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DTSTART;TZID=America/Denver:20251027T200000
DTEND;TZID=America/Denver:20251027T233000
DTSTAMP:20260606T132537
CREATED:20251014T060144Z
LAST-MODIFIED:20251014T060146Z
UID:10123089-1761595200-1761607800@missoulaunderground.com
SUMMARY:Prof "Dirty Work" Tour at The Wilma
DESCRIPTION:Logjam Presents welcomes PROF for a live concert performance on the Dirty Work Tour with Snotty Nose Rez Kids\, Reeves Junya and Willie Wonka at The Wilma in Downtown Missoula at 8:00 pm Monday\, October 27\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Prof for a live concert performance on the Dirty Work Tour with Snotty Nose Rez Kids\, Reeves Junya and Willie Wonka at The Wilma in Downtown Missoula at 8:00 pm Monday\, October 27. \n\n\n\nTickets at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout ProfWith lyrical skill matched only by his raucous live shows\, Prof has cemented his place on the national stage. Hailing from Minneapolis\, Minnesota\, Prof has perfected the art of combining blue collar hard work and unimpeachable content while never taking himself too seriously. His seventh studio album\, Horse\, was released via his own imprint Stophouse Music Group on April 14\, 2023. The album\, paired with consistent single releases since\, has let the world at large in on a secret that music fans already know\, Prof is a force to be reckoned with. \n\n\n\nHorse has shocked pundits and the industry alike with an amazing run through the charts and streaming platforms. The album reached a career-high on the Billboard charts ranking as the #2 Current Rap Album\, #1 Heatseekers Album\, #1 Emerging Artist Album\, #8 Top Billboard Album\, and #17 Independent Album the week of its release. \n\n\n\nIn 2024 he continued his impressive run by releasing five new singles\, racking up over 300 million streams & headlining over 40 (largely sold out) shows including sell out shows at historic venues like Showbox SODO in Seattle\, The Rave II in Milwaukee\, The Orange Peel in Asheville\, The Roseland Theatre in Portland\, and Newport Music Hall in Columbus. \n\n\n\nProf’s latest single\, “Dynamite”\, released in December 2024\, has quickly become his fastest- growing track to date. In less than three months\, it has amassed over 5 million streams and exploded across social media with over 200 million views. \n\n\n\nNow\, all eyes are on 2025. Prof explodes into the year with a headline at Red Rocks Amphitheatre on April 26\, 2025 and is set to release his highly anticipated full-length album\, Good Time Boy in 2025. Poised to be his biggest project yet\, Good Time Boy boasts blockbuster collaborations with T-Pain\, Flatbush Zombies\, That Mexican OT\, and more. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Snotty Nose Rez KidsSnotty Nose Rez Kids tore into the music scene with unmistakeable talent and an unforgettable name. Showing off their lyrical prowess and natural storytelling ability\, Yung Trybez and Young D jumpstarted the band with two back-to-back albums in 2017. Their follow up album\, 2019’s TRAPLINE\, really launched their career with hit “Boujee Natives\,” and multiple awards including their first Juno nomination. The band took their high voltage live show on the road and clocked 100 shows in 6 different countries. Their pandemic album\, LIFE AFTER\, saw greater industry recognition with multiple music magazine cover stories\, and strong streaming platform support including Billboard advertisements in Toronto’s Yonge-Dundas Square\, playlist cover images\, and an Amazon Twitch Channel Takeover. Taking the album on the road\, the band toured 80 shows in support of the album across North America. They received their second Juno nomination and performed during the live broadcast. They were invited by The Toronto Raptors to play a half time show\, and to the Vancouver Canucks to play in-between periods. Their 2022 project\, I’M GOOD\, HBU? elevated their career to new heights\, and saw them receive their fourth Polaris Prize Shortlist\, a win for top music video of the year at the Prism Prize Awards for their Beatles-inspired\, DAMN RIGHT\, and landed them 3 Western Canadian Music Awards\, bringing their tally to 13 wins so far. SNRK have gone on to dominate in Hip-Hop music\, most recently achieving their biggest milestone\, signing to Sony Music. SNRK are blazing their own path\, weaving together a musical fabric of hard-hitting lyricism\, revealing stories about the struggles they and their people have encountered\, empowering protest songs for the front lines\, and a humor that keeps even the heaviest of topics something you can vibe to. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Reeves JunyaAaron Sebastion Reeves\, aka Reeves Junya or “Minnesota’s Best Rapper” was born June 26\, 1993 on the northside of Minneapolis and raised in Minnesota and on the Southside of Chicago. Reeves is talented in numerous areas of music. He has mastered the abilities to rap\, sing\, act\, make beats\, model\, and shoot his own music videos. He is currently working on his own clothing line\, and is in the process of running his own record label. He truly feels that he can never have to much on his plate\, his list of what he wants to accomplish goes on forever. Reeves has not yet signed to any lable but is Apart of a Movement/Group called “The Alienz”\, this group is a way of life\, believing that they are “ahead of their time”. On April 20\, 2011\, he dropped his first Mixtape Ever titled\, Why Isn’t This An Album?\, this tape was the begining of the Reeves reign. This mix-tape became extremely popular in some very important circles of people and was very respected by local listeners. Reeves had thoughts of signing to Flyod Mayweather and Soulja Boy. On December 25\, 2011\, Reeves dropped a fan appreication tape entitled\, Music Is My Girlfriend\, which is filled with punchlines and personlity. Reeves now has the world waiting on his next move.
