome goodsFurnitureJewelryClothingCandlesBody productsHoliday decorationsSweet treatsand MORE! \n\n\n\nShop local and support small businesses this holiday season! Because of our high quality standards\, shopping The Prairie Sisters Vintage Market means you’re shopping the best of the best vintage and handmade vendors in Montana! \n\n\n\nDoors open Saturday at 10:00 am\, and tickets are $5 at the door. \n\n\n\nWant to shop before the crowd\, and enjoy a night of Christmas Market magic? Purchase an early bird ticket from our website to shop from 6:00 pm to 8:00 pm on Friday\, November 7: https://www.theprairiesisters.com/early-bird-ticket
URL:https://missoulaunderground.com/mugevent/the-prairie-sisters-vintage-christmas-market-at-missoula-fairgrounds/2025-11-08/
LOCATION:Missoula Fairgrounds\, 1101 South Avenue West\, Missoula\, Montana\, 59801\, United States
CATEGORIES:Christmas Market,Markets,Shopping,Vintage Market
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2025/06/Missoula-Fairgrounds-Commercial-Building.jpg
ORGANIZER;CN="The Prairie Sisters Vintage Market":MAILTO:info@theprairiesisters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251111T200000
DTEND;TZID=America/Denver:20251111T230000
DTSTAMP:20260610T103237
CREATED:20251022T164245Z
LAST-MODIFIED:20251022T164247Z
UID:10123289-1762891200-1762902000@missoulaunderground.com
SUMMARY:The Robert Cray Band at The Wilma
DESCRIPTION:Logjam Presents welcomes The Robert Cray Band for a live concert performance at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, November 11\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes The Robert Cray Band for a live concert performance at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, November 11. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. This is a fully-seated event with general admission seated floor and reserved balcony seating tickets available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Robert CrayBlues icon. Soul man. Rock and roller. Robert Cray is all these things – and more. The Georgia born\, Washington-raised musician first picked up a guitar after seeing The Beatles on TV then\, having witnessed Jimi Hendrix perform in Seattle\, determined that his destiny would also follow a similar path. And so he has: across the past half century Robert Cray’s developed into one of American music’s most singular artists. \n\n\n\n“I guess you’d have to say that we were lucky\,” reflects Cray on his life in music\, “because\, growing up in the 1960s\, the different music played on the radio really opened us up. I mean\, we even had Albert Collins play our high School graduation party.” \n\n\n\nFrom forming a teenage garage band\, through to striding the stage alongside several of the world’s greatest guitarists\, Robert Cray’s story is one of struggle and commitment. Struggle and commitment that led to Cray enjoying phenomenal success – selling millions of albums and countless concert tickets\, winning five Grammy Awards\, being inducted into the Blues Hall of Fame\, recipient of the Americana Music Lifetime Achievement Award\, designing two signature model Fender guitars – yet for Robert what’s always mattered most is the music. Every note he plays counts\, every song he sings is delivered as if it is his last: integrity and intensity are what has guided Cray’s musical career. He has never cheapened his output or delivered a substandard performance. Indeed\, his commitment to making music of the highest standard has won Cray both a loyal audience and the respect of many of popular music’s most legendary figures. \n\n\n\nThink about it: Robert Cray has shared stage and/or studio with the likes of John Lee Hooker\, Muddy Waters\, B.B. King\, Buddy Guy\, Chuck Berry\, Albert Collins\, The Rolling Stones\, Eric Clapton\, Tina Turner\, Stevie Ray Vaughan\, the Memphis Horns and Hi Rhythm Section. Cray’s stinging guitar playing and soulful voice\, his skills as a band leader and performer\, mark him as keeper of the flame for American roots music\, an artist who never fails to deliver. \n\n\n\n“We were so lucky just be able to see them\,” says Cray of trading guitar licks on stage with legends of blues\, rock and soul\, “let alone share the stage with them – what an experience!” \n\n\n\nCray’s rise to the top was\, like his music\, a slow burn\, he first building a following in small towns across the Pacific Northwest. Even before Cray had a record deal he enjoyed local hero status – so much so in 1978 he was cast (as a musician) in Animal House\, the blockbuster comedy that made John Belushi famous. 