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DTSTART;TZID=America/Denver:20260622T170000
DTEND;TZID=America/Denver:20260622T200000
DTSTAMP:20260617T232437
CREATED:20260423T031948Z
LAST-MODIFIED:20260608T162934Z
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SUMMARY:Bigfork Monday Market at Lake Baked / River View Bar
DESCRIPTION:The weekly Bigfork Monday Market happens from 5:00 pm to 8:00 pm each summer Monday (May 25 thru September 7) in Downtown Bigfork at Lake Baked and live music on the River View Bar outdoor stage\n\n\n\n\n\nSummer is here – get excited about the 2026 Bigfork Monday Market! \n\n\n\nThe 2026 Season of the Bigfork Monday Market is underway! This is our 9th year of making Mondays in Bigfork just a little more fun. This season we are going to continue implementing updates and exciting new things to our market. Enjoy the new dance floor at the River View Bar and an extension to the length of time that our musicians keep us tapping our toes! That’s right – our vendor time and music now runs a little longer each market from 5:00 pm to 8:00 pm. 2026 Bigfork Monday Market MUSIC LINEUPEach week we feature amazing musical acts from the Flathead Valley – and all over the globe! We also have a new line-up of food vendors so that you can try something different each Monday!5/25 Fetveit Brothers6/1 Man & the Box6/8 Wild Wind6/15 The Dead Pines6/22 Brent Jameson Duo6/29 20 Grand7/6 Joe Martinez Band7/13 Jameson & Sordid Seeds7/20 Tobacco River Ramblers7/27 Mudslide Charley8/3 John and Andy Dunnigan Duo8/10 Hot Dayum8/17 David Walburn Duo8/24 Mike Murray8/31 Bo DePeña9/7 Todd Cowart \n\n\n\nThe BMM is a weekly summer market that includes Fresh Goods\, Bakers\, Artists\, Food Trucks\, Cocktails\, Live Music and a chance to dance with your neighbors & friends – GOOD TIMES for all! We are a family-friendly event and assure you that there is something at our market for all ages.
URL:https://missoulaunderground.com/mugevent/bigfork-monday-market-at-lake-baked-river-view-bar-2/2026-06-22/
LOCATION:River View Bar\, 191 Mill Street\, Bigfork\, Montana\, 59911\, United States
CATEGORIES:Farmers Markets,Farmers Markets,Markets,Shopping
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/07/River-View-Bar-1.jpg
ORGANIZER;CN="Bigfork Monday Market":MAILTO:bigforkmarket@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T200000
DTEND;TZID=America/Denver:20260623T230000
DTSTAMP:20260617T232437
CREATED:20260616T234026Z
LAST-MODIFIED:20260617T040220Z
UID:10141579-1782244800-1782255600@missoulaunderground.com
SUMMARY:Watchhouse w/ Two Runner at The Wilma
DESCRIPTION:Logjam Presents welcomes Watchhouse for a live concert performance with Two Runner opening at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, June 23\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Watchhouse for a live concert performance with Two Runner opening at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, June 23. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor / standard balcony and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout WatchhouseWatchhouse\, the North Carolina based duo of Andrew Marlin & Emily Frantz\, have announced a new studio album called Rituals\, due out May 30\, 2025 via Tiptoe Tiger Music / Thirty Tigers. The collection marks the pair’s first release of all new\, original songs since their 2021 self-titled album\, which earned praise from Rolling Stone (“pristine acoustic picking collides with hazy\, dream-like psychedelia”) Mojo\, NPR Music\, American Songwriter and more. \n\n\n\nStarting over a decade ago playing coffee shops and local restaurants around North Carolina\, Watchhouse is a grassroots success story that’s been driven by Marlin’s poignant songwriting. With sold-out shows at legendary venues like Red Rocks and the Ryman Auditorium\, and hundreds of millions of streams\, they’ve earned a reputation for creating music that “redefines roots music for a younger generation” (Washington Post). The duo – now with a family of their own – are two singers and musicians with profound chemistry\, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries\, existential heartbreak\, and communal joys of modern life. The forthcoming album is no exception. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Two RunnerTwo Runner was formed in the fall of 2020 when neighbors Paige Anderson & Emilie Rose became friends and started playing music together. The duo quickly garnered national attention after being featured on GemsOnVHS. They have toured extensively for the last five years alongside celebrated acts such as Sierra Ferrel\, Nick Shoulders\, Watchhouse\, and many others. \n\n\n\nAnderson\, no stranger to the road\, grew up in a touring family bluegrass band. After joining Chuck Ragan’s “Revival Tour” as a teenager\, she discovered the power of raw\, honest songwriting and took it to heart. \n\n\n\nTheir debut album\, Gar Hole Records release\, “Modern Cowboy” was met with national acclaim\, as well as their premiere “Late Dinner”. \n\n\n\nIn 2025 the band grew to include multi-instrumentalist Lucas Lawson to accommodate the band’s ever evolving and innovating sound. \n\n\n\nTheir second full-length album will be released on Gar Hole Records in Summer 2026.
