BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Missoula Underground - ECPv6.17.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://missoulaunderground.com
X-WR-CALDESC:Events for The Missoula Underground
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20240310T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20241103T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20250309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20251102T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20260308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20261101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20270314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20271107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260801T193000
DTEND;TZID=America/Denver:20260801T230000
DTSTAMP:20260713T213231Z
CREATED:20260713T213229Z
LAST-MODIFIED:20260713T213231Z
UID:10142566-1785612600-1785625200@missoulaunderground.com
SUMMARY:Simple Plan "It's Bigger Than You Think" Tour with 3OH!3 and Bowling for Soup at KettleHouse Amphitheater (SOLD OUT)
DESCRIPTION:Logjam Presents welcomes Simple Plan for a (SOLD OUT) live concert performance with 3OH!3 and Bowling for Soup opening at the KettleHouse Amphitheater in Bonner at 7:30 pm on Saturday\, August 1\n\n\n\n\n\nLogjam Presents welcomes Simple Plan for a (SOLD OUT) live concert performance with 3OH!3 and Bowling for Soup opening at the KettleHouse Amphitheater in Bonner at 7:30 pm on Saturday\, August 1. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here.  All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/simple-plan-its-bigger-than-you-think-tour-with-3oh3-and-bowling-for-soup-at-kettlehouse-amphitheater-sold-out/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Alternative,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260731T190000
DTEND;TZID=America/Denver:20260731T220000
DTSTAMP:20260713T205806Z
CREATED:20260713T205804Z
LAST-MODIFIED:20260713T205806Z
UID:10142565-1785524400-1785535200@missoulaunderground.com
SUMMARY:Andy Grammer - The Big Stupid Heart Tour with Walk Off the Earth at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Andy Grammer for a live concert performance on The Big Stupid Heart Tour with Walk Off the Earth at the KettleHouse Amphitheater in Bonner at 7:00 pm Friday\, July 31\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Andy Grammer for a live concert performance on The Big Stupid Heart Tour with Walk Off the Earth at the KettleHouse Amphitheater in Bonner at 7:00 pm Friday\, July 31. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Andy GrammerYou might be surprised Andy Grammer called his new album Monster. He was too. Long known as one of the most optimistic bright lights in the pop singer-songwriter sphere\, Grammer found himself fighting demons and finding new corners of himself\, places he hadn’t wanted to venture before. “Being happy\, anger is my vulnerability\,” he says. “I didn’t know how to deal with getting in touch with anger. I just pretended it wasn’t there.” Grammer embarked on a long mental health journey that mirrored an exploratory five-year interim between albums which\, of course\, happened to coincide with a particularly tumultuous five years for all of us. After everything\, Monster\, arriving October 4\, became a document of someone walking through a fire they never wanted to even look at\, and what happens when they emerge on the other side.   \n\n\n\nIn the half decade since 2019’s Naive\, Grammer lived a lot of life. There were heart-bursting highs\, like welcoming his second child\, and harrowing trials\, including the rupture of an important relationship. During the bleak pandemic years\, he sought therapy for the first time\, and began realizing there were all kinds emotions he was just beginning to process for the first time. Originally\, Grammer experimented with capturing an era dynamic with both struggle and growth in smaller snapshots: A host of steady singles across 2020-2023\, as well as 2022’s The Art Of Joy EP. Back then\, Grammer planned to collect the singles alongside a few new songs for his fifth album. Instead\, he picked up a mandolin.   \n\n\n\n“Sometimes an instrument guides the way\,” Grammer reflects. “When you find a unique sound you want to chase and sit with completely\, then the album as an art form really starts to matter to me.”    \n\n\n\nGrammer wasn’t intending to make an album built around mandolin\, but it happened. He wrote one song called “Bigger Man\,” the genesis and skeleton key to what became Monster. It was an uncustomary track for him: grappling with anger\, but striving to remain bigger than the darker sides of that emotion. Suddenly a new album began pouring out of Grammer. The folk pedigree of the mandolin proved inspiring. “There’s something about Americana and the twang that felt real to me when singing about struggle\,” he explains.   \n\n\n\n“It was a color speaking to me\,” Grammer continues. “My barometer is whether I’m doing something out of fear or out of joy. Sometimes you reach for a paintbrush because everyone’s using it\, for fear of missing out. As I get older I ask myself why we’re reaching for a color. If it’s because it’s freaking cool and you’re excited to play with it\, then go.”   \n\n\n\nSoon\, Grammer had a whole batch of songs\, but he knew he had to bring this new sound into the studio and meld it with his anthemic pop sensibilities. He carried his mandolin around LA\, working with various producers. One partnership in particular helped shape Monster. Grammer took more of a co-production role on the album\, building songs up at his home studio. Then he’d take these recordings to Adam Friedman\, who provided drums\, bass\, and helped Grammer achieve the kind of sky-scraping singalongs he’s known for.   \n\n\n\n The same as the music came tumbling out of Grammer\, so too did a lot of emotional reckoning in the wake of his therapy. “The word ‘monster’ has some bite to it\,” he says of the moment when he realized it had to be the album’s title. “I began to realize getting in touch with my anger was essential. I began to make peace with it\, and the monster got less scary.”   \n\n\n\n“There’s a relationship between artist and listener — like a close friendship\, where you get to know each other better and better\,” Grammer ventures. He knew Monster would be his most vulnerable album yet. There were moments of fear. If he was the guy who was always there to lift others up\, how would people react to him opening up about difficulties? Grammer\, instead\, found listeners thanking him. “When you’re singing your truth\, it will relate\,” he says. “It was freeing\, to be honest.”   \n\n\n\n Grammer struck a careful balance on Monster: He laid it all out there lyrically\, but it’s not as if Monster is uncharacteristically heavy in aesthetic. Complex feelings were filtered through rousing instrumentals\, reflective ballads and rejuvenating jams alike. Across the album\, Grammer takes on a spectrum of human experience — the mandolin rippling alongside him\, like old wisdom surfacing to lead him to some kind of answer.   \n\n\n\nLike a good therapy session\, Monster excavates life from one angle after another. Lead single “I Do” features Grammer singing alongside country music duo Maddie & Tae\, in a song written about Grammer’s wife Aijia that both playfully and thoughtfully depicts how the couple navigates the ups and downs of long relationships. “I sing ‘Even when I don’t love you\, I do\,’” he says. “Aijia and I have a standard of love for each other that’s bigger than the moment. We’re both committed to something larger.” The couple wrote and recorded other material for the record\, including “Grey\,” a song that mulls over whether love will survive as we age\, and “Unforgivable\,” an unflinching track influenced by a friend’s divorce. Pain and euphoria mingle freely. Grammer reclaims his “nice guy” reputation after getting stung in “Save A Spot In The Back”; playing on “nice guys finish last\,” he proclaims “Save a spot in the back for me.” “Magic” surges forward like a classic indie-pop banger while reminiscing on loss and the unexplainable in life that\, nevertheless\, give it all its vibrancy. The song has an extra layer of poignance as the last composition Grammer wrote with his longtime collaborator Bram Inscore prior to Inscore’s tragic death.  \n\n\n\n Now 40\, Grammer’s seen his fair share of real shit\, and the songs on Monster capture it all — the ugly and the beautiful sitting alongside one another\, each making no sense without its counterpart. From the hurt and confusion of the album’s opening\, these songs trace Grammer’s process of re-centering himself with what really matters in life before concluding with “Friends And Family.” Grammer sings of all the wild turns his life has taken\, but decides “It all means nothing without friends and family.” It’s a portrait of a man who has wrestled with parts of himself\, and found what’s really important.   \n\n\n\n “I think people will understand the journey — from acknowledging the anger\, leaving and experiencing things\, and then coming home to realize you’re not able to be your full self without these things\,” Grammer concludes. “And when we all end up singing it together at the top of our lungs — that’s what makes life explosive.”   \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Walk Off the Earth \n\n\n\nWalk off the Earth is a JUNO Award-winning multi-platinum musical phenomenon. In the past few years alone\, they have headlined Red Rocks Amphitheater and Wembley Arena\, sold out the historic Sydney Opera House\, notched a top-10 single in Canada for 30 straight weeks and made it all the way to the top of the Pop Albums chart in the US. They’ve collaborated with artists from all genres including Snoop Dogg\, Sarah Silverman\, Keith Urban\, Steve Aoki\, Lukas Graham\, Lauv\, Lindsey Stirling\, and many more; sold millions of copies of their recordings and racked up billions of streams along the way. \n\n\n\nSince the group’s inception\, WOTE has continued to push the boundaries of what an artist can do. Their YouTube covers have won them Streamy Awards – the highest accolade in the online space – their renditions of the national anthem have been performed at major sporting events such as the NBA Finals\, and their original songs have earned numerous high-profile accolades (“Red Hands” achieved #1 at AAA radio while “Rule The World\,” “Fire In My Soul” and “I’ll Be There” have all been certified multi-platinum). The band kicked off 2023 with their viral single\, “My Stupid Heart” which marks their most successful single to date – garnering 1 million weekly streams\, 1 billion YouTube views\, 200 million TikTok views and counting\, performances on Jimmy Kimmel Live! and Live with Kelly & Mark\, and a remix version featuring Lauv. \n\n\n\nThe chemistry between band members Gianni\, Sarah\, and Joel is infectious and undeniable as Joel’s driving and prolific percussion work and Gianni and Sarah’s remarkable vocal talents continue to exhilarate fans across the globe. Their independent spirit\, unstoppable work ethic\, and awe-inspiring creativity have consistently catapulted Walk off the Earth to new heights and the future looks brighter than ever. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/andy-grammer-the-big-stupid-heart-tour-with-walk-off-the-earth-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,Pop,Singer Songwriters
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260730T200000
DTEND;TZID=America/Denver:20260730T230000
DTSTAMP:20260713T203244Z
CREATED:20260713T203242Z
LAST-MODIFIED:20260713T203244Z
UID:10142564-1785441600-1785452400@missoulaunderground.com
SUMMARY:Josiah Queen with Strings & Heart at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Josiah Queen for a live concert performance with Strings & Heart opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Thursday\, July 30\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Josiah Queen for a live concert performance with Strings & Heart opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Thursday\, July 30. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Josiah QueenJosiah Queen has quickly become one of the most impactful new voices in Christian music\, blending raw authenticity with deeply resonant melodies. With 744 million global streams (570M in the U.S. alone\, per Luminate)\, his music continues to inspire a wide-reaching and rapidly growing audience. Following the breakout success of “The Prodigal” (82M+ streams)\, Josiah’s latest single “Dusty Bibles” is setting new records — averaging over 5 million streams per week\, with 31 million global streams in its first 6 weeks\, and 200 million views on social content using the track. The song hit the Spotify Viral 50 in over 15 countries\, landed in the Top 3 Christian/Gospel Streaming Songs in the U.S.\, and cracked the Shazam Top 200 in multiple territories. \n\n\n\nHis debut album debuted at #1 on the Billboard Christian Albums Chart\, marking the biggest debut in Christian music history\, and his follow-up singles — including “Can’t Steal My Joy”\, a Top 5 Christian radio hit — continue to build on that momentum. Josiah’s highly anticipated sophomore album\, Mt. Zion\, released August 22\, 2025\, landing him his second #1 on the Billboard Christian Albums Chart in 2 years. \n\n\n\nNamed Billboard’s #1 New Christian Artist of 2024\, Josiah has sold over 80\,000 tickets across headline tours and now reaches over 1.5 million followers across Instagram\, TikTok\, and Facebook — 2.2 million including YouTube and Spotify. With a heart to serve both the Church and the world through music\, Josiah crafts songs filled with faith\, honesty\, and hope. He and his wife\, Trinity\, travel and minister together\, and are based in Tampa\, FL. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Strings & HeartStrings & Heart is a powerful and purpose-driven Christian band hailing from Tucson\, Arizona. Comprising three brothers — Angelo (vocals/guitar)\, Michael (bass/keys) and Eric (drums) Espinosa — their sound fuses raw emotion\, honest lyrics\, and anthemic melodies to create an authentic musical voice that sits at the intersection of worship\, indie rock\, and storytelling. \n\n\n\nAt their core\, Strings & Heart exist not just to entertain\, but to invite a generation into a real and lasting encounter with Jesus. Their songs speak to the everyday believer and the searching soul alike—offering hope\, truth\, and a genuine human connection. As they say: “Our generation is full of passion and searching for truth — and we’ve found that truth in Jesus.” \n\n\n\nFrom their breakout single “Flowers Dressed in Blue” to their full-length album “Plastic Wine” and latest singles\, Strings & Heart are turning heads and opening doors—with authenticity\, faith and artistry at the center of everything they do. \n\n\n\nWith an undeniable live presence\, a rapidly growing streaming audience and an uncompromisin mission\, Strings & Heart are poised to become one of the next major voices in modern Christian music. Their sound is rooted in brotherhood\, authenticity and conviction — and their story is just beginning. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/josiah-queen-with-strings-heart-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Christian,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260729T200000
DTEND;TZID=America/Denver:20260729T230000
DTSTAMP:20260713T195635Z
CREATED:20260713T195457Z
LAST-MODIFIED:20260713T195635Z
UID:10142563-1785355200-1785366000@missoulaunderground.com
SUMMARY:Young the Giant - Victory Garden Tour with Cold War Kids & Little Image at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Young the Giant for a live concert performance with Cold War Kids and Little Image at the KettleHouse Amphitheater in Bonner at 8:00 pm Wednesday\, July 29\n\n\n\n\n\nLogjam Presents welcomes Young the Giant for a live concert performance with Cold War Kids and Little Image at the KettleHouse Amphitheater in Bonner at 8:00 pm Wednesday\, July 29. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Young the GiantYoung the Giant’s Victory Garden is an ode to radical empathy. \n\n\n\nOver the past fifteen years\, the multi-platinum Southern California band has flourished through distinct sonic eras\, progressively solidifying itself as one of the most consistent and influential rock bands of the 21st century. On their sixth full-length album and Fearless Records debut\, Victory Garden\, Young the Giant reconnects with the core experience of 100% band collaboration\, writing and recording together as a unit in one room. Written largely during writing retreats in Idyllwild and Joshua Tree and produced by Brendan O’Brien (Springsteen\, Pearl Jam\, Soundgarden) at Henson Studios in Hollywood\, Victory Garden is a cohesive album experience that both inspires and enthralls. Lyrically\, the album is rooted in radical empathy\, showcasing the band’s songwriting instincts at its most immediate and heartfelt. Musically\, Victory Garden showcases the seasoned artist’s collective performances at their intuitive height. The result is a prolific record that beckons a new season of creative fertility for the band and presents Young the Giant as confident\, refined\, and fully inhabiting its voice. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Cold War KidsThe epic tale of Cold War Kids has long been defined by deeply personal songcraft\, enthusiastic experimentation\, and an avowed commitment to forward motion. Over nearly two decades\, the California indie-rock outfit has grown from gritty Long Beach beginnings into one of modern rock’s most enduring bands — amassing over 1 billion streams across their catalog and earning a devoted global fanbase through alternative radio hits\, critically praised albums\, and electrifying live performances. \n\n\n\nAcross ten studio albums and numerous EPs\, Cold War Kids have left an undeniable mark on the contemporary music landscape. Their 2015 Platinum single “First” remains one of the most played tracks at alternative radio over the past decade\, and they continue to blend sincere storytelling with captivating instrumentation. \n\n\n\nIn 2023 the band released their self-titled 10th LP\, Cold War Kids — a work that reflects both their roots and ongoing evolution. The album features standout singles like “Double Life\,” “Run Away With Me\,” and “Heaven in Your Hands.” 2025 saw the release of an emotionally charged tribute to the band’s longtime friend\, Richard Swift\, titled “Any Day Now.” In 2026 the band will celebrate the 20th anniversary of Robbers & Cowards which will come with touring across North America and the rest of the world. \n\n\n\nThe current lineup — Nathan Willett (vocals\, piano\, guitar)\, Matt Maust (bass)\, David Quon (guitar\, backing vocals)\, Matthew Schwartz (keys\, backing vocals\, guitar\, percussion)\, and Joe Plummer (drums\, percussion) — coalesced in 2016 and continues to maintain a vibrant presence both in the studio and on stages around the world. \n\n\n\n\n\n\n\n\n\n\n\n\n\nLittle Image \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/young-the-giant-victory-garden-tour-with-cold-war-kids-little-image-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alternative,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260728T200000