1978 was also the year Cray recorded his debut album\, Who’s Been Talkin’\, although Tomato Records’ internal problems held up Talkin’s release until 1980. And then\, just as Talkin’ was winning great reviews\, Tomato collapsed into bankruptcy. Got the blues? Young Robert certainly could have claimed he had them. But Cray isn’t given to complaining\, instead he persevered\, committed then\, as he is now\, to taking his music to the people. \n\n\n\nAfter Tomato became music biz ketchup\, Cray and his band – today consisting of Richard Cousins (bass guitar – there since high school days)\, Dover Weinberg (keyboards) and Les Falconer (drums) – used the momentum the album gave them to play further afield. By now Cray was buddies with a young guitarist from Texas: Stevie Ray Vaughan. \n\n\n\n“We played in 1979 at the San Francisco Blues Festival\,” recalls Cray\, “and I watched Stevie’s show and he’s just smoking. Afterwards Richard and I went up and chatted with him and we just hit it off. Stevie was great – if we were in Austin he’d always come and join us on stage.” \n\n\n\nSigning to Hightone\, Cray’s 1983 album Bad Influence established him internationally: he was invited to play Carnegie Hall\, toured Europe\, later finding Eric Clapton recording Bad Influence’s title track. 1985 saw Cray’s False Accusations album increase his standing as the foremost singer of blues noir songs\, while that year’s Showdown! – a sizzling collaboration with guitarists’ Albert Collins and Johnny Copeland – won Robert huge acclaim from blues musicians and fans: the new guy’s the real deal! Signing to Mercury Records\, Cray’s 1986 album Strong Persuader ensured he became the first blues/soul musician to breakthrough in the MTV era. \n\n\n\nStrong Persuader won Cray rave reviews from pop and rock critics\, topped charts worldwide\, saw Cray grace the cover of Rolling Stone magazine and winning the Grammy for Best Contemporary Blues Recording in 1988. Strong Persuader\, with its songs of infidelity\, guilt and unease\, while not in any sense conventional Top 40 music\, proved so strong an album it broke through barriers\, sold millions of copies and would prove extremely influential. Cray’s breakthrough allowed both young and older blues and soul musicians to gain wide attention and radio play: John Lee Hooker’s career resurrection came soon after with The Healer\, and Robert plays on that seminal album. \n\n\n\n“It was great to be able to travel around the world\,” says Cray of Strong Persuader’s success. “It afforded us a lot of great opportunities that we were lucky to experience.” \n\n\n\nCray’s being modest here: suddenly he found himself the hottest guitarist working – Tina Turner invited Robert to support her huge European tour (every night\, after playing with his band\, Cray would join Tina on stage to play A Change Is Gonna Come)\, then Keith Richards called\, requesting Cray join the band backing Chuck Berry for Taylor Hackford’s celebratory feature length documentary Hail Hail Rock ‘N’ Roll. Here Cray not only got to play with the mercurial Berry (+Linda Ronstadt and Etta James\, amongst many notable artists)\, he also formed a friendship with Steve Jordan\, then drummer for the project and Richards’ solo band. \n\n\n\nNow internationally famous\, Cray found himself in intense demand: he toured with the Stones and Eric Clapton\, played with B.B King and Buddy Guy (both of whom were inspirations)\, headlined noted music festivals – these included Glastonbury in the UK and Crossroads Guitar Festival in the US – and kept developing his sound over a selection of strong albums across the 1990s. Cray’s songwriting has addressed ageing\, love\, loneliness\, domestic turmoil and US politics\, while his music’s expansive vision found the likes of Cajun accordion legend Jo-El Sonnier and Memphis Horns’ trumpet and saxophone masters Wayne Jackson and Andrew Love guesting on his albums. \n\n\n\nAs an artist Robert Cray’s aged like fine wine – his voice has developed a greater range and expressiveness\, this he’s put to use on masterful interpretations of such Southern soul standards as I Forgot To Be Your Lover (William Bell)\, Your Good Thing Is About To End (Mable John) and Nobody’s Fault But Mine (Otis Redding). At the same time\, Cray’s guitar playing now possesses an additional depth\, a growl that can hint at a caress then signal emotional upheaval. \n\n\n\nHis recent run of albums – 2014’s In My Soul\, 2017’s Robert Cray & Hi Rhythm and 2020’s masterful That’s What I Heard (all produced by Steve Jordan: now the Stones’ drummer) – are amongst the very finest he’s made. Every song here is deeply felt\, whether an agonised song of loss\, an angry protest number\, or a dance tune that gets audiences pumping (My Baby Likes To Boogaloo is great funky fun). \n\n\n\nAcross five decades Robert Cray has created a richly inclusive American music\, revitalizing both blues and soul while rocking hard with the very best. To achieve 50 years in the music industry and still be as fresh and committed as when starting out is an achievement few can boast of but Cray can: he has released 19 studio albums\, every one replete with his extremely distinctive songs\, won five Grammy Awards and continues to make music that sounds like no one but Robert Cray. “All these years we have been fortunate to do what we love doing\, playing the music we love playing\,” says Cray with a smile. “I couldn’t ask for anything more.” “Thank you for listening.”
