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X-WR-CALDESC:Events for The Missoula Underground
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DTSTART;TZID=America/Denver:20250609T170000
DTEND;TZID=America/Denver:20250609T193000
DTSTAMP:20260607T131402
CREATED:20250428T194007Z
LAST-MODIFIED:20250428T194017Z
UID:10114775-1749488400-1749497400@missoulaunderground.com
SUMMARY:Bigfork Monday Market at Lake Baked / River View Bar
DESCRIPTION:The weekly Bigfork Monday Market happens from 5:00 pm to 7:30 pm each summer Monday (May 26 thru September 1) in Downtown Bigfork at Lake Baked / River View Bar\n\n\n\n\n\nSummer is coming – get excited about the 2025 Bigfork Monday Market! \n\n\n\nWe are gearing up for the 2025 Season of the Bigfork Monday Market! This is our 8th year of making Mondays in Bigfork just a little more fun. This season we are going to continue implementing updates and exciting new things to our market. Enjoy the new dance floor at the River View Bar and an extension to the length of time that our musicians keep us tapping our toes! That’s right – music now runs a little longer each market from 5:00 pm to 8:00 pm. Our vendor times will be from 5:00 pm to 7:30 pm. \n\n\n\nThe BMM is a weekly summer market that includes Fresh Goods\, Bakers\, Artists\, Food Trucks\, Cocktails\, Live Music and a chance to dance with your neighbors & friends – GOOD TIMES for all! We are a family-friendly event and assure you that there is something at our market for all ages. \n\n\n\n\n\nFACEBOOK PAGE
URL:https://missoulaunderground.com/mugevent/bigfork-monday-market-at-lake-baked-river-view-bar/2025-06-09/
LOCATION:River View Bar\, 191 Mill Street\, Bigfork\, Montana\, 59911\, United States
CATEGORIES:Farmers Markets,Farmers Markets,Markets,Shopping
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/07/River-View-Bar-1.jpg
ORGANIZER;CN="Bigfork Monday Market":MAILTO:bigforkmarket@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250610T193000
DTEND;TZID=America/Denver:20250610T230000
DTSTAMP:20260607T131402
CREATED:20250602T052557Z
LAST-MODIFIED:20250602T052559Z
UID:10116585-1749583800-1749596400@missoulaunderground.com
SUMMARY:Whiskey Myers with Bayker Blankenship and Pony Bradshaw at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Whiskey Myers for a live concert performance on the “What We Were Born to Do” Tour with Bayker Blankenship and Pony Bradshaw at the KettleHouse Amphitheater in Bonner at 7:30 pm Tuesday\, June 10 with Bayker Blankenship & Pony Bradshaw\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Whiskey Myers for a live concert performance on the “What We Were Born to Do” Tour with Bayker Blankenship and Pony Bradshaw at the KettleHouse Amphitheater in Bonner at 7:30 pm Tuesday\, June 10 with Bayker Blankenship & Pony Bradshaw. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Premium Boxes are sold in bundles of two tickets and located in the private box area between the Reserved Stadium Seating the General Admission Lawn. These tickets include one parking pass or two shuttle passes\, a separate entrance for expedited venue entry\, and a dedicated cocktail server offering an expanded menu in addition to concessions. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Whiskey MyersGenre-bending band Whiskey Myers have played more than 2\,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium\, plus performing at marquee festivals Bonnaroo\, Stagecoach\, Download and more\, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album\, Tornillo\, available everywhere now via the band’s own Wiggy Thump Records\, features the No. 17 most-played Americana song of 2022\, “John Wayne\,” and follows their fifth studio album\, Whiskey Myers\, which debuted at No. 1 on both the Country and Americana/Folk sales charts\, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total\, Whiskey Myers have sold more than 2.3 million albums and amassed over 3.3 billion streams while earning nine RIAA Gold\, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound\, the band praised by