DTEND;TZID=America/Denver:20260728T230000
DTSTAMP:20260713T191245Z
CREATED:20260713T191242Z
LAST-MODIFIED:20260713T191245Z
UID:10142562-1785268800-1785279600@missoulaunderground.com
SUMMARY:Wynonna Judd & Melissa Etheridge - Raised on Radio Tour at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Wynonna Judd & Melissa Etheridge for a live concert performance on their “Raised on Radio” Tour at the KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, July 28\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Wynonna Judd & Melissa Etheridge for a live concert performance on their “Raised on Radio” Tour at the KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, July 28. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n*Wynonna Judd has partnered with PLUS1 so that $1 from every ticket sold goes to organizations improving health and quality of life for children\, families\, and individuals in need. \n\n\n\n*Melissa Etheridge will donate $1 from each ticket sold to benefit the Etheridge Foundation. The Etheridge Foundation is on a mission to end the opioid crisis by funding new research on transformative plant medicines and innovative therapies that address the root causes of opioid use disorder. They work to advance groundbreaking treatments that both treat opioid dependence and help heal the underlying wounds that lead to addiction. To learn more about the Etheridge Foundation\, visit www.etheridgefoundation.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Wynonna JuddWith the release of her 1992 self-titled solo debut\, Wynonna emerged as a singular force in American music. Beyond the five Grammy Awards\, the multi-platinum albums and sold-out tours\, the country/soul vocalist built on the Appalachian traditionalism that defined The Judds to create a world where Top 5 dance/club hits were as possible as being inducted into the Country Music Hall of Fame. Having practically grown up as America’s favorite musical daughter\, Wynonna matured into a woman who embraced how life is filled with peaks and valleys\, great thrills\, and heavy disappointment. Those realities informed her 5-times platinum Wynonna and nearing 3-times platinum Tell Me Why\, the albums that gave voice to every human being emerging into their own adulthood with joy in their heart. Beyond the groundbreaking music she and her mother created as The Judds\, Wynonna has grown into her once-in-a-generation vocal prowess with an ease that made people clamor to her. “No One Else On Earth\,” “Tell Me Why\,” “She Is His Only Need\,” “Girls With Guitars\,” and “I Saw The Light” set the next chapter in motion for the girl from Ashland\, Kentucky who became a global superstar. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Melissa Etheridge“I chose to survive\,” Melissa Etheridge sings on “Being Alive\,” the powerful\, exuberant opening song of the Academy Award and Grammy Award winning artist’s 17th studio album\, Rise. She then takes a pause\, the flurry of her guitar and her bandmates’ boisterous sounds fading out\, before she practically shouts\, with unbridled joy: “God I love being alive! “The words say so much. But in that pause — just a few seconds long — it’s as if she’s looking at everything that has happened in her life in the time since she last released an album of new material\, 2019’s The Medicine Show\, and with it everything that is to come on this remarkable\, emotional mosaic of songs. And it’s a lot. Co-produced by Etheridge and Shooter Jennings (whose production credits include Brandi Carlisle\, Tanya Tucker\, Charlie Crockett and\, of course\, his father Waylon Jennings) and featuring her sharp band of guitarist and keyboard player Max Hart\, drummer Eric Gardner and bassist Erik Kertes\, Rise soars as an intimate and richly realized collection. At turns it’s celebratory and playful\, as in the explosive “Don’t You Want a Woman” (picked as the official rally song of the Kansas City Current professional women’s soccer team) and “Tomboy” (reclaiming the term as a badge of pride)\, both punctuated by Etheridge’s hearty laugh. There’s “Matches\,” a frisky ode to the guitars that sparked her musical passion as a kid\, steeped in the spirit of childhood hero Johnny Cash. There’s the lusty honky-tonker “Davina\,” its singalong chorus sounding as if it could have been recorded in a raucous saloon. And there’s “If You Ever Leave Me\,” which starts with Etheridge cruising down Melrose in the ‘80s after first arriving in L.A.\, but goes on to glory in her marriage with Linda Wallem. “If you ever leave me\, I’m coming too\,” she sings\, with another burst of laughter. At others it’s contemplative\, most profoundly and movingly in “Call You\,” her deeply affecting account of living in the wake of the opioid death of her son\, Beckett\, in 2021. In it she looks deep in her soul and cherishes the strengthening embrace of family\, friends and community. This also filters through “The Other Side of Blue\,” a light-in-the-darkness anthem co-written and co-sung with Chris Stapleton. And at the end of the album she shines in the warmth of “More Love\,” written for and sung at her daughter Bailey’s wedding last fall. Ultimately\, it’s an album of acceptance and resilience. \n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/wynonna-judd-melissa-etheridge-raised-on-radio-tour-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:90s,Americana,Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260725T193000
DTEND;TZID=America/Denver:20260725T223000
DTSTAMP:20260708T185954Z
CREATED:20260708T185953Z
LAST-MODIFIED:20260708T185954Z
UID:10142500-1785007800-1785018600@missoulaunderground.com
SUMMARY:Maren Morris - The Dreamgirl Tour with Scout Willis at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Maren Morris for a live concert performance with Scout Willis opening at the KettleHouse Amphitheater in Bonner at 7:30pm Saturday\, July 25\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Maren Morris for a live concert performance with Scout Willis opening at the KettleHouse Amphitheater in Bonner at 7:30pm Saturday\, July 25. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Maren MorrisMaren Morris has broken boundaries\, smashed records\, and affirmed herself as a dynamic vocalist\, prolific songwriter\, and showstopping performer on her own terms. Among numerous accolades\, she has garnered a GRAMMY® Award\, five ACM Awards\, five CMA Awards\, and three Billboard Music Awards. She has earned dozens of multiplatinum and gold certifications worldwide and tallied billions of streams. Her catalog encompasses a trio of acclaimed albums\, namely HERO [2016]\, GIRL [2019]\, and Humble Quest [2022]. Speaking to her versatility\, she’s the rare force of nature equally suited to collaborating with Zedd on the 6x-platinum “The Middle” or duetting with everyone from Taylor Swift\, Stevie Nicks\, and Sheryl Crow to Teddy Swims\, Hozier\, and Jessie Murph on tracks. Beyond standout late-night television performances\, she notably served as guest host for ABC’s Jimmy Kimmel LIVE! Not to mention\, she has sold out tours on multiple continents\, gracing hallowed stages in the process. Along the way\, she also co-founded The Highwomen with Brandi Carlile\, Natalie Hemby\, and Amanda Shires. In September 2023\, Maren shared The Bridge\, an EP featuring “The Tree” and “Get the Hell Out of Here\,” and followed with a cover of Billy Idol’s classic track “Dancing With Myself” in February 2024. She entered a bold new era with the release of her Intermission EP in August\, which Maren described as her “heart journey and gamut of emotions packaged into 5 songs”\, covering loss\, catharsis\, sexuality and gratitude. After completing her RSVP Redux tour and several festivals to finish the year\, Maren returns in 2025 to share her fourth album D R E A M S I C L E on May 9. Introduced by first singles “carry me through” and “bed no breakfast”\, this album is Maren staying true to the core of who she is\, and the acceptance\, release\, and the reclamation of her strength and her light. She says “D R EA M S I C L E became less about the hard lessons and more about enjoying the bumpy ride and finding people who genuinely want to be on it with you because they love you. It’s about appreciating and respecting the beauty and nuances of life while it’s happening\, not after it’s too late.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/maren-morris-the-dreamgirl-tour-with-scout-willis-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Country,Country Music,Music,Pop
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260723T200000
DTEND;TZID=America/Denver:20260723T230000
DTSTAMP:20260708T182905Z
CREATED:20260708T182902Z
LAST-MODIFIED:20260708T182905Z
UID:10142494-1784836800-1784847600@missoulaunderground.com