URL:https://missoulaunderground.com/mugevent/the-robert-cray-band-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Blues,Music,Soul
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251114T200000
DTEND;TZID=America/Denver:20251114T230000
DTSTAMP:20260610T103237
CREATED:20251106T045939Z
LAST-MODIFIED:20251106T045941Z
UID:10124420-1763150400-1763161200@missoulaunderground.com
SUMMARY:The Brothers Comatose with Goodnight Texas at The Wilma
DESCRIPTION:Logjam Presents welcomes The Brothers Comatose for a live concert with Goodnight Texas at The Wilma in Downtown Missoula at 8:00 pm Friday\, November 14\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes The Brothers Comatose for a live concert with Goodnight Texas at The Wilma in Downtown Missoula at 8:00 pm Friday\, November 14. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Brothers ComatoseThe Brothers Comatose are a roots-infused bluegrass band known for their infectious blend of Americana\, folk\, and traditional bluegrass. Based in San Francisco\, California\, the band has developed a reputation for their high-energy performances\, heartfelt songwriting\, and impressive musicianship. Founded in 2008 by brothers Ben and Alex Morrison\, the group features a lineup of talented musicians whose core of their sound is defined by tight harmonies\, virtuosic string instrumentation\, and a foot-stomping\, back-porch spirit. \n\n\n\nIn 2024\, the band welcomed multi-instrumentalist Addie Levy into the fold\, adding a new layer of depth and dynamic to their sound. As a mandolin player and singer\, Levy’s contribution brought a fresh energy and a new dimension to the band’s harmonies\, seamlessly blending with the Morrison brothers’ voices while enhancing their already distinctive bluegrass stylings. Her presence not only broadened the band’s musical range but also enriched their live performances\, creating an even more compelling and cohesive sound. \n\n\n\nThe Brothers Comatose’s sound draws from a variety of influences\, including old-time bluegrass\, country\, and rock\, but they make it uniquely their own with a modern twist and a strong emphasis on storytelling. Their songs often delve into themes of love\, loss\, adventure\, and the human experience\, all while maintaining an upbeat\, rollicking energy that keeps fans coming back for more. \n\n\n\nThe band has earned praise for their live shows\, which are marked by their lively stage presence and infectious enthusiasm. Whether performing intimate club shows or festival mainstages\, The Brothers Comatose deliver an unforgettable experience that showcases their deep passion for music and performance. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Goodnight TexasGoodnight\, Texas is a band you’ve almost certainly heard by accident somewhere. And now on second look\, you’re deep in their catalog and they’re telling you stories about trapped coal miners and lovebird bank robbers. Banjos and mandolins twinkle. Now you’re seeing Avi Vinocur and Patrick Dyer Wolf and their band live and they’re swelling to a fever pitch\, suddenly singing quiet harmonies off-mic\, and then rocking out again. You’re talking to them at the merch table for a good while and you’re legitimately excited about their new album Signals because\, more than ever before\, it captures the vast dynamic range of the show and blends it with their expansive and intricate songwriting. \n\n\n\nWithout doubt\, the new album kicks. Lead single “RUNAWAYS” even features a blazing guest solo from none other than Metallica’s Kirk Hammett\, who admired the band’s version of “Of Wolf and Man” on the 2022 covers album The Metallica Blacklist. \n\n\n\nBut beyond the memorable sock-you-in-the-face riffs\, GN\, TX is reaching its roots deeper in every direction on Signals. Their first album-sized trip into the studio expands their sonic range\, thanks to Oakland’s Ian and Jay Pellicci (Deerhoof\, Tune-Yards). Stories of the Americana of yore bleed into the near past and present via DB Cooper and North Dakota oil field workers. Electric guitars pound like hammers\, but the mandolins still twinkle like stars. Is that song a little tongue in cheek? Are those strings? \n\n\n\nFurther googling reveals that NME\, Rolling Stone\, No Depression and Consequence of Sound have recently featured the