URL:https://missoulaunderground.com/mugevent/prof-dirty-work-tour-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Hip Hop,Music,Rap
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251030T170000
DTEND;TZID=America/Denver:20251030T200000
DTSTAMP:20260606T132537
CREATED:20251030T021631Z
LAST-MODIFIED:20251030T021633Z
UID:10124064-1761843600-1761854400@missoulaunderground.com
SUMMARY:The Benevolents at KettleHouse Bonner Tap House
DESCRIPTION:The Benevolents play live from 5:00 pm to 8:00 pm Thursday\, October 30 at KettleHouse Tap House in Bonner\n\n\n\n\n\nThe Benevolents enliven audiences with soothing grooves and upbeat lyrics. The band’s eclectic catalog spans many genres\, including psychedelic rock\, jam band\, and Americana/folk rock. The group plays the globally-influenced compositions of John Kratz\, lead singer and guitarist. Holding down the rhythm section are Daniel Kiely on drums and Ryan Stiles on the bass. Laurie Banks will join for her first gig with the band on backing vocals. The band has released three live albums\, Live at Union Theater (2022)\, Benevolents Live (2023) and Live in Missoula\, MT (2024).
URL:https://missoulaunderground.com/mugevent/the-benevolents-at-kettlehouse-bonner-tap-house/
LOCATION:Kettlehouse Tap House Bonner\, 605 Cold Smoke Avenue\, Bonner\, Montana\, 59823\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2024/05/KettleHouse-Brewing-Tap-House-in-Bonner-Montana.jpg
ORGANIZER;CN="The Benevolents":MAILTO:johnkratz33@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251030T180000
DTEND;TZID=America/Denver:20251030T200000
DTSTAMP:20260606T132537
CREATED:20240410T041251Z
LAST-MODIFIED:20260402T225618Z
UID:10097659-1761847200-1761854400@missoulaunderground.com
SUMMARY:Thursday Night Jazz at The Old Post
DESCRIPTION:Live Jazz with Chuck Florence\, David Horgan and Beth Lo at 6:00 pm every Thursday at The Old Post in Downtown Missoula\n\n\n\n\n\nStop in for live Jazz with Chuck Florence\, David Horgan and Beth Lo at 6:00 pm every Thursday at The Old Post in Downtown Missoula
URL:https://missoulaunderground.com/mugevent/thursday-night-jazz-at-the-old-post/2025-10-30/
LOCATION:The Old Post Pub\, 103 W. Spruce Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Jazz,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/06/The-Old-Post-wall-sign.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251030T180000
DTEND;TZID=America/Denver:20251030T203000
DTSTAMP:20260606T132537
CREATED:20251030T131946Z
LAST-MODIFIED:20251030T131948Z
UID:10124092-1761847200-1761856200@missoulaunderground.com
SUMMARY:TNR / Thursday Night MTB Ride Missoula - North Jumbo Twilight Ride
DESCRIPTION:Bring your lights and meet up with TNR at 6:00 pm at the Mount Jumbo Saddle Trailhead above Lincoln Hills for this week’s Thursday Night MTB Missoula twilight ride on the North Jumbo Ridge trails\n\n\n\n\n\nNorth Jumbo Twilight Ride Come out for the last Thursday night ride before we roll back the clocks this weekend. We’ll meet at 6:00 pm at the Jumbo Saddle and ride the North Jumbo Ridge trails\, where the sun lingers a bit longer. The plan is the classic Sound of Music\, Three Larch\, and Sidewinder combo; though we might switch it up depending on conditions and interest. Charge those lights — sunset’s at 6:24 pm! \n\n\n\nMeeting PointMount Jumbo Saddle Trailhead \n\n\n\nTrail MapMTBM Three Larch/Sidewinder \n\n\n\nEssential GearNight-riding lights \n\n\n\nSee you out there!
URL:https://missoulaunderground.com/mugevent/tnr-thursday-night-mtb-ride-missoula-north-jumbo-twilight-ride/
LOCATION:Mount Jumbo Trailhead Parking Area – Lincoln Hills\, Missoula\, 46°53'52.1"N 113°56'57.3"W\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Bicycle Club Rides,Bike Rides,Cycling,Mountain Biking
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2023/11/Mount-Jumbo-Trailhead.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251030T183000
DTEND;TZID=America/Denver:20251030T203000
DTSTAMP:20260606T132537
CREATED:20251007T143857Z
LAST-MODIFIED:20251007T143859Z
UID:10122865-1761849000-1761856200@missoulaunderground.com
SUMMARY:Unseen Missoula: Screams & Spirits Tour
DESCRIPTION:Unseen Missoula takes you on a walking two-hour Screams & Spirits Tour of Missoula’s haunted past\, starting in front of the fountain at First Interstate Bank downtown with advance tickets for selected  dates available throughout October\n\n\n\n\n\nAs the leaves begin to fall and the seasons begin to change\, Missoula’s most spine-chilling history starts to emerge. Step into the shadows and uncover Missoula’s haunted past. This chilling tour weaves together stories of forgotten cemeteries\, abandoned buildings\, and even tales of murder\, bringing the darker side of the city’s history to life. \n\n\n\nThe walking tour begins in front of the fountain at First Interstate Bank\, and lasts approximately 90 minutes. Since this is a Halloween tour\, we recommend dressing warmly for the cool evening air. Comfortable walking shoes are a must\, and while costumes are optional\, they’re always encouraged to add to the spirit of the evening! This experience is recommended for ages 12 and up. \n\n\n\nIn partnership with Cranky Sam\, each ticket includes a limited-edition Screams & Spirits sticker and a special coupon for a Cranky Sam brewing product. \n\n\n\nCash tips are always appreciated by our guides\, but never expected.