SUMMARY:Jordan Davis with Elizabeth Nichols at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents & Montana Knife Company welcome Jordan Davis for a live concert performance with Elizabeth Nichols opening at the KettleHouse Amphitheater in Bonner on at 8:00 pm Thursday\, July 23\n\n\n\n\n\nLogjam Presents & Montana Knife Company welcome Jordan Davis for a live concert performance with Elizabeth Nichols opening at the KettleHouse Amphitheater in Bonner on at 8:00 pm Thursday\, July 23. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Jordan DavisAward-winning multi-platinum singer/songwriter Jordan Davis’ highly-anticipated second full- length album\, Bluebird Days\, produced four consecutive No. 1s and two “song of the year” award-winning titles\, including the 5X Platinum-selling hit “Buy Dirt” (CMA Awards 2022\, NSAI Awards 2023) and 3X Platinum-selling “Next Thing You Know” (ACM Awards 2024). All penned by Davis\, the Louisiana-born and raised star also released the chart-topping hit singles “What My World Spins Around” and “Tucson Too Late\,” in addition to “Next Thing You Know” and “Buy Dirt\,” earning numerous award nominations\, including CMA\, ACM\, CMT\, American Music Award\, Billboard Music Award and iHeart Award nods as well as his second Platinum-Certified album\, Bluebird Days. Davis previously notched four consecutive No. 1 hits-totaling eight No. 1s on Country radio – off of his Platinum-Certified debut album Home State including the 4x Platinum “Singles You Up\,” and 2x Platinum-selling songs “Take It From Me” and “Slow Dance In A Parking Lot” along with his most recent No.1 singles “I Ain’t Sayin’” and “Bar None” off his newly released highly anticipated album Learn The Hard Way. In 2019\, Davis was awarded Best New Country Artist at the iHeartRadio Music Awards\, in addition to being a 2X nominee for ACM New Male Artist of the Year\, and was named Billboard’s Top New Country Artist of 2018. He’s appeared on Good Morning America\, The Today Show\, Late Night with Seth Meyers\, The Tonight Show Starring Jimmy Fallon\, Jimmy Kimmel Live\, The Kelly Clarkson Show\, Watch What Happens Live With Andy Cohen\, CBS Mornings\, College GameDay\, and more. He has earned praise from Billboard\, saying Davis is a “modern-day storyteller” with MusicRow noting\, “this man never disappoints\,” and “Davis is one of the leading talents in a new wave of American country music” (BBC). Starting 2025 off internationally\, Davis served as direct support for Luke Combs’ stadium tour in New Zealand and Australia. Additionally\, Davis was direct support for Luke on his 2024 Growin’ Up and Getting Old Tour and followed with his string of U.S. and international shows headlining his DAMN GOOD TIME TOUR in the fall of 2024. Davis kicked off his headlining Ain’t Enough Road Tour this fall – the nationwide tour included stops at iconic venues including The Greek Theatre in Los Angeles\, Red Rocks Amphitheatre in Morrison\, CO\, and Radio City Music Hall in New York City before wrapping up on Saturday\, October 25th in Estero\, FL at Hertz Arena. Davis’ new album Learn The Hard Way released August 15th and includes certified Gold and 8th career No. 1 “I Ain’t Sayin’\,” certified Gold and 9th career No. 1 “Bar None” alongside recent releases “Turn This Truck Around\,” “Jesus Wouldn’t Do\,” “Louisiana Stick” with Marcus King\, “Mess With Missing You” with Carly Pearce and title track “Learn The Hard Way.”  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Elizabeth NicholsElizabeth Nichols is a singer-songwriter who\, in just a few short months since moving to Nashville\, has accumulated millions of streams with her clever turn of phrases and unabashed take on life in the modern age. Born in Texas\, raised in Louisville\, Kentucky and educated in Tulsa\, Oklahoma and… Australia\, Nichols has lived a lot of life in her 23 years and channels her observations and experiences into her songs\, often infusing commentary on everything from society and small-town life to current cultural trends into her lyrics. \n\n\n\nNichols burst onto the scene with the online phenomenon “I Got a New One” and has been building a fan base and online presence of 1M+ with each release with original songs like “Trailer Treasure\,” “Bad Taste” and “Somebody Cooked Here” each of them delivered in a sweet drawl thats both relatable and disarming. Her sparky release\, “Mama” seamlessly blends a broad- minded cheekiness (reminiscent of Kacey Musgrave’s Same Trailer Different Park-era) with a Toby Keith brashness and has accumulated 8 million views online. It’s not just fans who are taking notice\, the astute wordsmith has piqued the interest of the industry landing on a slew of “artist to watch” lists including Amazon Music\, Pandora\, Country Now\, Taste of Country\, Women of Country\, Holler\, Entertainment Focus\, All Country News\, Country Minuteand more. Nichols also captured the attention of Kelly Clarkson who covered “I Got A New One” on her show and the buzz surrounding her performance and Elizabeth’s reaction catapulted the song to the No. 1 song on the Country iTunes chart for multiple weeks. \n\n\n\nShe released her debut EP\, Tough Love in June and has already followed it up with new release including “Sweet Cigarette\,” the gut-punching “Daughter\,” cheeky ditty “Little Birds” and even cheekier “Oh The Things Men Do.” Nichols is continuing to create new music while also hitting the pavement to perform live. Since putting law school on pause in January 2025\, she has performed on several bucket list worthy stages including the legendary Blue Bird Cafe\, The Grand Ole Opry\, CMA Fest\, Stagecoach\, Kentucky Derby and The Kelly Clarkson Show and supported artists like Little Big Town\, Russell Dickerson\, Wyatt Flores and more. The PULSE Records artist is signed to CAA for booking. For more information and to stay up to date\, follow along on Instagram\, TikTok\, Facebook and YouTube. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/jordan-davis-with-elizabeth-nichols-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260719T200000
DTEND;TZID=America/Denver:20260719T230000
DTSTAMP:20260624T050734Z
CREATED:20260624T050733Z
LAST-MODIFIED:20260624T050734Z
UID:10141759-1784491200-1784502000@missoulaunderground.com
SUMMARY:Avett Brothers with Shane Smith and The Saints at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Avett Brothers for a live concert performance with Shane Smith and the Saints at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday\, July 19\n\n\n\n\n\nLogjam Presents welcomes Avett Brothers for a live concert performance with Shane Smith and the Saints at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday\, July 19. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Avett BrothersFour-time GRAMMY Award nominees The Avett Brothers made mainstream waves with their critically acclaimed 2009 major label debut\, I and Love and You. In 2012\, The Carpenter hit #4 on the Billboard 200\, followed by Magpie and the Dandelion in 2013\, which debuted at #5 on the Billboard 200. The 2017 documentary May It Last: A Portrait of The Avett Brothers (co-directed by Judd Apatow and Michael Bonfiglio) chronicles the process of writing 2016’s True Sadness\, which debuted at #1 on Billboard’s Top Albums\, #1 on Rock Albums\, #3 on the Billboard 200\, and scored two Grammy nominations. The film was released theatrically and on HBO to rave reviews and is available on DVD/BluRay/VOD. In 2019\, the band released their tenth studio album Closer Than = Together featuring the single “High Steppin’” which reached #1 on the Americana Radio Singles Chart. The Third Gleam came out amidst the COVID-19 pandemic and debuted at #1 on Billboard’s Americana/Folk Albums\, #1 Rock Albums\, #1 Vinyl Albums\, and the single “Victory” hit #1 on the Americana Radio Singles Chart. This year saw the release of The Avett Brothers\, an album that is as much untitled as it is self-titled: a collection of songs that revealed themselves naturally over time. Swept Away – a musical inspired by & featuring the music of The Avett Brothers – recently debuted on Broadway. The Avett Brothers have been inducted into the North Carolina Music Hall of Fame and have earned a Lifetime Achievement Award from the Americana Music Association. They are currently on tour throughout the U.S. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Shane Smith and The Saints“It ain’t black or white\, babe; it’s all the greys between\,” Shane Smith sings in “The Greys Between\,” the first single from Norther. On the surface\, it’s a cinematic love song about a relationship’s twists and turns\, punctuated by slide guitar\, Appalachian fiddle\, and sharp storytelling. Take a deeper listen to Shane Smith and the Saints’ fourth studio album\, though\, and those words also sound like the motto of a band that’s spent the past decade blurring the lines between genres. \n\n\n\nNorther is anything but monochromatic. Written and recorded during breaks in the band’s touring schedule\, the album captures Shane Smith and the Saints at their most colorful\, offering up a hard-hitting version of American roots music that’s influenced by country\, folk\, and roadhouse rock & roll. It’s a sound that’s been shaped by the road\, where the Saints spent the past decade on tour\, building a cult audience with each gig. Those years of raw\, redemptive performances are now paying off — not only with headlining concerts at bucket-list venues like Red Rocks Amphitheater (which the group sold out in 36 hours) and the Ryman Auditorium\, but also with an appearance on the hit TV show Yellowstone\, where the Saints premiered Norther‘s final track\, “Fire in the Ocean\,” with an onscreen performance. \n\n\n\n“If you spend 10 years playing dive bars and small clubs almost every single night\, and you go to the merch booth after every show and hang out with the fans until the staff literally kicks you out\, you get to turn those fans into friends\,” says Smith\, who grew up in Terrell\, Texas\, before launching his band in Austin. “That’s how we built this thing. We’ve done as many as 240 shows in a single year. We’ve worked so hard to get there\, and that hard work has created a beautiful\, meaningful audience.” \n\n\n\nBeautiful\, indeed. Named after the northern winds that blow across Texas during the winter\, Norther begins with the haunting “Book of Joe.” Bennett Brown’s fiddle gives the song plenty of orchestral atmosphere\, Dustin Schaefer’s electric guitar adds anthemic punch\, and Zach Stover’s percussion — which builds toward a pummeling finish\, locking in with Chase Satterwhite’s bass along the way — rolls like thunder. At the center of that sound is Smith’s voice: a husky baritone that’s been textured by countless gigs in smoky bars and loud dance halls. It’s a gorgeously raw instrument\, caught halfway between tender and tough\, and it’s there — somewhere in the middle — that the Saints shine their brightest. \n\n\n\n“When you’re in a band like ours\, everyone gets their turn to play their music in the van\,” Smith explains. “Bennett grew up listening to Appalachian and Celtic-inspired folk and bluegrass music\, and you can hear that in the way he plays fiddle. Dustin grew up loving classic rock. When I met my wife\, she introduced me to music like Arcade Fire\, Alberta Cross\, and First Aid Kit — bands that I’d categorize as cinematic folk or cinematic indie-rock — and that had a massive impact on my writing\, too. Everybody in this band has their own influences\, and we’ve spent years together\, letting our sound evolve into something really unique.” \n\n\n\nThat sound began evolving onstage. Thanks to early albums like 2013’s Coast and 2015’s Geronimo\, Shane Smith and the Saints became a popular act in Austin\, regularly cutting their teeth with marathon gigs at venues like The Stage On Sixth. “We’d do four-hour sets\, sometimes back-to-back\, meaning we’d be onstage for eight hours\,” Smith remembers. “It taught us to grow tighter as a band\, experiment with our sound\, and find our identity.” \n\n\n\nReleased in 2019\, Hail Mary introduced the band’s current lineup\, as well as a heavier sound that separated the Saints from other Texas acts. It wasn’t rock & roll. It wasn’t country\, either. It was everything that connected those genres\, glued together by the camaraderie of a road-tested band that built its audience the old-school way: by hitting the stage and winning over the crowd\, song after song\, night after night. \n\n\n\nNorther builds upon that singular sound while also highlighting the bandmates’ road-warrior chops. “We’d be on the road doing shows\, and there would be a 48-hour gap where we’d fly into Dallas and try to record everything we possibly could\, then fly right back to wherever the bus was\,” says Smith\, who tapped producer Beau Bedford to helm the album. “It was like that for the entirety of the recording process.” The result is an album that’s filled with all the electricity and eclecticism of the Saints’ live show. For the band’s country-loving fans\, there’s “1000 Wild Horses\,” which barrels forward at a rootsy gallop. For rock fans\, there’s “Fire in the Sky\,” which makes room for fiery fretwork and a massive chorus. For those looking to slow dance\, there’s “All the Way\,” a threadbare piano ballad captured live in the studio\, imperfections and all. “Norther has little bit of everything\,” Smith says proudly. “It’s not a one-sided album. It’s got every single element of what makes up our sound right now.” \n\n\n\nFor an independent band like Shane Smith and the Saints\, the work is never done. “It’s like you can’t help but feel like you’ve paid your dues to get to a certain spot\, but once you get there\, you realize you’re just starting to touch the surface of the bigger picture\,” Smith admits. “At the end of the day\, it still feels like we’re getting discovered. But maybe that’s what it’s all about.” Norther is the soundtrack to that discovery. It’s the sound of a band pushing its limits\, broadening its reach\, and expanding its audience. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/avett-brothers-with-shane-smith-and-the-saints-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Americana,Country,Folk,Folk Rock,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260717T180000
DTEND;TZID=America/Denver:20260717T220000
DTSTAMP:20260624T042608Z
CREATED:20260624T042606Z
LAST-MODIFIED:20260624T042608Z
UID:10141758-1784311200-1784325600@missoulaunderground.com
SUMMARY:Tape B & Levity - Summer Program with Effin at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Tape B & Levity for a live concert performance with Effin at KettleHouse Amphitheater in Bonner at 6:00 pm Friday\, July 17\n\n\n\n\n\nDoors @ 4:30 pm \n\n\n\nLogjam Presents welcomes Tape B & Levity for a live concert performance with Effin at the KettleHouse Amphitheater in Bonner at 6:00 pm Friday\, July 17. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n*Tape B + Levity have partnered with PLUS1 so that $1 per ticket goes to supporting the National Action Alliance for Suicide Prevention and their work championing suicide prevention as a national priority. No portion of the purchase price is tax deductible. https://theactionalliance.org \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Tape BTape B\, born Kemal Berk Alkanat\, is a dynamic force in today’s electronic music scene\, merging the nostalgic vibes of old-school dubstep with contemporary bass music and hip-hop. Born in Turkey and raised in the U.S. from the age of three\, Tape B brings a distinctive sound that captivates with a blend of nostalgia and modernity\, termed “Old School x New School.” \n\n\n\nHis musical journey began at the University of Central Florida\, influenced by early 2000s hip-hop and electronic pioneers like UKF and The Glitch Mob. His career took a professional turn after a revelatory experience at the Lost Lands Music Festival in 2019. Tape B’s rise to prominence was fueled by viral SoundCloud mixes and dynamic live performances\, including his iconic “Yo\, Tape B” tag which has become a recognizable call throughout modern clubland and festivals. \n\n\n\nAchieving significant traction with remixes and original tracks\, including the standout “Trippy Land” with Mersiv and Juicy J\, “Gas Pedal Remix” with John Summit and Subtronics and “Ganja Tape” with Ganja White Night\, Tape B has redefined expectations within bass music. As of 2024\, Tape B achieved sellouts of every headline since December 2023\, including rapid ticket sales at Denver’s Mission Ballroom and New York’s Great Hall. His introduction of Tape B Block Parties in 2024\, as recently showcased across Texas with two sold-out events\, has brought classic and modern dubstep brilliance to the forefront\, further cementing his influence in the scene. \n\n\n\nWith plans for a debut album that encapsulates years of sonic exploration and a desire to influence the hip-hop scene more profoundly\, Tape B remains a vibrant and influential figure in electronic music. His commitment to innovation\, community\, and joy through music continues to drive his rapidly ascending career. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout LevityHailing from Chicago\, Levity is an electronic trio that captivates audiences with their multi-genre sound. The trio is recognized for their hip-hop-inspired drum patterns and melodically rich drops\, which make their music distinctive and their live performances engaging. Formed in 2019\, Levity has quickly become a global presence\, accumulating over 20 million streams and consistently appearing at major festivals and venues. Levity’s festival appearances include Electric Forest\, North Coast\, Summer Camp\, Lollapalooza (featuring a guest appearance by Chance The Rapper)\, EDC Las Vegas\, and DoLab at Coachella. \n\n\n\nAs they gearing up for a busy 2026\, Levity is set to embark on their breakout 2025/26 Lasership Tour\, playing sold-out shows at iconic venues such as The Shrine and The Eastern. The trio has also gone back-to-back with other high-class DJs like Crankdat and Tape B\, commonly referred to as Crankity B. The Levity boys\, with their rapidly expanding fanbase and upcoming new music\, are poised to continue their iconic performances and release a series of new tracks. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout EffinEffin has redefined bass music by blending innovative sampling\, next-level production skills\, and vintage-inspired aesthetics to craft a sound that feels both fresh and timeless. Since moving to Nashville\, Effin has embraced the city’s vibrant culture\, infusing its creative energy into his work while pushing the boundaries of modern bass music. Known for his ability to weave nostalgic charm with cutting-edge sound design\, Effin is carving a unique path in the electronic music landscape. \n\n\n\nEffin’s artistry reached new heights with the release of his debut album\, Cheap Thrills\, on September 8\, 2023. The album showcases his mastery of innovative sampling and sonic storytelling\, merging high-energy basslines with retro-inspired textures. Tracks like the title track “Cheap Thrills” highlight his ability to combine gritty bass with emotive melodies\, creating music that resonates across festival stages and intimate listening experiences alike. By transforming classic influences into modern anthems\, Effin has established a distinct sound that transcends traditional genre boundaries. \n\n\n\n \n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/tape-b-levity-summer-program-with-effin-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Bass,Bass Music,Dubstep,Electronic,Hip Hop,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260708T200000