band\, and that in 2023 they appeared at SXSW\, Red Wing Roots and Austin City Limits Festival. They’ve toured with Larkin Poe\, Shakey Graves\, Trampled by Turtles\, The Brothers Comatose\, Donavon Frankenreiter\, and John Craigie. Back in 2020\, their song “The Railroad” was the opening montage theme for Tiger King\, which had 53 million streams in its first week. Maybe that’s where you heard them in the first place. Or maybe it was the Coors Banquet commercial with Sam Elliott. Wait a minute\, they have a quarter of a billion streams across platforms. Maybe it was at a bar or in your friend’s car\, who knows. \n\n\n\nStill at the merch table at last call\, you learn: Goodnight\, Texas is a hamlet of 27 people and dozens of dogs\, the exact mile-for-mile midpoint between co-founders Avi and Patrick’s homes in San Francisco and Chapel Hill (as the van drives). The band is hoping to make it back and play another show for their friends there in the near future.
URL:https://missoulaunderground.com/mugevent/the-brothers-comatose-with-goodnight-texas-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Bluegrass,Country,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251120T180000
DTEND;TZID=America/Denver:20251120T203000
DTSTAMP:20260610T103237
CREATED:20251120T004540Z
LAST-MODIFIED:20251120T004542Z
UID:10125275-1763661600-1763670600@missoulaunderground.com
SUMMARY:TNR / Thursday Night MTB Ride Missoula - North Jumbo Ridge Trails
DESCRIPTION:Meet up at 6:00 pm with TNR at the Mount Jumbo Saddle trailhead parking area above Lincoln Hills for One More Thursday Night MTB Ride for the season on the North Jumbo Ridge trails\n\n\n\n\n\nOne More Ride – North Jumbo Ridge TrailsWith the mild fall weather\, we’ve got time for one more Thursday ride before we shift over to hiking and skiing for the winter. And with the Mount Jumbo area closing soon\, we’ll head to the North Jumbo ridge trails for our final ride of the year. The tentative plan is to climb Sound of Music\, make a lollipop loop on the Marshall Woods trail\, and finish with a full Sidewinder descent. \n\n\n\nNext week is Thanksgiving\, and we’ll meet for our annual 10:000 am hike on the Barmeyer trails. In December\, we’ll switch over to sending announcements to the winter hiking/skiing group until we’re back on bikes in March. \n\n\n\nMeeting PointMount Jumbo Saddle Trailhead \n\n\n\nTrail MapTNR Woods Winder \n\n\n\nEssential GearNight-riding lights
URL:https://missoulaunderground.com/mugevent/tnr-thursday-night-mtb-ride-missoula-north-jumbo-ridge-trails/
LOCATION:Mount Jumbo Trailhead Parking Area – Lincoln Hills\, Missoula\, 46°53'52.1"N 113°56'57.3"W\, Missoula\, Montana\, 59802\, United States
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/11/Mount-Jumbo-Trailhead.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251121T180000
DTEND;TZID=America/Denver:20251121T210000
DTSTAMP:20260610T103237
CREATED:20251119T170421Z
LAST-MODIFIED:20251119T170422Z
UID:10125268-1763748000-1763758800@missoulaunderground.com
SUMMARY:18th Annual Montana Beer and Wine Festival at UM Adams Center - music by DJ Briggs
DESCRIPTION:Enjoy fine adult beverages and food from over 35 vendors at the “Social Event of the Year”\, the 18th Annual Montana Wine and Beer Festival with entertainment by DJ Briggs 6:00 pm to 9:00 pm Friday\, November 21 at UM Adams Center as a student-athlete scholarship fundraiser for the Grizzly Scholarship Association\n\n\n\n\n\nThe Grizzly Scholarship Association is back again with the “Social Event of the Year” in 2025. \n\n\n\nSummit Beverage and the GSA are teaming up to support student-athlete scholarships at the 18th annual Montana Wine & Beer Festival. \n\n\n\nThis year’s event will be held the night before the annual Griz/Cat football game on Friday\, November 21\, inside the Adams Center on the University of Montana campus. \n\n\n\nAlways a highlight on Missoula’s social calendar\, the festival includes fine wine and beer tasting along with food from over 35 vendors plus music and entertainment from DJ Briggs\, the in-house DJ at Washington-Grizzy Stadium. \n\n\n\nA silent auction with exclusive Griz memorabilia and a variety of wine & beer items will be a part of the evening’s festivities. All proceeds from this event benefit the GSA and its mission of providing scholarships to student-athletes. \n\n\n\nTickets are on sale now and cost $80 per person. This year\, the GSA is looking to set a new attendance record for the event with 800 guests\, so be sure to buy your tickets early. Attendees must be at least 21 years of age. \n\n\n\nTickets are on sale now at GrizTix.com and the Adams Center Ticket Office. For more information on the event visit the GSA’s website at UpWithMontana.com. \n\n\n\n\n\nTickets via GrizTix LINK