Esquire as “the real damn deal” has also earned sync success with features (and an on-screen appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If\,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team\,” among several others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin\,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Bayker BlankenshipNineteen-year old Bayker Blankenship from Livingston\, Tennessee has had one heck of a few months\, going from playing his first home town gigs to signing his first record deal and going viral with his first hit “Maxed Out” in a short amount of time. “Maxed Out” is hitting new peaks at such an incredible speed- to name a few\, it reached #2 on the Spotify Viral charts\, #43 on Apple Country\, and has over 100k creates on TikTok. Bayker has garnered over 40M+ streams in just a few months. “Maxed Out” highlights Bayker as one of Country’s rising stars\, with fans falling for his bright personality and warm heart along the way. Bayker’s debut EP “Younger Years” released in July 2024\, hitting over 4M+ streams the first week and making it obvious he is far from a one-hit wonder. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Pony BradshawPony Bradshaw didn’t know he could sing because he’d never tried. His dad was a military man turned Elvis impersonator whom a young Pony helped keep stocked with scarves on stage for admirers. Pony had always listened to music\, but he’d never made it. He played baseball. He joined––and got kicked out of––the Air Force. It was about five years ago when Pony discovered not only that he could make music\, but that he should. \n\n\n\n“It was a little open mic in Chattanooga\,” Pony says of his first time to perform in public. “I was scared to death. It was a competition––and I never liked competition\, but for some reason\, I wanted to go show my tunes. I played the first song I’d written at that open mic.” He pauses\, then sighs and laughs a little at the same time. “It worked out good\, you know? I won that competition. It made me believe what I was doing was okay.” \n\n\n\nOn his debut album Sudden Opera\, 38-year-old Pony offers a convincing argument in favor of art made by adults who have had time to live\, screw up\, try again\, and find their voice. The record’s title is an apt description: its sound hits abruptly then steadily\, like a flood––swells of moody strings\, thundering low ends\, and dramatic keys\, led by Pony’s swinging soul vocals yearning\, consoling\, and questioning. “I’m a big questioner\, for sure\,” Pony says. “Flannery O’Connor said she doesn’t know what she believes until she writes it. It’s a way of figuring out your own belief system\, there for everybody to see as you work through it. Writing tells me about myself.” He pauses. “It helps a lot.” \n\n\n\nThese days\, Pony reads novels and poetry more than he listens to songs\, although heroes such as Townes Van Zandt and Guy Clark still loom large. The 19th century French authors\, poets\, and painters have a hold on him\, especially Flaubert. He’s interested in the creative process––that grind that conditions the brain to know how to recognize inspiration and run with it. “I ask myself every day why I want to be good at this\,” he says. “It’s hard. I wrestle with the ego\, and this whole thing. But I just know that writing\, singing\, and playing makes me happy\, so I continue to do it.” \n\n\n\nPony––born James Bradshaw––moved around a lot as a kid. A military brat born in Mississippi\, he logged time around the country. Today\, he’s settled in Georgia. It’s where his young children live\, and more than anywhere else has ever been\, it’s home. After the Air Force showed him the door at 21 years old\, he drifted\, until the music he found more than a decade later became his anchor. \n\n\n\nNPR and others tapped Pony as one to watch a couple of years ago. He has since taken his time\, determined to accurately capture the art he’d only recently realized he was incubating. Sudden Opera is the rewarding result. Pony wrote all of the songs alone.