DTEND;TZID=America/Denver:20260708T230000
DTSTAMP:20260616T224756Z
CREATED:20260616T224754Z
LAST-MODIFIED:20260616T224756Z
UID:10141578-1783540800-1783551600@missoulaunderground.com
SUMMARY:Widespread Panic (SOLD OUT) Doubleheader at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Widespread Panic for two nights of (SOLD OUT) live concert performances at KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, July 7 and Wednesday\, July 8\n\n\n\n\n\nLogjam Presents welcomes Widespread Panic for two nights of (SOLD OUT) live concert performances at the KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, July 7 and Wednesday\, July 8. \n\n\n\nTickets are SOLD OUT. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Widespread PanicWidespread Panic has been together 30 years. Formed by original members vocalist/guitarist John “JB” Bell\, bassist Dave Schools and late guitarist Michael Houser\, who lived together in a suburban house in Athens\, GA\, where they met as students not far from the University of Georgia campus\, later to be joined by drummer Todd Nance. The band’s line-­‐up was solidified with the addition of percussionist Domingo “Sunny” Ortiz and keyboard player John “JoJo” Hermann and Duane Trucks on drums. \n\n\n\nOver three decades have past since forming their original line-­‐up in 1986\, Widespread Panic is still hungry to be the best band they can be\, every single night\, for their loyal fan base. Their accomplishments over that time are well-­‐documented. During their impressive run\, the band has released 12 studio albums (including Street Dogs) and 43 live albums\, selling more than 3 million copies as one of the most successful touring acts in the world. Widespread Panic has broken attendance records at major venues throughout the country\, including a staggering 48 sold-­‐out shows at Red Rocks Amphitheatre in Morrison\, Colorado. A banner hangs in the rafters at Philips Arena in Atlanta where the band has 18 sellouts\, with records also set at Lakefront Arena in New Orleans\, Oak Mountain Amphitheater near Birmingham\, AL and the New Orleans Jazz and Heritage Festival where Panic has headlined eight times\, breaking the single day attendance record with 63\,000. The band has headlined most of the major U.S. festivals\, including Bonnaroo (eight times)\, Lollapalooza\, Austin City Limits\, Lockn’ Music Festival\, Outside Lands Music Festival\, Forecastle Festival\, Phases of the Moon\, Rothbury Festival\, All Good Music Festival\, Gathering of the Vibes and many more. To commemorate Widespread Panic’s 25th anniversary in 2011\, the State of Georgia’s Senate and House of Representatives passed resolutions honoring the group for their music\, service\, charity and longevity\, while they were also inducted into the Georgia Music Hall of Fame. \n\n\n\n“We acknowledge this is a milestone few groups get to achieve\,” admits JB about their remarkable longevity. “It’s like Hemingway’s Old Man and the Sea. Every time we go out there\, we learn more tricks\, bring that knowledge with us\, and then apply it. We’re way more experienced\, focused and to the point\, but still willing to stretch out without wandering too much.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/widespread-panic-sold-out-doubleheader-at-kettlehouse-amphitheater/2026-07-08/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Blues,Jam,Music,Rock,Southern Rock
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260707T200000
DTEND;TZID=America/Denver:20260707T230000
DTSTAMP:20260616T224756Z
CREATED:20260616T224754Z
LAST-MODIFIED:20260616T224756Z
UID:10141577-1783454400-1783465200@missoulaunderground.com
SUMMARY:Widespread Panic (SOLD OUT) Doubleheader at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Widespread Panic for two nights of (SOLD OUT) live concert performances at KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, July 7 and Wednesday\, July 8\n\n\n\n\n\nLogjam Presents welcomes Widespread Panic for two nights of (SOLD OUT) live concert performances at the KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, July 7 and Wednesday\, July 8. \n\n\n\nTickets are SOLD OUT. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Widespread PanicWidespread Panic has been together 30 years. Formed by original members vocalist/guitarist John “JB” Bell\, bassist Dave Schools and late guitarist Michael Houser\, who lived together in a suburban house in Athens\, GA\, where they met as students not far from the University of Georgia campus\, later to be joined by drummer Todd Nance. The band’s line-­‐up was solidified with the addition of percussionist Domingo “Sunny” Ortiz and keyboard player John “JoJo” Hermann and Duane Trucks on drums. \n\n\n\nOver three decades have past since forming their original line-­‐up in 1986\, Widespread Panic is still hungry to be the best band they can be\, every single night\, for their loyal fan base. Their accomplishments over that time are well-­‐documented. During their impressive run\, the band has released 12 studio albums (including Street Dogs) and 43 live albums\, selling more than 3 million copies as one of the most successful touring acts in the world. Widespread Panic has broken attendance records at major venues throughout the country\, including a staggering 48 sold-­‐out shows at Red Rocks Amphitheatre in Morrison\, Colorado. A banner hangs in the rafters at Philips Arena in Atlanta where the band has 18 sellouts\, with records also set at Lakefront Arena in New Orleans\, Oak Mountain Amphitheater near Birmingham\, AL and the New Orleans Jazz and Heritage Festival where Panic has headlined eight times\, breaking the single day attendance record with 63\,000. The band has headlined most of the major U.S. festivals\, including Bonnaroo (eight times)\, Lollapalooza\, Austin City Limits\, Lockn’ Music Festival\, Outside Lands Music Festival\, Forecastle Festival\, Phases of the Moon\, Rothbury Festival\, All Good Music Festival\, Gathering of the Vibes and many more. To commemorate Widespread Panic’s 25th anniversary in 2011\, the State of Georgia’s Senate and House of Representatives passed resolutions honoring the group for their music\, service\, charity and longevity\, while they were also inducted into the Georgia Music Hall of Fame. \n\n\n\n“We acknowledge this is a milestone few groups get to achieve\,” admits JB about their remarkable longevity. “It’s like Hemingway’s Old Man and the Sea. Every time we go out there\, we learn more tricks\, bring that knowledge with us\, and then apply it. We’re way more experienced\, focused and to the point\, but still willing to stretch out without wandering too much.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/widespread-panic-sold-out-doubleheader-at-kettlehouse-amphitheater/2026-07-07/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Blues,Jam,Music,Rock,Southern Rock
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260628T200000
DTEND;TZID=America/Denver:20260628T230000
DTSTAMP:20260616T222528Z
CREATED:20260616T222526Z
LAST-MODIFIED:20260616T222528Z
UID:10141576-1782676800-1782687600@missoulaunderground.com
SUMMARY:Ziggy Marley / Brightside Tour 2026 w/ J Boog at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Ziggy Marley for a live concert performance on the Brightside Tour with J Boog opening at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday\, June 28\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Ziggy Marley for a live concert performance on the Brightside Tour with J Boog opening at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday\, June 28. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Ziggy MarleyZiggy Marley is a nine-time Grammy winner\, Emmy winner\, musician\, producer\, activist and humanitarian who has cultivated a legendary career for close to 40 years. The eldest son of Bob and Rita Marley\, Ziggy has hewed his own path as a musical pioneer\, infusing the reggae genre with funk\, blues\, rock and other elements through mindful songcraft. Equal parts master storyteller and motivational guide\, he deftly explores issues from environmental awareness to self-empowerment\, social injustice to political inequity\, while returning again and again to the transformative power of love. And over the past 15 years with his own companies\, Tuff Gong Worldwide and Ishti Music\, Marley has complete control of his masters and publishing; alongside his charity URGE– benefiting the well-being of children in Jamaica\, Africa and North America. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout J BoogBorn and raised on the west coast and heavily influenced by his Polynesian upbringing\, J Boog is one of the top reggae artists in recent years. Mentored by island reggae icon Fiji\, he honed his craft early on\, blending reggae with soulful melodies and a distinctive vocal style. A chance encounter with Yami Bolo and Gramps Morgan led him to Jamaica\, where he worked in the historical studios of Bob Marley\, Don Corleon\, Bobby Digital\, Shaggy\, and Sugar Minott—an experience that deepened his connection to reggae’s rich history and the islands’ culture. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/ziggy-marley-brightside-tour-2026-w-j-boog-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,Reggae