URL:https://missoulaunderground.com/mugevent/18th-annual-montana-beer-and-wine-festival-at-um-adams-center-music-by-dj-briggs/
LOCATION:University of Montana Adams Center\, 32 Campus Drive\, Missoula\, Montana\, 59812\, United States
CATEGORIES:Brewfest,Brewfests,DJs,Festivals,Fundraisers,Music,Wine,Wine Festival
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/10/Adams-Center-UM.jpg
ORGANIZER;CN="Montana Grizzly Scholarship Association":MAILTO:GSA@mso.umt.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251121T200000
DTEND;TZID=America/Denver:20251121T230000
DTSTAMP:20260610T103237
CREATED:20251106T070615Z
LAST-MODIFIED:20251106T070616Z
UID:10124423-1763755200-1763766000@missoulaunderground.com
SUMMARY:The Last Revel with The Lowest Pair at The Wilma
DESCRIPTION:Logjam Presents welcomes The Last Revel for a live performance with The Lowest Pair at The Wilma at 8:00 pm Friday\, November 21\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes The Last Revel for a live performance with The Lowest Pair at The Wilma at 8:00 pm Friday\, November 21. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Last RevelMuch like their sorrowful\, purposeful melodies\, the members of The Last Revel contain this thick thread of self\, and of place\, when it comes to the underlying trait in the sounds and scope of their intent\, onstage and in the studio — survival mode. \n\n\n\n“Honestly\, I don’t know if we would’ve been able to do this career for as long as we have without persistence\,” says guitarist Lee Henke. “By living in a challenging place\, it’s definitely conditioned us to have a high tolerance for discomfort\, a certain toughness to push ahead.” \n\n\n\nThat sentiment of tenacity and passion lies at the heart of The Last Revel’s latest album\, Gone for Good. Produced by Trampled by Turtles lead singer Dave Simonett\, the record is a multilayered ode to the life of an artist\, life on the road\, and what it means to be a human being in uncertain times. \n\n\n\n“This is a step in our careers that feels like there’s no going back\,” says banjoist Ryan Acker. “There’s a level of commitment now that\, just a couple of years ago\, we didn’t fathom we could take on. The boat is off the shore and you can’t see land anymore — we’re in it now.” \n\n\n\nBased in Minneapolis\, Minnesota\, the Americana/indie-folk outfit harkens to the trials\, tribulations\, and triumphs of what it means to pursue your dreams in real time. The foundation of which is conjured by a deep appreciation and genuine respect for the vast landscape and sometimes-harsh realities of what it means to emerge from the Midwest. \n\n\n\n“We grew up in the Midwest and we’ve all kind of stayed in this region of the country\,” Henke notes. “This place has imprinted itself on who we are\, and that challenge of life here is part of who we are now.” Alongside Henke and Acker is fiddler Vinnie Donatelle. When the ensemble finds themselves behind the microphone\, it’s the culmination of their vocal talents that truly showcases the mission of The Last Revel — harmony. \n\n\n\n“There’s no better feeling [when we’re singing together]\,” Acker says. “And it makes you understand something primal\, these melodies and these harmonies. It’s internal and it’s really powerful to sing your heart out with the people you love and your best friends.” \n\n\n\nThe seeds for The Last Revel were initially planted when Acker and Henke metin college in Wisconsin and started jamming together. Following graduation\, the duo eventually headed for Minnesota\, crossed paths with Donatelle\, and started putting together a musical project. By 2011\, the group was formed in Minneapolis. \n\n\n\n“The name comes from the idea of saying\, ‘One last go\, one last celebration\,’” Henke recalls. “It’s treating every show like it could be the last one kind of makes it extra special each time. It’s become