URL:https://missoulaunderground.com/mugevent/whiskey-myers-with-bayker-blankenship-and-pony-bradshaw-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Americana,Country,Country Music,Folk,Music,Rock
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250613T200000
DTEND;TZID=America/Denver:20250613T233000
DTSTAMP:20260607T131403
CREATED:20250520T054813Z
LAST-MODIFIED:20250520T054814Z
UID:10115819-1749844800-1749857400@missoulaunderground.com
SUMMARY:Blind Melon with the Sasha Bell Band at The Wilma
DESCRIPTION:Logjam Presents welcomes Blind Melon for a live concert performance with the Sasha Bell Band at The Wilma in Downtown Missoula at 8:00 pm Friday\, June 13\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Blind Melon for a live concert performance with the Sasha Bell Band at The Wilma in Downtown Missoula at 8:00 pm Friday\, June 13. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Blind MelonBlind Melon\, formed in Los Angeles in 1990\, was brought together by a group of musicians from different parts of the country. Rogers Stevens (guitar)\, Brad Smith (bass)\, and Glen Graham (drums) moved west from Mississippi\, while Christopher Thorn (guitar) hailed from Pennsylvania. Completing the lineup was Shannon Hoon\, a charismatic vocalist from Lafayette\, Indiana. The band quickly gained recognition after Hoon lent his voice to Guns N’ Roses’ “Don’t Cry\,” and their early demos caught the attention of Capitol Records\, leading to a recording contract. \n\n\n\nThe band’s rise was meteoric. They moved from crafting their unique blend of stripped-down psychedelia in a quiet house—immortalized in the song “Sleepyhouse”—to dominating the Billboard charts and performing at Woodstock ‘94. But success came with challenges. Their 1995 follow-up album\, Soup\, received mixed reviews upon release\, though tracks like “Mouthful of Cavities” have since been celebrated. Just weeks after the album’s debut\, tragedy struck when Shannon Hoon died from an overdose during a tour stop in New Orleans. \n\n\n\nHoon’s untimely death at 28 left the band reeling. As a tribute\, they released Nico\, a collection of outtakes named after Hoon’s daughter\, and a documentary\, Letters from a Porcupine\, which earned a Grammy nomination. Despite these efforts\, the band disbanded in 1999 after struggling to find a vocalist who could fill Hoon’s shoes. \n\n\n\nYears later\, in 2006\, Blind Melon’s journey took an unexpected turn. Smith and Thorn were producing an album for singer-songwriter Travis Warren in Austin\, Texas. Warren’s vocal range and raspy edge resembled Hoon’s\, but he also brought his own style and vision. The band reunited with Warren on vocals\, leading to a string of sold-out shows and the release of their 2008 album\, For My Friends. \n\n\n\nCreativity surged again in 2016 when guitarist Rogers Stevens sent a song sketch to Warren\, who quickly added vocals. This exchange ignited a prolific songwriting period that continued into 2018\, culminating in a new wave of music. The addition of multi-instrumentalist Nathan Townes further enriched the band’s sound. Stevens noted\, “We’re making the best music of our careers. I know everyone says that\, but this time\, it feels true.” Years of unrealized ideas poured out\, resulting in some of the band’s most mature and dynamic work yet. \n\n\n\nTheir resurgence began once again with the release of the single “Way Down and Far Below” in 2019\, followed by performances at major festivals like Kaaboo and Sea Hear Now. Looking ahead\, Blind Melon has shows lined up for 2025\, including a performance with O.A.R. at Red Rocks\, signaling the next exciting chapter for the band and their fans. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Sasha Bell BandKnown for her work with New York baroque ensemble Ladybug Transistor and Elephant 6 psych pop group\, The Essex Green\, Sasha Bell is a multi-faceted performer and musician most heralded for her sweetly melodic vocals and lithe instrumentation. She currently lives in Missoula with band members John Fleming\, Bryan Ramirez\, Chris Bacon and Colin Johnson. 