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T200000
DTEND;TZID=America/Denver:20260626T230000
DTSTAMP:20260616T214550Z
CREATED:20260616T214548Z
LAST-MODIFIED:20260616T214550Z
UID:10141575-1782504000-1782514800@missoulaunderground.com
SUMMARY:Turnpike Troubadours / Wild America Tour w/ Tanner Laws at KettleHouse Amphitheater (SOLD OUT)
DESCRIPTION:Logjam Presents welcomes Turnpike Troubadours for a (SOLD OUT) live concert performance with Tanner Laws opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, June 26\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Turnpike Troubadours for a (SOLD OUT) live concert performance with Tanner Laws opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, June 26. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/turnpike-troubadours-wild-america-tour-w-tanner-laws-at-kettlehouse-amphitheater-sold-out/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Bluegrass,Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T193000
DTEND;TZID=America/Denver:20260625T230000
DTSTAMP:20260601T165144Z
CREATED:20260601T165142Z
LAST-MODIFIED:20260601T165144Z
UID:10140344-1782415800-1782428400@missoulaunderground.com
SUMMARY:Dierks Bentley - Off the Map 2026 Tour with Mountain Grass Unit and Cole Goodwin at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner at 7:30 pm Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin\n\n\n\n\n\nDoors @ 6:00 pm \n\n\n\nLogjam Presents welcomes Dierks Bentley for a live concert performance on his Off the Map 2026 Tour at the KettleHouse Amphitheater in Bonner on Thursday\, July 25 with Mountain Grass Unit & Cole Goodwin. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Dierks BentleySeven albums into one of country music’s most-respected and most-unpredictable careers\, award-winning singer/songwriter Dierks Bentley continues to grow. His latest evolution comes in the form of RISER\, a project due out Feb. 25\, 2014 that stands as his most personal to date. \n\n\n\nWritten and recorded in the year following his father’s death\, the album draws its title from “I’m A Riser\,” a song about resilience and determination. “I’m A Riser” works as a commentary on spiritual\, personal and societal recommitment\, but it also applies to the competitive battlefield of the music industry. It’s particularly appropriate for an album about rejuvenation delivered by Bentley. \n\n\n\n“Life in general has a way of knocking you down\,” Bentley says. “It’s different reasons for different folks – could be personal reasons\, could be family reasons\, your job\, drugs\, alcohol. That song really applies to anybody that’s lived. There have always been those moments when we have to get back up and get on our feet. They are defining moments…breakthrough moments.” \n\n\n\nAccepting change – and growing from it – is a key theme in RISER\, and it is reflected by the tone of the album\, which demonstrates a new artistic depth and an extra level of intensity for Bentley. It evolves from track to track\, exuding a range of emotions\, all the while impressing upon the listener that Bentley’s instinct for a hit is stronger than ever. Bentley made significant reconfigurations in his creative team to shake up his sonic texture without sacrificing his commercial drive. He re-enlisted executive producer Arturo Buenahora\, Jr.\, who worked on Bentley’s first two albums; and utilized producer Ross Copperman\, who co-wrote “Tip It On Back” for Bentley’s previous album Home. \n\n\n\nThe new atmosphere yielded the most focused and intense vocals of Bentley’s career. Some were recorded live with the band as the musicians laid down the tracks\, but others were captured in less-than-obvious locales. One track’s vocal was recorded on Bentley’s tour bus. Still others were cut at Copperman’s house with the producer literally at Bentley’s side\, pushing him to some of his most emotional\, and seasoned\, performances. \n\n\n\n“It’s not even really a studio\,” Bentley says of Copperman’s set-up. “It’s just kind of a corner of the house he’s taken over\, so there was a kind of intimacy to the vocal process. It was important to get out of the studio and sing in different places\, and to do it with other people in the room. That way\, you have an audience and you get a sense of what’s working\, what’s not working\, when it’s feeling good\, not feeling good. It brings a little more emotion and energy out of your voice.” \n\n\n\nSince making a life-altering drive with his father from Phoenix to Nashville when he was 19 years old\, Bentley has forged his own path in an industry built predominantly on formula. He has mixed elements of modern country\, classic country\, bluegrass and rock\, maintaining an unmistakable identity while constantly reinventing his sound. His album Home debuted at No. 1 and spawned three consecutive chart-topping hits\, marking 10 career No. 1 songs for Bentley as a singer and songwriter. His five previous studio albums have sold more than five million copies\, garnered 11 GRAMMY nominations and earned him an invitation to join the Grand Ole Opry. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Mountain Grass UnitMountain Grass Unit\, from Birmingham\, Alabama\, is a young quartet redefining bluegrass with a fresh narrative. Comprised of Drury Anderson (mandolin\, vocals)\, Luke Black (guitar\, vocals)\, Josiah Nelson (fiddle\, vocals)\, and Sam Wilson (bass\, vocals)\, they blend tradition with bold exploration. Their journey began with a shared musical passion\, forming a sound that merges bluegrass with country\, jazz\, funk\, rock\, and metal influences. Their debut EP\, “Runnin’ From Trouble\,” released in 2024\, showcases their original music and inventive covers\, inspired by legends like Tony Rice and Billy Strings. \n\n\n\nRecorded at Nashville’s Hartland Studios\, and produced by Mike Harris (Old Crow Medicine Show)\, the EP captures their live energy. The leading single\, “Hey Mama\,” explores life’s transitions with inquisitive lyrics\, while “Cicada Song” and “Smugglin’” highlight their funk and traditional sides. \n\n\n\n2024 marked a turning point with performances at Renewal\, DelFest and WinterWondergrass\, broadening their audience and deepening their musical exploration. With plans for extensive touring\, festival sets\, and new music\, Mountain Grass Unit is ready to share their luminous sound with the world\, each performance a new chapter in their unfolding story. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Cole Goodwin24-year-old singer/songwriter Cole Goodwin has garnered attention for his strong\, textured voice paired with his meaningful writing and return to old-school Country sound. The Pooler\, Georgia\, native burst on the scene in 2023 with the release of his original\, self-produced EP Soon Enough. Cole has toured the Southeast playing honky tonks\, clubs and festivals\, as well as opening shows for artists including Zach Top and Billy Currington. Last year\, the up-and-coming artist released what are now fan-favorite songs including “When You Get Home\,” co-written with fellow Georgia Southern University alum Will Moseley\, and “Catchin’ On\,” written with songwriter Justin Dukes. Cole was voted Savannah’s Best Country Artist of 2023 and 2024\, as well as 2024’s Best Singer/Songwriter\, Best Local Concert\, and Best All-Around Musician. Recently signed to Big Machine Records\, more new music from Cole is expected throughout the summer as he crisscrosses the country opening on select dates of Luke Bryan’s Country Song Came On Tour. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/dierks-bentley-off-the-map-2026-tour-with-mountain-grass-unit-and-cole-goodwin-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Americana,Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T200000
DTEND;TZID=America/Denver:20260613T230000
DTSTAMP:20260527T235440Z
CREATED:20260527T235438Z
LAST-MODIFIED:20260527T235440Z
UID:10140282-1781380800-1781391600@missoulaunderground.com