URL:https://missoulaunderground.com/mugevent/unseen-missoula-screams-spirits-tour/2025-10-30/
LOCATION:First Interstate Bank\, 101 Front Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Halloween,Halloween Haunts & Scary Attractions,Walking Tours
ATTACH;FMTTYPE=image/webp:https://missoulaunderground.com/wp-content/uploads/2025/10/First-Interstate-Bank-at-101-Front-Street-in-Downtown-Missoula.webp
ORGANIZER;CN="Downtown Missoula Partnership":MAILTO:info@missouladowntown.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251030T200000
DTEND;TZID=America/Denver:20251030T230000
DTSTAMP:20260606T132537
CREATED:20251030T024723Z
LAST-MODIFIED:20251030T213926Z
UID:10124066-1761854400-1761865200@missoulaunderground.com
SUMMARY:Live and Local Music Showcase at The Union Club
DESCRIPTION:Live and Local Music Showcase at 8:00 pm Thursday at The Union Club in Downtown Missoula\n\n\n\n\n\n\n\nLive and Local showcase at The Union Club! Featuring music from Deathcare Industries\, The Naked Limbs\, The Strangelys\, Pale People\, and Evening Redness in the West.
URL:https://missoulaunderground.com/mugevent/live-and-local-at-the-union-club/
LOCATION:Union Club\, 208 E Main Street\, Missoula\, 59802\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/08/Union-Club-Bar-and-Grill-exterior-pic-JPG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251031T174500
DTEND;TZID=America/Denver:20251031T194500
DTSTAMP:20260606T132537
CREATED:20251007T143857Z
LAST-MODIFIED:20251007T143859Z
UID:10122866-1761932700-1761939900@missoulaunderground.com
SUMMARY:Unseen Missoula: Screams & Spirits Tour
DESCRIPTION:Unseen Missoula takes you on a walking two-hour Screams & Spirits Tour of Missoula’s haunted past\, starting in front of the fountain at First Interstate Bank downtown with advance tickets for selected  dates available throughout October\n\n\n\n\n\nAs the leaves begin to fall and the seasons begin to change\, Missoula’s most spine-chilling history starts to emerge. Step into the shadows and uncover Missoula’s haunted past. This chilling tour weaves together stories of forgotten cemeteries\, abandoned buildings\, and even tales of murder\, bringing the darker side of the city’s history to life. \n\n\n\nThe walking tour begins in front of the fountain at First Interstate Bank\, and lasts approximately 90 minutes. Since this is a Halloween tour\, we recommend dressing warmly for the cool evening air. Comfortable walking shoes are a must\, and while costumes are optional\, they’re always encouraged to add to the spirit of the evening! This experience is recommended for ages 12 and up. \n\n\n\nIn partnership with Cranky Sam\, each ticket includes a limited-edition Screams & Spirits sticker and a special coupon for a Cranky Sam brewing product. \n\n\n\nCash tips are always appreciated by our guides\, but never expected.
URL:https://missoulaunderground.com/mugevent/unseen-missoula-screams-spirits-tour/2025-10-31/
LOCATION:First Interstate Bank\, 101 Front Street\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Halloween,Halloween Haunts & Scary Attractions,Walking Tours
ATTACH;FMTTYPE=image/webp:https://missoulaunderground.com/wp-content/uploads/2025/10/First-Interstate-Bank-at-101-Front-Street-in-Downtown-Missoula.webp
ORGANIZER;CN="Downtown Missoula Partnership":MAILTO:info@missouladowntown.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251031T200000
DTEND;TZID=America/Denver:20251031T230000
DTSTAMP:20260606T132537
CREATED:20251030T040303Z
LAST-MODIFIED:20251030T171418Z
UID:10124077-1761940800-1761951600@missoulaunderground.com
SUMMARY:Elephant Gerald's Halloween Dance Party at Stave & Hoop
DESCRIPTION:Groove along with an evening of spooky and creepy jazz at Elephant Gerald’s Halloween Dance Party and Costume Contest at Stave & Hoop in Downtown Missoula 8:00 pm to 11:00 pm Friday\n\n\n\n\n\nElephant Gerald is throwing a Halloween party unlike any other. Pop on into Stave & Hoop\, dressed in your Halloween best for an evening of spooky and creepy jazz. Costume Contest at 10:00 pm with Stave & Hoop prizes. \n\n\n\n\n\nThis week’s Halloween Jazz Jam song list. Come on out to @stavenhoop this Thursday and join us on stage for some creepy crawly tunes!