URL:https://missoulaunderground.com/mugevent/blind-melon-with-the-sasha-bell-band-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Alternative,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250614T190000
DTEND;TZID=America/Denver:20250614T230000
DTSTAMP:20260607T131403
CREATED:20250602T060002Z
LAST-MODIFIED:20250602T060004Z
UID:10116586-1749927600-1749942000@missoulaunderground.com
SUMMARY:St. Paul & The Broken Bones and The Wood Brothers with special guest Cece Coakley at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes St. Paul & The Broken Bones and The Wood Brothers for a live concert performance with special guest Cece Coakley at KettleHouse Amphitheater in Bonner at 7:00 pm Saturday\, June 14\n\n\n\n\n\nLogjam Presents welcomes St. Paul & The Broken Bones and The Wood Brothers for a live concert performance with special guest Cece Coakley at KettleHouse Amphitheater in Bonner at 7:00 pm Saturday\, June 14. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Premium Boxes are sold in bundles of two tickets and located in the private box area between the Reserved Stadium Seating the General Admission Lawn. These tickets include one parking pass or two shuttle passes\, a separate entrance for expedited venue entry\, and a dedicated cocktail server offering an expanded menu in addition to concessions. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout St. Paul & The Broken BonesFounded in Birmingham\, Alabama in 2011\, St. Paul & the Broken Bones consists of Paul Janeway (vocals)\, Jesse Phillips (bass)\, Browan Lollar (guitar)\, Kevin Leon (drums)\, Al Gamble (keyboards)\, Allen Branstetter (trumpet)\, Chad Fisher (trombone)\, and Amari Ansari (saxophone). The eight piece ensemble burst into the world with their 2014 debut Half the City\, establishing a sound that quickly became a calling card and landing the band a slew of major festivals including Lollapalooza\, Coachella and Glastonbury. Critical praise from The New York Times\, Rolling Stone\, SPIN and NPR followed\, leading to shared stages with some of the world’s biggest artists Elton John and The Rolling Stones among them and launching an impressive run of headlining tours behind what Esquire touted as a “potent live show that knocks audiences on their ass.” \n\n\n\nThe group has continued to expand their sound with every record\, branching out well beyond old school soul into sleek summertime funk and classic disco on albums like 2018’s Young Sick Camellia. Their forthcoming LP\, Angels in Science Fiction \, stretches their limbs further afield\, building on the shadowy psychedelia and intricate\, experimental R&B of 2022’s The Alien Coast. \n\n\n\n\n\n\n\nAbout The Wood BrothersThe Wood Brothers have learned to trust their hearts. For the better part of two decades\, they’ve cemented their reputation as freethinking songwriters\, road warriors\, and community builders\, creating a catalog of diverse music and a loyal audience who’ve grown alongside them through the years. \n\n\n\nThat evolution continues with Heart is the Hero\, the band’s eighth studio album. Recorded analog to 16-track tape\, this latest effort finds its three creators embracing the chemistry of their acclaimed live shows by capturing their performances in real-time direct from the studio floor with nary a computer in sight. An acoustic-driven album that electrifies\, Heart is the Hero is stocked with songs that target not only the heart\, but the head and hips\, too. \n\n\n\n“We love records that come from the era of less tracks and more care\,” explains co-founder Oliver Wood. “When you use a computer during the tracking process\, you have an infinite number of tracks at your disposal\, which implies that nothing is permanent\, and everything can be fixed. Tape gives you limitations that force you to be creative and intentional. You don’t look at the music on a screen; you listen to it\, and you learn to focus on the feeling of the performance.” \n\n\n\nThroughout Heart Is The Hero\, those performances are matched by the visceral storytelling and songwriting chops that have turned The Wood Brothers into Grammy-nominated leaders of American roots music\, even as their music reaches far beyond the genre’s borders. The stripped- down swagger of “Pilgrim” underscores Oliver’s reminder to slow down and experience each moment as an interactive observer\, rather than a passive