URL:https://missoulaunderground.com/mugevent/watchhouse-w-two-runner-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Acoustic,Bluegrass,Music,Roots
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T200000
DTEND;TZID=America/Denver:20260624T230000
DTSTAMP:20260617T232437
CREATED:20260617T022921Z
LAST-MODIFIED:20260617T022923Z
UID:10141581-1782331200-1782342000@missoulaunderground.com
SUMMARY:The Crane Wives - Act II w/ special guest Yasmin Williams at The Wilma
DESCRIPTION:Logjam Presents welcomes The Crane Wives for a live concert performance with special guest Yasmin Williams at The Wilma in Downtown Missoula at 8:00 pm Wednesday\, June 24\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes The Crane Wives for a live concert performance with special guest Yasmin Williams at The Wilma on Wednesday\, June 24. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n—– \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndie-folk band The Crane Wives perform at The Wilma on June 24\, with special guest Yasmin Williams. \n\n\n\nEmerging from the 2010s folk revival and steadily pushing into a bolder\, rock-leaning direction\, The Crane Wives are known for high-energy live shows and emotionally honest songwriting. Fan-favorite tracks like “Curses\,” “Tongues & Teeth\,” and “The Moon Will Sing” showcase their signature blend of vulnerability and drive. \n\n\n\nThe band has built a massive global audience\, racking up hundreds of millions of streams and selling out rooms across the U.S. and beyond. Their latest album\, Beyond Beyond Beyond\, marks a grittier chapter in their evolution\, featuring standout songs like “The Well” and “Scars” while highlighting their continued growth. \n\n\n\nWith over a decade of touring experience and hundreds of shows under their belt\, The Crane Wives have shared stages with artists like The Avett Brothers\, Lake Street Dive\, and The Dead South\, bringing a seasoned\, electric presence wherever they play. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Yasmin WilliamsWhen guitarist and composer Yasmin Williams sits down to compose music\, she doesn’t scour her subconscious for unheard melodies or clever chord progressions. Instead\, she goes granular—fixating on a single note. She’ll play it over and over\, sustaining it\, varying the attack or the release to change its essence\, eventually adding notes to form chords. \n\n\n\nShe has a name for this. She calls it “ruminating” and describes it as a key part of her writing. “I’ve learned a little about how to sit with a note\, and to give things time\,” the Virginia native says. “You find some tiny idea and just play it over and over again until something else pops up … You have to trust that sometimes a note will take you to where it wants to go next.” \n\n\n\nThis intuitive process led Williams to the breathtakingly tactile and rivetingly understated Acadia\, her Nonesuch debut. Its nine original songs expand\, dramatically\, on the sonic space Williams created with her acclaimed 2021 album\, Urban Driftwood. In addition to the crisp fingerpicked guitar that helped establish her as a fast-rising star of instrumental folk\, Williams plays kora\, harp guitar\, banjo\, and electric guitar and bass—all with authority. And where her two previous records have been mostly solo\, Acadia finds Williams collaborating with artists across a wide stylistic range\, including the vocalist Aoife O’Donovan\, violinist Darian Donovan Thomas\, the folk quartet Darlingside\, synthesist Rich Ruth\, and jazz alto saxophonist Immanuel Wilkins. \n\n\n\nWilliams needed these ninjas to help her execute the simultaneously detailed and open-ended music she envisioned. Though her Acadia songs evoke sloping hills and rustic ambles\, they’re not folksy folk: Many are structured as complex suites and are notable for sudden shifts of mood\, spontaneous re-harmonizations\, and the extended mounting- tension ramp-ups common in progressive rock. Williams organized Acadia in three sections: The opening set of songs evokes the wily exuberance of old-time music\, then gently stretches its conventions; the second explores lush\, layered textures and zones of vast atmospheric ambience; the third\, which introduces electric guitar(s) and drums\, has an experimental\, improvisational spirit. She wrote the songs while touring\, and that’s audible: This