URL:https://missoulaunderground.com/mugevent/elephant-geralds-halloween-dance-party-at-stave-hoop/
LOCATION:Stave & Hoop\, 223 N. Higgins - Alley Entrance\, Missoula\, 59802\, United States
CATEGORIES:Costume Contest,Costume Contests,Halloween,Halloween Haunts & Scary Attractions,Halloween Parties
ATTACH;FMTTYPE=image/png:https://missoulaunderground.com/wp-content/uploads/2021/09/Stave-and-Hoop-logo-hz-PNG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251031T210000
DTEND;TZID=America/Denver:20251031T235900
DTSTAMP:20260606T132537
CREATED:20251015T053957Z
LAST-MODIFIED:20251015T053958Z
UID:10123093-1761944400-1761955140@missoulaunderground.com
SUMMARY:Nekromantix with Goners UK at The Wilma
DESCRIPTION:Logjam Presents welcomes Nekromantix for a live Halloween performance with Goners UK at The Wilma in Downtown Missoula at 9:00 pm Friday\, October 31\n\n\n\n\n\nDoors @ 8:00 pm \n\n\n\nLogjam Presents welcome Nekromantix for a live Halloween performance with Goners UK at The Wilma in Downtown Missoula at 9:00 pm Friday\, October 31. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout NekromantixNever self-serious while far from a joke at the same time\, Nekromantix is a musical unearthing of the biggest themes from the greatest works of monster\, zombie\, vampire\, werewolf and b-horror fiction; ripped from literature\, comic book pages or classic celluloid. Nekromantix chases a darkly romantic muse with an even darker humor. \n\n\n\nThe Nekromantix catalog boasts enduring genre classics like the unapologetically hooky yet undeniably fierce “Who Killed the Cheerleader?” and “Gargoyles Over Copenhagen” alongside subversively sentimental cuts like “Haunted Cathouse” and “Subcultural Girl.” There are echoes of rock n’ roll’s greats and punk rock icons alike\, all with modern flair. \n\n\n\nA Symphony of Wolf Tones & Ghost Notes broadens the Nekromantix legacy with expansive ambition that never sacrifices the trio’s inherent grittiness\, furiously stoking and reshaping the flames of the creative vision begun in Denmark with legendary labels like Nervous Records\, through the band’s master classes in punk n’ roll albums stateside with Hellcat Records\, the label cofounded by Tim Armstrong and Brett Gurewitz. \n\n\n\nArmed with his signature coffin bass\, chilling baritone\, monstrous expressions and ten-stories-tall haircut\, Kim Nekroman has earned tremendous respect\, admiration and goodwill from a fiercely dedicated legion of hard-partiers\, rabble-rousers\, well-meaning degenerates\, grease monkeys\, outlaw bikers\, nostalgic tastemakers and forward-thinking punks. It’s a crew of supporters as diverse as the otherwise classic and timeless music the Danish-born California transplant has unleashed as leader of Nekromantix. \n\n\n\nNekroman’s notorious quiff is as instantly recognizable as the coffin bass he’s slapped into submission on nine studio albums\, countless worldwide tours and festivals. The quiff\, of course\, combines the midcentury rebel style of the pompadour and flattop with the punk attitude of New York and Europe from the late 70s. It’s a fitting symbol for the style of music Nekromantix has perfected into an art form\, a rollicking psychobilly sound with reverence for the genre’s origins and predecessors\, infused with an iconoclastic boundlessness that refuses to abandon the electric catharsis of unadulterated fun. \n\n\n\nReturn of the Loving Dead (2002) marked a career resurgence and subcultural breakthrough for what was previously a feverishly cherished underground band best known outside of North America\, via now legendary records like Curse of the Coffin (1991)\, Brought Back to Life (1994)\, Demons Are a Girl’s Best Friend (1996) and their unstoppable debut\, Hellbound (1989). The new millennium brought the band to America (at first to tour and eventually\, to stay)\, conjuring into the world new Nekro landmarks in the forms of Dead Girls Don’t Cry (2004)\, Life is a Grave & I Dig It! (2007) and What Happens in Hell\, Stays in Hell (2011)\, as Nekroman steered the band through shifting lineups and energized shows with bands like Rancid and Reverend Horton Heat. \n\n\n\nNekroman has been joined by skilled guitarist Francisco Mesa for nearly a decade now\, with drummer Adam Guerrero bringing a fresh injection of passionate enthusiasm to the band in 2014. A Symphony of Wolf Tones & Ghost Notes is a fertile proving ground for a reenergized lineup that fans of the band have already loved for two years. New songs like “Glow in the Dark\,” “War Bats” and “Resting Witch Face” are instant classics\, standing mightily alongside the greatest Nekromantix songs enduring in their set list. \n\n\n\nThere are some bands whose sound\, image and front person became synonymous with an entire subculture\, whether as originators of a particular style\, a crucial innovator among a handful of likeminded artists\, or simply as the best embodiment of everything a specific style has to offer. Rock historians may debate who reigns supreme among Black Sabbath\, Led Zeppelin and Deep Purple\, but there’s no denying they are all heavy metal titans. When someone says “Lemmy” or “Strummer” or “Blondie\,” certain feelings are immediately invoked. There’s a palpable energy in the air among hardcore acolytes and culture mavens. It’s a kind of iconic resonance that transcends boundaries. \n\n\n\nTo their dedicated army of supporters around the world and across every dimension\, Nekromantix stands tall among the ghosts in rock n’ roll’s undead cemetery. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Goners UKFew bands consistently bring the energy that Goners UK brings; whether on record or live shows\, the hometown heroes are unwavering in their delivery of fast paced\, heavy handed\, no-bullshit punk rock.  \n\n\n\nHailing from the snowy caps of Bozeman\, Montana\, the quintet stops at literally nothing to bring their storied tunes to every corner of the map.  \n\n\n\nSelf starting. Hard working. Relentless in their pursuit of progressing in every show\, every album\, every song; Goners UK is a force to be reckoned with.