tourist. A similar theme anchors “Between the Beats\,” where Oliver draws upon a meditation technique — maintaining one’s focus on the space between heartbeats — to reach a new level of presence. The gentle sway of country soul gem “Rollin’ On\,” featuring horns by Matt Glassmeyer and Roy Agee\, expounds on the time- honored tradition of love as the guiding light through darkness\, while ”Mean Man World” finds Chris Wood singing about his responsibilities as a father whose young daughter is poised to inherit an uncertain future. “Line Those Pockets” is a universal call for mercy and understanding over materialism. “Everybody’s just trying to be happy\, so put your money away; line those pockets with grace\,” the band sings in three-part harmony during the song’s chorus\, which emphasizes compassion over cash as the world’s true currency. Together\, these songs offer a snapshot of a spirited\, independent-minded group at the peak of its powers\, always pushing forward and seeking to evolve beyond what’s come before. \n\n\n\n“There’s still acoustic guitar\, upright bass\, and percussion on this album — things people use all the time — but we’re always thinking\, ‘How can we make this sound like us\, but not like something we’ve already done?’” Oliver says. “Sometimes\, the only way to do that is to get weird.” \n\n\n\nThat sense of exploration pumps its way through Heart is the Hero like lifeblood. Arriving on the heels of 2019’s Live at The Fillmore\, 2020’s Kingdom In My Mind\, and Oliver Wood’s solo album Always Smilin’ — all of which were released on Honey Jar Records\, the band’s independent label — Heart is the Hero is bold\, bright\, and singularly creative\, a fully realized collective effort ultimately greater than the sum of its parts. Perhaps that’s to be expected from a group whose willingness to experiment has earned acclaim from Rolling Stone and NPR\, as well as an annual touring schedule of sold-out music halls and theaters on both sides of the Atlantic. Ask The Wood Brothers\, though\, and they’ll tell you to expect the unexpected. \n\n\n\n“We are never satisfied if we are not searching for new musical recipes\,” says Jano Rix\, nodding to the uncharted territory that Heart is the Hero covers. Chris Wood agrees\, adding\, “We are one of those bands that isn’t easily categorized. We know what our strengths are\, but we can’t help but push the envelope\, as well. It’s too much fun.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Cece CoakleyCece Coakley is hitting her stride. In the wake of her debut 2022 EP “Tender\,” the 22-year old singer-songwriter is exploring a world beyond her native Knoxville\, literally and metaphorically. \n\n\n\nFresh off touring with rising acts like Medium Build\, Stephen Sanchez\, Field Guide and Ella Jane\, Coakley has no shortage of new experiences to draw from. “The first EP came out of living at my parents’ house\,” she explains. “Now I’m writing new songs on the road and trying them out live the same night – I’ve grown up so much making this new music.” Splitting her time between Nashville and LA\, Coakley partnered with new collaborators like Andy Seltzer (Maggie Rogers\, Samia) and Jake Munk (Miley Cyrus\, Ethan Tasch) to help her cultivate her ideas without “dimming their light.” \n\n\n\nThroughout her new writing\, Coakley examines life on a larger scale – from missing friends across time zones to the bittersweet feeling of returning home. The old version of Coakley is its own character in her writing\, forcing her to look over her shoulder at the life she grew out of. In the lineage of other crossover artists like Taylor Swift and Kacey Musgraves\, Coakley’s reflections on coming of age feel both universal and intimate\, delivered in soaring pop hooks over beds of jangly acoustics\, banjo and slide guitar. The influence of the country artists she grew up on shines through\, delivering her narrative lyricism with an emotional\, powerhouse voice. \n\n\n\nSince her debut in 2021\, Coakley has cemented herself in the indie landscape\, amassing over 4.9 million Spotify streams to date and nabbing slots at festivals like Bonnaroo and Briston Maroney’s Paradise Festival. Her upcoming sophomore EP deepens Coakley’s journey of self-discovery\, as she continues to strike a chord with her young audience. She may have found her footing\, but this is only the beginning for Cece Coakley.