music has a breathless\, world-in-motion sweep to it. It’s alive with wanderlust—specifically\, that elevated-awareness feeling of journeying when you don’t know exactly where you’re going. \n\n\n\nThat openness is something Williams says she longed for during the extended Urban Driftwood tour. “I used to really love the verse-chorus-bridge structures of folk songs\,” Williams says. “A lot of my earlier music is organized that way\, which I call ‘quick tunes’ and I still love playing.” After doing that a lot\, she says\, she longed for a more experimental ethos. She’s grown “more comfortable with letting things stretch out. I don’t feel like I need to maintain absolute control over the structure. For me\, music is now more about flexibility than it ever has been before.” \n\n\n\nThat could be an unexpected side benefit from the touring she’s done since 2021: The road throws surprises at every turn\, and how an artist responds can be telling. Williams mentions working on a new song the night before her first performance at the Newport Folk Festival. She didn’t finish the song\, which is called “Cliffwalk\,” but on the golfcart ride to the stage psyched herself up to perform it anyway; she’s since worked her improvisation from that day into the arrangement. \n\n\n\nWilliams has similar stories of spontaneous serendipity about nearly every Acadia track. She mentions “Harvest\,” which was conceived as a duet with the pathfinding acoustic guitarist Kaki King. Listening back to the final take\, Williams kept hearing another sound\, particularly in the middle section where harmonic artifacts from the two guitars intertwine in haunting ways. She invited the violinist Darian Donovan Thomas to the studio and shared her idea; literally twenty minutes later\, Williams recalls\, “Harvest” was transformed\, its middle section blossoming into a divinely inspired array of overlapping halo tones. “He figured out the world of that tune really quickly\, and just lived in that world.” \n\n\n\nWilliams’ calm\, gorgeously consonant music inspires this type of alchemy. Songs like “Sisters” and “Virga” seem to float across scenery in suspended animation\, as though propelled by placid mountain breezes. These pieces are centered around long-held consonant tones; they could easily have grown from those single-note explorations Williams uses as a composition prompt. \n\n\n\n“My fourteen-or fifteen-year-old brain told me: ‘We should let the notes ring out for as long as possible as often as we can\,’” Williams says about her penchant for grand sustained guitar sounds. In high school\, she played guitar for five or six hours a day—more time than she devoted to her first instrument\, the clarinet—and much of that was spent exploring ways to massage and sustain tone. “It just sounded better to me to do that\,” Williams says. “Still does. It requires a lot of practice\, getting hands in the right place … But I love when notes ring out. I love it when notes have time to develop\, in my music and the music I listen to.” \n\n\n\nWilliams doubts that listeners would notice if she one day stopped letting her notes ring out. But it matters to her. And her attention to such a small element of music reveals something essential about Yasmin Williams: She might seem to be way up in the upper atmosphere conjuring ethereal sounds\, but at the same time she’s in the engine room\, tweaking the small details of performance\, using often-overlooked elements of craft to underscore and amplify her compositions. \n\n\n\nThere are only so many ways for fingers to engage with the strings of a guitar\, and most of them are evident on Acadia: Williams pounds the strings\, conjures dense chords with a shredder’s lust for dissonance\, dances through intricate scampering leads (“Dream Lake”)\, chops out syncopated patterns with mechanistic precision\, arpeggiates with a feathery grace. And then\, when it’s time to pare things back to an essence\, she’ll lean into a note and hold it for a good long while\, to see what it has to offer. \n\n\n\n“I was taught to be picky about stuff like articulation\,” Williams says with a laugh. “I guess I learned it. Honestly\, this is the stuff that’s really important to me—the little things. They might go over people’s heads a little bit. They go over my head sometimes. That’s OK\, because they become part of the songs.”