a mantra through all the hardships we’ve been through — it’s crazy we get to do this\, so let’s act like it might be the last one.” \n\n\n\n“It feels like a miracle\,” Acker adds. “This is a career where\, hell or high water\, this is what I’m doing. This is something we feel genuine about creating and sharing with people — there’s no other option.” \n\n\n\nEarly on in the band’s tenure\, The Last Revel was clocking in around 200 shows each year\, and did so for several years. Burnout was real\, with the act deciding to go on hiatus in 2019 to recalibrate and reenergize what it is within the group that remains steadfast. \n\n\n\n“I tried to quit music. And then\, the moment I accepted [I was done]\, I wrote \n\n\n\nfive new songs the next day\,” Henke shakes his head in awe. “There’s always been a real therapeutic element to writing music for me. And it goes beyond that now\, where if I don’t write for [a while]\, I feel pent up — there’s something that needs to come out.” \n\n\n\nA couple years went by\, with Henke and Acker eventually circling back to one another. The musical chemistry and unbreakable camaraderie was still intact\, with each thinking the same thing — let’s give music another shot. To note\, Gone for Good is The Last Revel’s second album since reuniting in 2021. \n\n\n\n“We spent so much time together in our twenties and thirties where\, even as friends\, let’s just get back together and see how it feels\,” Acker says. “Let’s just record some music and release it.” \n\n\n\n“The first step was all about just reconnecting — to hell with anyone else giving a damn about the music\,” Donatelle adds. “The only important thing is playing some music together.” \n\n\n\nWhen The Last Revel released Dovetail in 2023\, the reunion album sparkedwildfire\, whether it was with longtime\, loyal fans of the band or newcomers coming across the group by mere happenstance. Now back on the road on the stage\, the bandmates were happily surprised by the unexpected response by sold-out gigs wherever they toured. \n\n\n\n“It kind of took us off-guard\,” Acker says of the fan response. “And it’s become this reciprocal\, motivating thing now. People didn’t forget about us\, and many more discovered our music over COVID than we had anticipated — the music we made is continuing to reach people.” \n\n\n\n“That initial response was so powerful\,” Donatelle adds. “But\, on the other end of things\, [the music] was never about any of us individually. It’s about the way that people connected to our music and just the way the music had a life of its own outside of us.” \n\n\n\nReflecting on Gone for Good\, Acker feels a real\, tangible\, more so positive shift in what it is The Last Revel aims to do moving forward. It’s this collective realm of collaboration\, all in hopes of connectivity not only between the bandmates\, but also the audience itself night in and night out — from coast-to- coast and back around to Minnesota. \n\n\n\n“And I think that shows up more on this record than ever\,” Acker says. “We’ve finally clicked on what the band’s purpose is\, the ethos behind all of this — we’re figuring out how to be ourselves and be happy through the music.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Lowest PairKendl Winter comes from Arkansas\, but she found her way to the Pacific Northwest after high school. The evergreens and damp air of Olympia\, Washington\, and the boundless music scene\, had equal draw. She released three solo records on Olympia’s indie label\, K Records\, and performed in ramblin’ folk bands and anarchic punk bands before starting The Lowest Pair in 2013 with Palmer T. Lee. Palmer built his first banjo when he was 19 from pieces he serendipitously inherited. Shortly after deciding songwriting would be the most effective and enjoyable medium for his musings\, he began cutting his teeth fronting Minneapolis string bands and touring the Midwest festival circuit\, which is where he and Kendl first met\, on the banks of the Mississippi. Kendl likes to run\, long distances\, on the dirt trail past where the logging trucks have to turn around. Palmer likes to read Mark Twain\, walk to town to the billiard hall and eavesdrop on the locals. Together\, they are The Lowest Pair\, a band Folk Radio UK describes as\, “music for sunshine and mint juleps.”