URL:https://missoulaunderground.com/mugevent/nekromantix-with-goners-uk-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Goth,Halloween,Holiday Events,Music,Punk,Rock,Rock & Roll,Rockabilly
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251101T073000
DTEND;TZID=America/Denver:20251101T210000
DTSTAMP:20260606T132537
CREATED:20251029T230928Z
LAST-MODIFIED:20251029T230930Z
UID:10124055-1761982200-1762030800@missoulaunderground.com
SUMMARY:Missoula Symphony "Light & Darkness" at UM Dennison Theatre
DESCRIPTION:Go to the Light & Darkness with the Missoula Symphony at UM Dennison Theatre with performances at 7:30 pm Saturday\, November 1 and 3:00 pm Sunday\, November 2\n\n\n\n\n\nThe Missoula Symphony presents Light and Darkness- a profound exploration of music’s power to illuminate the human experience\, from deep introspection to soaring intensity. Honoring All-Saints Day\, this evocative program delves into contrast\, emotion\, and the shifting balance between shadow and light. \n\n\n\nThe evening opens with Arvo Pärt’s Cantus in Memory of Benjamin Britten\, a deeply meditative work that unfolds in waves of string textures\, honoring the late British composer with a haunting sense of stillness and reverence. \n\n\n\nThen we explore the mesmerizing work of Philip Glass’ Cello Concerto No. 2 “Naqoyqatsi”. Drawn from the final film in Glass’ Qatsi trilogy\, it blends minimalist pulses with cinematic grandeur\, creating a soundscape that is both hypnotic and powerful. Come hear our guest soloist\, Nathan Chan\, bring out the concerto’s emotional depth\, from its haunting opening to its relentless\, driving energy. \n\n\n\nThe program concludes with Tchaikovsky’s Symphony No. 6\, “Pathétique.” A masterwork of passion and despair\, the Pathétique is a journey through triumph\, turmoil\, and ultimate resignation. From its bold opening to the electrifying second movement and heart-wrenching finale\, this symphony is an emotional piece that lingers long after the final note fades. \n\n\n\nJoin us for an unforgettable night of music that moves between light and darkness\, with the extraordinary and innovative cellist\, Nathan Chan as our featured soloist.Concert Program Book \n\n\n\n\n\nPurchase Tickets LINK
URL:https://missoulaunderground.com/mugevent/missoula-symphony-light-darkness-at-um-dennison-theatre/2025-11-01/
LOCATION:George & Jane Dennison Theatre at the University of Montana\, 32 Campus Drive\, Missoula\, MT\, 59812\, United States
CATEGORIES:Cello,Classical,Music,Orchestra,Symphony
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/11/Dennison-Theater-University-of-Montana.jpg
ORGANIZER;CN="Missoula Symphony Orchestra &#038%3B Chorale":MAILTO:info@missoulasymphony.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251102T150000
DTEND;TZID=America/Denver:20251102T163000
DTSTAMP:20260606T132537
CREATED:20251029T230928Z
LAST-MODIFIED:20251029T230930Z
UID:10124056-1762095600-1762101000@missoulaunderground.com
SUMMARY:Missoula Symphony "Light & Darkness" at UM Dennison Theatre
DESCRIPTION:Go to the Light & Darkness with the Missoula Symphony at UM Dennison Theatre with performances at 7:30 pm Saturday\, November 1 and 3:00 pm Sunday\, November 2\n\n\n\n\n\nThe Missoula Symphony presents Light and Darkness- a profound exploration of music’s power to illuminate the human experience\, from deep introspection to soaring intensity. Honoring All-Saints Day\, this evocative program delves into contrast\, emotion\, and the shifting balance between shadow and light. \n\n\n\nThe evening opens with Arvo Pärt’s Cantus in Memory of Benjamin Britten\, a deeply meditative work that unfolds in waves of string textures\, honoring the late British composer with a haunting sense of stillness and reverence. \n\n\n\nThen we explore the mesmerizing work of Philip Glass’ Cello Concerto No. 2 “Naqoyqatsi”. Drawn from the final film in Glass’ Qatsi trilogy\, it blends minimalist pulses with cinematic grandeur\, creating a soundscape that is both hypnotic and powerful. Come hear our guest soloist\, Nathan Chan\, bring out the concerto’s emotional depth\, from its haunting opening to its relentless\, driving energy. \n\n\n\nThe program concludes with Tchaikovsky’s Symphony No. 6\, “Pathétique.” A masterwork of passion and despair\, the Pathétique is a journey through triumph\, turmoil\, and ultimate resignation. From its bold opening to the electrifying second movement and heart-wrenching finale\, this symphony is an emotional piece that lingers long after the final note fades. \n\n\n\nJoin us for an unforgettable night of music that moves between light and darkness\, with the extraordinary and innovative cellist\, Nathan Chan as our featured soloist.Concert Program Book \n\n\n\n\n\nPurchase Tickets LINK
URL:https://missoulaunderground.com/mugevent/missoula-symphony-light-darkness-at-um-dennison-theatre/2025-11-02/
LOCATION:George & Jane Dennison Theatre at the University of Montana\, 32 Campus Drive\, Missoula\, MT\, 59812\, United States
CATEGORIES:Cello,Classical,Music,Orchestra,Symphony
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/11/Dennison-Theater-University-of-Montana.jpg
ORGANIZER;CN="Missoula Symphony Orchestra &#038%3B Chorale":MAILTO:info@missoulasymphony.org
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251102T170000
DTEND;TZID=America/Denver:20251102T190000
DTSTAMP:20260606T132537
CREATED:20251030T192646Z
LAST-MODIFIED:20251030T192648Z
UID:10124113-1762102800-1762110000@missoulaunderground.com
SUMMARY:Moradok mai Traditional Thai Dance Band at Draught Works
DESCRIPTION:Experience a spectacular evening of culture and awe as the acclaimed Moradok mai Traditional Thai Theatre group puts on a special performance at Missoula’s Draught Works 5:00 pm to 7:00 pm Sunday\, November 2\n\n\n\n\n\nExperience a spectacular evening of culture and awe as the acclaimed Moradok mai Traditional Thai Theatre arrives in Missoula! This isn’t just a performance—it’s a vibrant blend of traditional Thai dance\, mesmerizing music\, and captivating storytelling\, all infused with a modern twist. Don’t miss this rare opportunity to witness these talented young artists\, guided by a University of Montana alum\, showcase their stunning craft.