URL:https://missoulaunderground.com/mugevent/the-crane-wives-act-ii-w-special-guest-yasmin-williams-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Bluegrass,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T193000
DTEND;TZID=America/Denver:20260625T230000
DTSTAMP:20260617T232438
CREATED:20260601T165142Z
LAST-MODIFIED:20260601T165144Z
UID:10140344-1782415800-1782428400@missoulaunderground.com
SUMMARY:Dierks Bentley - Off the Map 2026 Tour with Mountain Grass Unit and Cole Goodwin at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner at 7:30 pm Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner on Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Dierks BentleySeven albums into one of country music’s most-respected and most-unpredictable careers\, award-winning singer/songwriter Dierks Bentley continues to grow. His latest evolution comes in the form of RISER\, a project due out Feb. 25\, 2014 that stands as his most personal to date. \n\n\n\nWritten and recorded in the year following his father’s death\, the album draws its title from “I’m A Riser\,” a song about resilience and determination. “I’m A Riser” works as a commentary on spiritual\, personal and societal recommitment\, but it also applies to the competitive battlefield of the music industry. It’s particularly appropriate for an album about rejuvenation delivered by Bentley. \n\n\n\n“Life in general has a way of knocking you down\,” Bentley says. “It’s different reasons for different folks – could be personal reasons\, could be family reasons\, your job\, drugs\, alcohol. That song really applies to anybody that’s lived. There have always been those moments when we have to get back up and get on our feet. They are defining moments…breakthrough moments.” \n\n\n\nAccepting change – and growing from it – is a key theme in RISER\, and it is reflected by the tone of the album\, which demonstrates a new artistic depth and an extra level of intensity for Bentley. It evolves from track to track\, exuding a range of emotions\, all the while impressing upon the listener that Bentley’s instinct for a hit is stronger than ever. Bentley made significant reconfigurations in his creative team to shake up his sonic texture without sacrificing his commercial drive. He re-enlisted executive producer Arturo Buenahora\, Jr.\, who worked on Bentley’s first two albums; and utilized producer Ross Copperman\, who co-wrote “Tip It On Back” for Bentley’s previous album Home. \n\n\n\nThe new atmosphere yielded the most focused and intense vocals of Bentley’s career. Some were recorded live with the band as the musicians laid down the tracks\, but others were captured in less-than-obvious locales. One track’s vocal was recorded on Bentley’s tour bus. Still others were cut at Copperman’s house with the producer literally at Bentley’s side\, pushing him to some of his most emotional\, and seasoned\, performances. \n\n\n\n“It’s not even really a studio\,” Bentley says of Copperman’s set-up. “It’s just kind of a corner of the house he’s taken over\, so there was a kind of intimacy to the vocal process. It was important to get out of the studio and sing in different places\, and to do it with other people in the room. That way\, you have an audience and you get a sense of what’s working\, what’s not working\, when it’s feeling good\, not feeling good. It brings a little more emotion and energy out of your voice.” \n\n\n\nSince making a life-altering drive with his father from Phoenix to Nashville when he was 19 years old\, Bentley has forged his own path in an industry built predominantly on formula. He has mixed elements of modern country\, classic country\, bluegrass and rock\, maintaining an unmistakable identity while constantly reinventing his sound. His album Home debuted at No. 1 and spawned three consecutive chart-topping hits\, marking 10 career No. 1 songs for Bentley as a singer and songwriter. His five previous studio albums have sold more than five million copies\, garnered 11 GRAMMY nominations and earned him an invitation to join the Grand Ole Opry. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Mountain Grass UnitMountain Grass Unit\, from Birmingham\, Alabama\, is a young quartet redefining bluegrass with a fresh narrative. Comprised of Drury Anderson (mandolin\, vocals)\, Luke Black (guitar\, vocals)\, Josiah Nelson (fiddle\, vocals)\, and Sam Wilson (bass\, vocals)\, they blend tradition with bold exploration. Their journey began with a shared musical passion\, forming a sound that merges bluegrass with country\, jazz\, funk\, rock\, and metal influences. Their debut EP\, “Runnin’ From Trouble\,” released in 2024\, showcases their original music and inventive covers\, inspired by legends like Tony Rice and Billy Strings. \n\n\n\nRecorded at Nashville’s Hartland Studios\, and produced by Mike Harris (Old Crow Medicine Show)\, the EP captures their live energy. The leading single\, “Hey Mama\,” explores life’s transitions with inquisitive lyrics\, while “Cicada Song” and “Smugglin’” highlight their funk and traditional sides. \n\n\n\n2024 marked a turning point with performances at Renewal\, DelFest and WinterWondergrass\, broadening their audience and deepening their musical exploration. With plans for extensive touring\, festival sets\, and new music\, Mountain Grass Unit is ready to share their luminous sound with the world\, each performance a new chapter in their unfolding story. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Cole Goodwin24-year-old singer/songwriter Cole Goodwin has garnered attention for his strong\, textured voice paired with his meaningful writing and return to old-school Country sound. The Pooler\, Georgia\, native burst on the scene in 2023 with the release of his original\, self-produced EP Soon Enough. Cole has toured the Southeast playing honky tonks\, clubs and festivals\, as well as opening shows for artists including Zach Top and Billy Currington. Last year\, the up-and-coming artist released what are now fan-favorite songs including “When You Get Home\,” co-written with fellow Georgia Southern University alum Will Moseley\, and “Catchin’ On\,” written with songwriter Justin Dukes. Cole was voted Savannah’s Best Country Artist of 2023 and 2024\, as well as 2024’s Best Singer/Songwriter\, Best Local Concert\, and Best All-Around Musician. Recently signed to Big Machine Records\, more new music from Cole is expected throughout the summer as he crisscrosses the country opening on select dates of Luke Bryan’s Country Song Came On Tour.