URL:https://missoulaunderground.com/mugevent/st-paul-the-broken-bones-and-the-wood-brothers-with-special-guest-cece-coakley-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,R&B,Soul
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250615T200000
DTEND;TZID=America/Denver:20250615T233000
DTSTAMP:20260607T131403
CREATED:20250520T060154Z
LAST-MODIFIED:20250520T061600Z
UID:10115820-1750017600-1750030200@missoulaunderground.com
SUMMARY:Joseph at The Wilma
DESCRIPTION:Logjam Presents welcomes Joseph for a live concert performance with Lena Marie Schiffer w/ Ani Casabonne\, and Gabrielle Grace at The Wilma on Sunday\, June 15\n\n\n\n\n\nLogjam Presents welcomes Joseph for a live concert performance with Lena Marie Schiffer w/ Ani Casabonne\, and Gabrielle Grace at The Wilma on Sunday\, June 15. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor and reserved balcony seating are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout JosephOregon-bred indie pop sister group Joseph first made waves with their widely lauded 2015 debut album I’m Alone\, No You’re Not\, which featured their hit song “White Flag.” They followed it up with 2019’s Good Luck\, Kid\, marking a bold departure from the dreamlike folk of their debut and landing them at #4 on the Billboard Heatseekers Chart. The band continued to push their musical boundaries on 2023’s The Sun\, imbuing a thrilling new energy into each elegantly sculpted track. Over the years\, JOSEPH has attracted the attention of artists such as Billie Eilish and toured with the likes of James Bay\, Amos Lee\, and The Shins\, in addition to taking the stage at major festivals like Coachella\, Bonnaroo\, Austin City Limits\, Glastonbury\, and more. With their signature blend of harmony-driven indie pop and bold experimentation\, Joseph continues to evolve while staying true to the deeply personal themes that have defined their music. Now a duo\, Joseph — Natalie Closner and Meegan Closner — are currently putting the final touches on their next album\, with new music coming in Spring of 2025. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Lena Marie Schiffer with Ani CasabonneLena Marie Schiffer is a folk singer and songwriter based in Livingston\, Montana. She has carved a notable niche in the music industry\, touring nationally for ten years with her band Laney Lou and the Bird Dogs\, and now playing under her own name. In 2024\, Lena began developing her eponymous project that leans into folk\, indie\, and Americana influences. She paired up with Ani Casabonne on violin\, and together they have formed a duo that is bound by a chemistry that is undeniable when hearing them play.  \n\n\n\nLena writes original lyrics that offer deeply personal reflections and insightful observations of the world\, creating a connection with her audience wherever she goes. Her innate ability to relate to others drives her passion to write and share her songs. Lena is releasing her debut solo album in the Fall of 2025\, which was produced by Courtney Hartman and recorded in Eau Claire\, WI. \n\n\n\nAni\, a classically trained violin player hailing from Frisco\, Colorado\, found her passion for music at a young age. After a trip to Montana Fiddle Camp in June of 2014\, Ani was hooked on the styles of folk and bluegrass players. Years later\, after relocating to Bozeman\, Montana\, Ani seamlessly transitioned into the local music scene\, captivating audiences with her beautiful melodies. Whether she’s playing in intimate venues or on festival stages\, Ani’s unique sound and love for music continues to shine through her playing. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Gabrielle GraceGabrielle Grace is a singer and songwriter that writes songs that feel like conversations—sometimes with others\, sometimes with herself. A storyteller at heart\, her music blends warm indie-folk textures with the rawness of alternative pop\, capturing life’s quiet moments and loud emotions with equal weight. Originally from southeast Texas and now based in Nashville\, Grace’s songwriting is deeply personal yet universally resonant\, shaped by the in-between spaces of growing up\, letting go\, and learning to stay present. When she made her musical debut in 2021\, she released her EP\, “We’ll Be Alright\,” which climbed the iTunes singer-songwriter charts. Her debut full-length album\, There Are Two Sides to Everything (2023)\, is an exploration of contrast—hope and doubt\, longing and contentment\, the past and the future—all wrapped in lush melodies and thoughtful lyricism. \n\n\n\nShe’s been writing\, refining\, and pushing her sound forward as she is gearing up to release her new EP\, “Pink Skies” on June 26th\, 2025.
URL:https://missoulaunderground.com/mugevent/joseph-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
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