URL:https://missoulaunderground.com/mugevent/the-last-revel-with-the-lowest-pair-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Americana,Bluegrass,Folk,Indie,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251127T100000
DTEND;TZID=America/Denver:20251127T120000
DTSTAMP:20260610T103237
CREATED:20251127T142648Z
LAST-MODIFIED:20251127T142649Z
UID:10125545-1764237600-1764244800@missoulaunderground.com
SUMMARY:TNR Thanksgiving Day Morning Hike on Missoula's Sousa Trail
DESCRIPTION:Work up your appetite with TNR for a quick Thanksgiving Morning Hike on Missoula’s Sousa Trail up to Barmeyer Overlook – meet up at 10:00 am Thursday morning at the Sousa Trailhead in South Hills\n\n\n\n\n\nThanksgiving Day Morning HikeThis Thursday we’ll meet at the Sousa Trailhead in the South Hills at 10:00 am for a TNR Thanksgiving morning hike. We’ll head up the Sousa Trail\, loop around the Woodsy Spur and Developer Road\, and then return down Sousa. Anyone looking for a shorter option before getting the turkey in the oven can join us for the start and do a quick out-and-back to the Barmeyer Overlook. \n\n\n\n📍 Meeting PointSousa Trailhead at 10:00 am! \n\n\n\n🧭 Trail MapSousa Woodsy Spur Loop \n\n\n\n🎒 Essential GearHoliday cheer  \n\n\n\nHappy Thanksgiving!
URL:https://missoulaunderground.com/mugevent/tnr-thanksgiving-day-morning-hike-on-missoulas-sousa-trail/
LOCATION:Sousa Trailhead\, 474-354 Spanish Peaks Drive\, Missoula\, Montana\, 59803\, United States
CATEGORIES:Hiking,Holiday Events,Outdoors,Thanksgiving
ATTACH;FMTTYPE=image/png:https://missoulaunderground.com/wp-content/uploads/2023/11/Sousa-Trailhead-Parking-Location.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251129T140000
DTEND;TZID=America/Denver:20251129T163000
DTSTAMP:20260610T103237
CREATED:20251127T072127Z
LAST-MODIFIED:20251127T072129Z
UID:10125528-1764424800-1764433800@missoulaunderground.com
SUMMARY:Holiday Dance Performance: A Few of My Favorite Things with Bare Bait Dance at Westside Theater
DESCRIPTION:Celebrate the cheer of the holiday season with Bare Bait Dance’s performances of “A Few of My Favorite Things” at Missoula’s Westside Theater from Saturday\, November 29 thru Sunday\, December 7\n\n\n\n\n\nCelebrating the cheer of the holiday season\, “A Few of My Favorite Things” is jam-packed with re-polished fan favorites from past winter shows (Hello Winter!\, the Night Before\, and Fruitcake Weather) as well as brand-new creations. The show features the choreography of and is curated by Artistic Director Joy French\, with performances by Bare Bait Dance & Guests. \n\n\n\nHoliday music? ✓Present juggling? ✓Dancing Santas…?   You’ll just have to come and see! \n\n\n\nSHOW DATES and TIMES \n\n\n\nSaturday\, November 29 @ 2:00 pm & 7:30 pmSunday\, November 30 @ 6:00 pm \n\n\n\nThursday\, December 4 @ 7:30 pmFriday\, December 5 @ 7:30 pmSaturday\, December 6 @ 2:00 pm & 7:30 pmSunday\, December 7 @ 6:00 pm \n\n\n\n*special pre-show MOLLI event*Thursday\, December 4 @ 5:30 pm to 6:30 pm: A Peek into the Choreographer’s Mind
URL:https://missoulaunderground.com/mugevent/holiday-dance-performance-a-few-of-my-favorite-things-with-bare-bait-dance-at-westside-theater/2025-11-29/1/
LOCATION:Westside Theater\, 1200 Shakespeare Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Contemporary Dance,Holiday Events,Holidays,Holidays,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/03/Westside-Theater.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251129T193000
DTEND;TZID=America/Denver:20251129T220000