URL:https://missoulaunderground.com/mugevent/dierks-bentley-off-the-map-2026-tour-with-mountain-grass-unit-and-cole-goodwin-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Americana,Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T080000
DTEND;TZID=America/Denver:20260627T160000
DTSTAMP:20260617T232438
CREATED:20260514T053307Z
LAST-MODIFIED:20260519T071504Z
UID:10138829-1782547200-1782576000@missoulaunderground.com
SUMMARY:Mountain Line Missoula Free Hourly Weekend Shuttles to Marshall Mountain Park
DESCRIPTION:Missoula’s Mountain Line offers free weekend bus rides with hourly service between 8:00 am to 4:00 pm from the Downtown Transfer Center to Marshall Mountain Park from May 23 thru October\n\n\n\n\n\nStarting in May\, Mountain Line will launch a new season of Missoula’s Marshall Mountain Shuttle\, with hourly trips from the Downtown Transfer Center to Marshall Mountain Park starting at 8:00 am daily. \n\n\n\nMountain Line launched a pilot recreation shuttle service in the fall of 2025 to help connect Missoulians to recreation opportunities in our own backyard at the publicly owned Marshall Mountain Park.We heard from many who wanted more car-free trips to this local gem of a public park – so this year\, we’re ready to take you up there all summer long. \n\n\n\nFree Weekend Service to Marshall Mountain begins May 23 and runs through October 2026! \n\n\n\nShuttles run hourly 8:00 am to 4:00 pm from the Downtown Transfer Center to Marshall Mountain Park.
URL:https://missoulaunderground.com/mugevent/mountain-line-missoula-free-hourly-weekend-shuttles-to-marshall-mountain-park/2026-06-27/
LOCATION:Mountain Line Downtown Transfer Center\, 200 W Pine St\, Missoula\, Montana\, 59801\, United States
CATEGORIES:Bus Shuttle,Cycling,Hiking,Mountain Biking,Outdoors,Shuttle,Trail Running
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2025/12/Mountain-Line-Downtown-Transfer-Station-in-Missoula-Montana.jpg
ORGANIZER;CN="Mountain Line":MAILTO:info@mountainline.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260628T110000
DTEND;TZID=America/Denver:20260628T160000
DTSTAMP:20260617T232438
CREATED:20260428T021516Z
LAST-MODIFIED:20260428T021758Z
UID:10137672-1782644400-1782662400@missoulaunderground.com
SUMMARY:Philipsburg Summer Market on Broadway at Pocket Park
DESCRIPTION:Philipsburg’s Summer Market on Broadway returns to Pocket Park (next to The Sweet Palace) 11:00 am to 4:00 pm Sundays from June 14 to September 13\n\n\n\n\n\nWelcome to the 2026 Summer Market On Broadway! Our vendors and visitors made 2025 a great inaugural season at the Pocket Park\, and we have even more in store for 2026! \n\n\n\nFIrst\, we are stepping it up for music this year! We are bringing back 2025 favorites\, and adding some new artists to the mix! Expect music every week! If you have any musicians in mind for the market\, let us know! \n\n\n\nNext\, we need a place for people to relax and watch the show\, so we got a couple picnic tables located near the stage. This will give our visitors a place to take a load off\, eat their lunch or candy\, and watch our fantastic musicians each week! I think this will really add to the feel of the market! \n\n\n\nThis is a fun\, relaxed market with awesome foot traffic and a ton of tourists. We can’t wait to see everyone at the Market on Broadway!
URL:https://missoulaunderground.com/mugevent/philipsburg-summer-market-on-broadway-at-pocket-park/2026-06-28/
LOCATION:Pocket Park\, 103 E. Broadway\, Philipsburg\, Montana\, 59858\, United States
CATEGORIES:Farmers Markets,Farmers Markets,Markets,Shopping
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2026/04/Philipsburg-Summer-Market-on-Broadway-in-Pocket-Park.jpg
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