URL:https://missoulaunderground.com/mugevent/moradok-mai-traditional-thai-dance-band-at-draught-works/
LOCATION:Draught Works\, 915 Toole Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Dancing,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2025/02/Draught-Works-Brewery-springtime.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251102T180000
DTEND;TZID=America/Denver:20251102T200000
DTSTAMP:20260606T132537
CREATED:20250923T030822Z
LAST-MODIFIED:20250923T031109Z
UID:10120890-1762106400-1762113600@missoulaunderground.com
SUMMARY:Dram Tuff Bingo at Dram Shop Central
DESCRIPTION:Dram Tuff Bingo hosted by Paul and Stu at 6:00 pm each Sunday at Dram Shop Central in Missoula\n\n\n\n\n\nGet ready to shout BINGO! all autumn long starting Sunday\, September 21st. Grab your pals for a night of bingo\, good company\, and friendly competition and a chance to win prizes! Bingo cards are FREE with a purchase of a beverage (of any kind). 
URL:https://missoulaunderground.com/mugevent/dram-tuff-bingo-at-dram-shop-central-2/2025-11-02/
LOCATION:Dram Shop Central\, 2700 Paxson Street\, Ste G\, Missoula\, Montana\, 59801\, United States
CATEGORIES:Bar Games,Bingo
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2022/02/Dram-Shop-Central-exterior-pic.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251102T200000
DTEND;TZID=America/Denver:20251102T230000
DTSTAMP:20260606T132537
CREATED:20251021T061025Z
LAST-MODIFIED:20251021T061113Z
UID:10123279-1762113600-1762124400@missoulaunderground.com
SUMMARY:Margo Price "Wild at Heart" Tour with Logan Ledger at The Wilma
DESCRIPTION:Logjam Presents welcomes Margo Price for a live concert performance on her “Wild at Heart” Tour with Logan Ledger at The Wilma in Downtown Missoula at 8:00 pm Sunday\, November 2\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Margo Price for a live concert performance on her “Wild at Heart” Tour with Logan Ledger at The Wilma in Downtown Missoula at 8:00 pm Sunday\, November 2. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor / standard balcony and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Margo PriceNearly a decade ago\, Margo Price turned Nashville on its head with her breakthrough\, beloved debut solo album\, Midwest Farmer’s Daughter. Released in the throes of bro-country and before pop stars were crossing over into the genre left and right\, it showcased an artist completely unafraid to double down not only on herself\, but what she’d always loved: classic country songs written from the intellect and the gut\, hell-bent on truth-telling and both timeless and urgent all at once. Respected by her peers\, praised by critics and beloved by her fans\, Price created a lane where independent-minded\, insurgent country music can exist and thrive alongside the mainstream\, and became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A trailblazer and a champion for the craft\, Price redefined what it meant to be a modern country artist. \n\n\n\n    And now she’s back with an exquisite\, truly timeless album that reconnects with her roots and pays tribute to the art of the country song\, inspired in part by the legends whom she now calls colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to march forward while staying true to yourself when the path of less resistance is right there in front of us\, and short cuts are around every corner. And a way to look back when we need to trim what is no longer working\, and to stay connected with where we’re from. It is a promise and a manifesto\, a love song to both a city and a genre\, and a defiant cry for individuality. \n\n\n\nIn creating Hard Headed Woman\, Price brought all of her power as one of  our most beloved and respected songwriters to craft a deep exploration of love and America in a time of unprecedented uncertainty. Featuring appearances from Tyler Childers\, co-writes with Rodney Crowell and a Waylon Jennings song that his widow\, Jessi Colter\, urged her to sing\, it is country music as only Price can make it: free of rules\, cherishing tradition\, hard headed to the core but with a delicate\, beating heart. \n\n\n\nSince releasing Midwest Farmer’s Daughter\, Price has barely slowed down. She’s made four records\, played Saturday Night Live\, been nominated for a Grammy\, toured the world alongside artists like Chris Stapleton and Willie Nelson\, released a lauded memoir (Maybe We’ll Make It\, due on paperback September 2nd)\, became an in-demand producer and was appointed as the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to genre\, venturing into psychedelic rock on her most recent\, Jonathan Wilson-produced record\, Strays. It would have been easiest to just stay that course\, and keep running. But Price doesn’t follow success or comfort. She follows the art. \n\n\n\n    It took a whole lot of hard work and honesty with herself and others to get there\, but that’s never stopped Price before.  “I made the decision that I had to rebuild everything from the ground up\,” Price says. “There’s all this pressure to be pumping out content\, and I felt the opposite in the way I wanted to approach this record and my life in general.” \n\n\n\n    Price had also established herself as one of the most passionate\, vocal artists in country music and beyond when it came to standing up for political and personal causes\, from the presidential election\, to abortion to gun control: happily hard headed when it came to the fight for equality and justice\, especially for the working class and underserved in our society. Price has always brilliantly woven her activism into her songs\, but her role as a spokesperson had started to overtake\, on occasion\, her role as a songwriter. She wanted to focus on using her written word to deliver the most potent punch of all. \n\n\n\n    “I always hope to do like Johnny Cash did\,” Price says\, “which is speak up for the common man and woman. But there have been so many threats and anger and vitriol over the years\, when I am only coming from a place of love.” \n\n\n\nPrice realized she just needed a break from everything outside of the bubble of family life and her art. She started spending more time at home\, writing songs alone and with her husband\, Jeremey Ivey. She started popping up in the dive bars and tiny venues around Nashville where she got her start\, sometimes just to play a country cover or two or dance with the crowd. She refused guidance to write for pop stars or compromise her values for a quick buck. Most of all\, she turned the emphasis in her music back to songwriting\, exactly where she began.          \n\n\n\n“So much of Strays was leaning into this psychedelic\, textural territory\,” says Price. The music lent itself to vibrant\, heavy stage jams\, with Price often hopping behind the drumkit and bruising her thigh from a tambourine beat. She found herself longing for the days when it was just her and her guitar\, playing at an East Nashville dive bar. “I always knew\,” she adds\, “I would come back to this more rooted sound.” \n\n\n\n    Hard Headed Woman is rooted to its core. Rooted in Price’s history and struggle to make it as a musician for so many years in a town that prizes uniformity and the bottom line\, rooted in the country and folk sounds that have become her signature\, rooted in the simplicity of a few key collaborators instead of songs-by-committee. At the heart of Price’s work is her creative partnership with Ivey\, with whom she describes as having a “soul connection.” “I’m a songwriter\,” Price says. “I’m not somebody who goes out and needs five people to craft a song\, and then tack my name on it. That’s never been my style. I have something to say.” \n\n\n\nSomething to say\, nothing to prove. The first song they wrote for the album that would become Hard Headed Woman was “Close to You\,” a simple\, pining call for a lover that is infused with the sounds of the desert. It’s unfettered and truth-telling\, accented by some flamenco guitar and Price’s gorgeous\, urgent vocals. “We played the jukebox while democracy fell\,” Price sings\, never letting her songs fall out of the context in which they exist. It’s the kind of thing that only she could write\, carrying both love and fear in one single line. \n\n\n\nAs more songs started to form\, an early boost of confidence came from her friends Rodney Crowell and Emmylou Harris\, who heard some of the work at a political fundraiser and encouraged Price to keep going.  “I have both of them to thank for building me up and making me believe in the songs I am writing in this season of my life\,” Price says. Crowell remained not only an inspiration and supporter of the album but a contributor: he co-wrote two songs with Price and Ivey. \n\n\n\n    The album that unfolded from there is drenched in Price’s unique story and unshakeable instincts: while Midwest Farmer’s Daughter was about her journey from childhood to Nashville\, Hard Headed Woman is very much her battle since from dive bars to tour buses\, through parenthood and marriage\, through scrutiny and sacrifice all while fighting constantly for what she believes in\, and the music she loves. It begins with a proclamation on the prelude\, which serves as the album’s mission statement: or\, Price puts it\, “a disclaimer and reminder that I don’t owe you fucking shit.” \n\n\n\n    Songs like the album’s lead single\, “Don’t Let the Bastards Get you Down\,” speak for the downtrodden and the forgotten\, an “anthem for people who are being overlooked in society and need to be lifted up\,” Price says\, “because we are up against so much right now.” As so many of Price’s songs do\, it speaks both for the personal and the political all at once. Price was inspired by the message Kris Kristofferson whispered to Sinead O’Connor when she was booed on stage at a Bob Dylan 30th Anniversary show\, and even got Kristofferson’s widow’s blessing to include his name on the credits. “I always admired Kris for how he stood by her in that moment\, instead of pulling her off the stage like they told him\,” Price says. It serves as a reminder to anyone who encounters resistance in the face of fighting for justice to keep going\, especially when it would be so much easier to capitulate and cower. \n\n\n\n“The song was originally written for a movie that never happened\, but it feels so timely with everything that’s going on in the world\,” Price explains. “The phrase\, ‘Don’t Let The Bastards Get You Down’ originates from Margaret Atwood’s brilliant 1985 piece of literature\, The Handmaid’s Tale. It’s referred to in Latin and used as a rallying cry for resistance against the oppressive regime that symbolizes resilience and hope in the face of adversity. Nolite te Bastardes Caborundorum.” \n\n\n\n    That spirit resonates all across the songs of Hard Headed Woman. The blistering “Don’t Wake Me Up” was based around some writings that Ivey stumbled upon in one of Price’s notebooks\, inspired in part by her deep readings of Frank Stanford\, one of her favorite poets due to his freewheeling work free of boundaries. They spun it all into song in minutes that chugs with the essence of Dylan’s “Subterranean Homesick Blues”: “The way this world is going\, ain’t where I’m at\,” Price howls in her powerful\, unmistakable voice. “Nowhere is Where\,” turns slow and contemplative\, road-worn but never broken\, the call of someone who has been to the mountain but never forgets the prairie below. And “Losing Streak” whirls in with an organ and out with a weary\, world-worn defiance: our worst times don’t define us\, but they’re always part of who we are. \n\n\n\nThere are songs that go back to the beginning of Price’s early grind\, like the western-tinged “Wild at Heart\,” reflecting on how much her life and the city of Nashville has changed over the years – and how important it is to stay true to exactly who you are despite it all. Another\, called “Red Eye Flight\,” is about both leaving a lover and also leaving her longtime band the Pricetags. “I’ve been with those players for ten\, thirteen years\,” she says. “But I could feel that I needed to make a change\, and to change texturally what’s going on with the band. But it’s a familial bond\, different than a friendship.” \n\n\n\nThere are a few choice covers and cuts\, too: “Love Me Like You Used To Do” is by Price’s friend Steven Knudson\, an unsung Nashville writer on whom she hopes to shine a spotlight (helping to elevate the town’s incredibly talented but buried voices is one of Price’s favorite pastimes). Friend Tyler Childers joins Price on that waltzing country ballad\, while “I Just Don’t Give a Damn” is Price’s “Jolene goes to Memphis” take on the Jimmy Peppers and George Jones classic. And showcasing how Price has been trusted by the greats to lead the next generation of country music renegades\, “Kissin You Goodbye” was given to Price by Jessi Colter\, Waylon Jennings’ widow\, when Price was producing her record. They’re songs chosen to appreciate the past and the present as she sees it – not as Music Row or the algorithm might dictate – and place Price squarely amongst her heroes as a living and breathing part of the new country tradition. \n\n\n\n    When it came time to record Hard Headed Woman\, it was important for Price to keep that ethos alive\, decamping to Nashville’s RCA Studio A and reuniting with producer Matt Ross-Spang\, with whom she made her first two solo albums. Though she has worked with everyone from Sturgill Simpson to Jonathan Wilson since\, it was Spang’s vocal rebuke of easy studio shortcuts that made her eager to reunite again. “He’s so unpretentious\,” Price says. “He fully believes in me\, he fully believes in my songs. He got us back to feeling it in your gut and not needing everything to be so perfect.” \n\n\n\n    It felt truly significant for Price to make the album in Nashville\, a city where she’s lived for over two decades and played a seminal role in its transformation\, yet somehow never recorded an album in the place she’s called home. The historic RCA Studio A helped connect Price even closer to the legacy of songwriting she holds so dear\, a place where everyone from Dolly Parton to John Prine to Loretta Lynn have made albums. “It felt like there were ghosts and spirits just hanging out\,” Price says. In perfect kismet\, she also launched her own signature Gibson J-45 guitar\, inspired by her 1960’s Gibson she’s had by her side for years as her career took off. It’s all part of the continuity that she wishes to create with her art\, not just with timeless songs but inspiring future generations of women\, mothers and artists in general who don’t want to sacrifice their vision\, moral compass or family life in favor of mainstream success. \n\n\n\nAt its core\, Hard Headed Woman is about that furious instinct to never waver\, especially when ourselves\, our values and our future is so clearly on the line. As she sings on the title track\, “I ain’t ashamed\, I just am what I am.” \n\n\n\n    “I hope this album inspires people to be fearless and take chances and just be unabashedly themselves\,” Price says\, “in a culture that tries as hard as it can to beat us into all being the same.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Logan LedgerA Nashville-based singer/songwriter with a smooth voice and classic tone\, Logan Ledger built a buzz around Music City in the late-2010s\, calling to mind names like and . His career got a significant boost when producer signed him and brokered a record deal with \, resulting in an eponymous full-length record appearing in 2020 as well as 2023’s Golden State. \n\n\n\nA native of California\, Ledger developed a fondness for bluegrass\, old-time\, and honky tonk music from a young age. After a brief post-college stint as part of a Bay Area bluegrass band\, he migrated east to Nashville and put in the requisite hours working on his songs and playing at venues around the city. Industry insiders quickly took notice\, and before long he was working with the legendary \, who signed him to his imprint and helped foster a deal for Ledger with . The first official release from these sessions arrived in early 2019 with the singles “Starlight” and “Imagining Raindrops.” \n\n\n\nFor 2023’s Golden State\, Ledger worked with producer \, along with such musicians as Nick Bockrath and Jamie Douglass; it also featured a cameo by on “Some Misty Morning.” ~ Timothy Monger
URL:https://missoulaunderground.com/mugevent/margo-price-wild-at-heart-tour-with-logan-ledger-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Country,Country Music,Music,Singer Songwriters
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
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