DTSTAMP:20260610T103237
CREATED:20251127T072127Z
LAST-MODIFIED:20251127T072129Z
UID:10125529-1764444600-1764453600@missoulaunderground.com
SUMMARY:Holiday Dance Performance: A Few of My Favorite Things with Bare Bait Dance at Westside Theater
DESCRIPTION:Celebrate the cheer of the holiday season with Bare Bait Dance’s performances of “A Few of My Favorite Things” at Missoula’s Westside Theater from Saturday\, November 29 thru Sunday\, December 7\n\n\n\n\n\nCelebrating the cheer of the holiday season\, “A Few of My Favorite Things” is jam-packed with re-polished fan favorites from past winter shows (Hello Winter!\, the Night Before\, and Fruitcake Weather) as well as brand-new creations. The show features the choreography of and is curated by Artistic Director Joy French\, with performances by Bare Bait Dance & Guests. \n\n\n\nHoliday music? ✓Present juggling? ✓Dancing Santas…?   You’ll just have to come and see! \n\n\n\nSHOW DATES and TIMES \n\n\n\nSaturday\, November 29 @ 2:00 pm & 7:30 pmSunday\, November 30 @ 6:00 pm \n\n\n\nThursday\, December 4 @ 7:30 pmFriday\, December 5 @ 7:30 pmSaturday\, December 6 @ 2:00 pm & 7:30 pmSunday\, December 7 @ 6:00 pm \n\n\n\n*special pre-show MOLLI event*Thursday\, December 4 @ 5:30 pm to 6:30 pm: A Peek into the Choreographer’s Mind
URL:https://missoulaunderground.com/mugevent/holiday-dance-performance-a-few-of-my-favorite-things-with-bare-bait-dance-at-westside-theater/2025-11-29/2/
LOCATION:Westside Theater\, 1200 Shakespeare Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Contemporary Dance,Holiday Events,Holidays,Holidays,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/03/Westside-Theater.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251130T180000
DTEND;TZID=America/Denver:20251130T203000
DTSTAMP:20260610T103237
CREATED:20251127T072127Z
LAST-MODIFIED:20251127T072129Z
UID:10125530-1764525600-1764534600@missoulaunderground.com
SUMMARY:Holiday Dance Performance: A Few of My Favorite Things with Bare Bait Dance at Westside Theater
DESCRIPTION:Celebrate the cheer of the holiday season with Bare Bait Dance’s performances of “A Few of My Favorite Things” at Missoula’s Westside Theater from Saturday\, November 29 thru Sunday\, December 7\n\n\n\n\n\nCelebrating the cheer of the holiday season\, “A Few of My Favorite Things” is jam-packed with re-polished fan favorites from past winter shows (Hello Winter!\, the Night Before\, and Fruitcake Weather) as well as brand-new creations. The show features the choreography of and is curated by Artistic Director Joy French\, with performances by Bare Bait Dance & Guests. \n\n\n\nHoliday music? ✓Present juggling? ✓Dancing Santas…?   You’ll just have to come and see! \n\n\n\nSHOW DATES and TIMES \n\n\n\nSaturday\, November 29 @ 2:00 pm & 7:30 pmSunday\, November 30 @ 6:00 pm \n\n\n\nThursday\, December 4 @ 7:30 pmFriday\, December 5 @ 7:30 pmSaturday\, December 6 @ 2:00 pm & 7:30 pmSunday\, December 7 @ 6:00 pm \n\n\n\n*special pre-show MOLLI event*Thursday\, December 4 @ 5:30 pm to 6:30 pm: A Peek into the Choreographer’s Mind
URL:https://missoulaunderground.com/mugevent/holiday-dance-performance-a-few-of-my-favorite-things-with-bare-bait-dance-at-westside-theater/2025-11-30/
LOCATION:Westside Theater\, 1200 Shakespeare Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Contemporary Dance,Holiday Events,Holidays,Holidays,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/03/Westside-Theater.jpg
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