SUMMARY:The Dead South with Amigo the Devil at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes The Dead South for a live concert performance with Amigo the Devil opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 13\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes The Dead South for a live concert performance with Amigo the Devil opening at the KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 13. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Dead SouthCarter Family meets Addams Family in the music of The Dead South\, a four-piece band with worldwide appeal. Instantly identifiable by the bolo ties and custom brims that define their look\, The Dead South have made their name with a sound that both reflects and defies country\, alternative and bluegrass conventions. With classic themes of murder\, disloyalty\, ghosts and the like\, The Dead South go from weepy to weird\, wistful to wicked\, all with a wink and a smile. A brotherhood first and foremost\, The Dead South have reached global success with chart-topping\, platinum and gold-certified albums\, major awards and appearances on historic stages including The Ryman\, Red Rocks\, Glastonbury\, Grand Ole Opry and more. \n\n\n\nChains & Stakes\, their newest album\, measures The Dead South’s growth as songwriters\, storytellers and musicians. World-class artists and entertainers\, The Dead South carry on the only way they know how: by being themselves. If Sugar & Joy questioned what Bluegrass is and isn’t\, then Chains & Stakes takes a step beyond\, unbothered by definition and playing by its own rules. Chains & Stakes\, The Dead South’s fourth studio album\, was recorded in Mexico City and produced by The Dead South and Grammy-winner Jimmy Nutt. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Amigo the DevilAmigo the Devil\, the stage name of Danny Kiranos\, has carved a unique niche in the music industry as a singer-songwriter known for his captivating blend of American folk\, country\, rock\, and heavy metal. His distinctive sound\, often referred to as “Dark Folk” or “Murderfolk\,” explores themes of murder and death\, resonating deeply with audiences who appreciate storytelling through music. Kiranos’s energetic live performances have garnered him a dedicated fanbase\, showcasing his ability to connect with listeners on a profound level. \n\n\n\nKiranos’s journey began in Miami\, Florida\, where he was influenced by the rich musical traditions of his Greek and Spanish heritage. After a brief stint in the film industry and culinary school\, he found his true calling in music while living in San Francisco. It was here that he adopted the name Amigo the Devil and began to gain traction in the local music scene\, ultimately leading to his recognition as a rising star in the folk genre. \n\n\n\nHis contributions to the music community extend beyond his performances; Kiranos founded Liars Club Records\, a label that supports independent artists and fosters creativity within the industry. His influence was further acknowledged in 2019 when the city of Austin declared November 16 as “Amigo the Devil Day\,” a testament to his impact on the local culture and music scene. \n\n\n\nAmigo the Devil has made notable appearances at prestigious music festivals\, including Louder Than Life and Riot Fest\, where he continues to captivate audiences with his powerful storytelling and dynamic stage presence. As he prepares for upcoming performances at major festivals in 2024 and beyond\, Kiranos remains a vital force in the music world\, inspiring fans and fellow artists alike. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/the-dead-south-with-amigo-the-devil-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Acoustic,Americana,Banjo,Bluegrass,Country,Country Music,Fiddle,Honky Tonk,Music,Roots
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260607T200000
DTEND;TZID=America/Denver:20260607T230000
DTSTAMP:20260520T193120Z
CREATED:20260520T193118Z
LAST-MODIFIED:20260520T193120Z
UID:10139706-1780862400-1780873200@missoulaunderground.com
SUMMARY:Lord Huron (Doubleheader Weekend) at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Lord Huron for a live doubleheader concert performance weekend at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 6 and Sunday\, June 7\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Lord Huron for a live doubleheader concert performance weekend at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 6 and Sunday\, June 7. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Lord HuronLord Huron was created by Los Angeles-based artist Ben Schneider in 2010. After writing and recording two independent EPs (Into the Sun and Mighty) on his own\, demand grew for Lord Huron to perform live. Schneider recruited friends Mark Barry (percussion)\, Miguel Briseño (bass) and Tom Renaud (guitar). Having first played music together at the tender age of 12\, the group reunited and quickly hit their stride\, transforming the project into a full-fledged live band. Lord Huron’s debut LP Lonesome Dreams was released in 2012 followed by Strange Trails in 2015. The latter featured the multi-platinum single “The Night We Met\,” which has gone on to become one of Spotify’s Top 40 most-streamed songs of all time. In 2018\, Lord Huron earned widespread critical acclaim and a Top 5 debut on the Billboard Top 200 with their third album\, Vide Noir. Lord Huron’s most recent LP Long Lost garnered praise from NPR\, Time\, Los Angeles Times\, Spin and Stereogum and sparked performances on The Tonight Show Starring Jimmy Fallon\, Jimmy Kimmel Live!\, The Late Late Show with James Corden and CBS This Morning: Saturday. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl\, Red Rocks Amphitheatre\, and the Ryman Auditorium) and festivals ranging from Coachella and Lollapalooza to Bonnaroo\, Outside Lands and more. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/lord-huron-doubleheader-weekend-at-kettlehouse-amphitheater/2026-06-07/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Alternative,Folk Rock,Indie,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260606T200000
DTEND;TZID=America/Denver:20260606T230000
DTSTAMP:20260520T193120Z
CREATED:20260520T193118Z
LAST-MODIFIED:20260520T193120Z
UID:10139705-1780776000-1780786800@missoulaunderground.com
SUMMARY:Lord Huron (Doubleheader Weekend) at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Lord Huron for a live doubleheader concert performance weekend at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 6 and Sunday\, June 7\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Lord Huron for a live doubleheader concert performance weekend at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, June 6 and Sunday\, June 7. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Lord HuronLord Huron was created by Los Angeles-based artist Ben Schneider in 2010. After writing and recording two independent EPs (Into the Sun and Mighty) on his own\, demand grew for Lord Huron to perform live. Schneider recruited friends Mark Barry (percussion)\, Miguel Briseño (bass) and Tom Renaud (guitar). Having first played music together at the tender age of 12\, the group reunited and quickly hit their stride\, transforming the project into a full-fledged live band. Lord Huron’s debut LP Lonesome Dreams was released in 2012 followed by Strange Trails in 2015. The latter featured the multi-platinum single “The Night We Met\,” which has gone on to become one of Spotify’s Top 40 most-streamed songs of all time. In 2018\, Lord Huron earned widespread critical acclaim and a Top 5 debut on the Billboard Top 200 with their third album\, Vide Noir. Lord Huron’s most recent LP Long Lost garnered praise from NPR\, Time\, Los Angeles Times\, Spin and Stereogum and sparked performances on The Tonight Show Starring Jimmy Fallon\, Jimmy Kimmel Live!\, The Late Late Show with James Corden and CBS This Morning: Saturday. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl\, Red Rocks Amphitheatre\, and the Ryman Auditorium) and festivals ranging from Coachella and Lollapalooza to Bonnaroo\, Outside Lands and more. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/lord-huron-doubleheader-weekend-at-kettlehouse-amphitheater/2026-06-06/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Alternative,Folk Rock,Indie,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260525T200000
DTEND;TZID=America/Denver:20260525T230000
DTSTAMP:20260520T190329Z
CREATED:20260520T190327Z
LAST-MODIFIED:20260520T190329Z
UID:10139699-1779739200-1779750000@missoulaunderground.com
SUMMARY:Claypool Gold featuring Primus\, Les Claypool's Frog Brigade & The Claypool Lennon Delirium at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Claypool Gold featuring Primus\, Les Claypool’s Frog Brigade & The Claypool Lennon Delirium for a live concert performance at the KettleHouse Amphitheater in Bonner at 8:00 pm Monday\, May 25\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Claypool Gold featuring Primus\, Les Claypool’s Frog Brigade & The Claypool Lennon Delirium for a live concert performance at the KettleHouse Amphitheater in Bonner at 8:00 pm Monday\, May 25. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nPremium Box Seating: Experience the best seats in the house with reserved box seating in a prime location\, offering unmatched audio quality\, crowd-free viewing\, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Primus“Tommy the Cat.” “John the Fisherman.” “Jerry Was A Race Car Driver.” “My Name is Mud.” “Wynona’s Big Brown Beaver.” Yessiree\, Primus is responsible for some of the most cutting edge and original rock music of the 1990’s. And now\, the definitive Primus line-up – singer/bassist Les Claypool\, guitarist Larry LaLonde\, and drummer Tim Alexander – is back together and planning on getting the worldwide masses bobbing up and down in unison once more. \n\n\n\nAlthough originally formed in 1984\, it was not until shortly before the end of the decade that the aforementioned classic line-up was solidified. With most hard rock/heavy metal acts at the time either neatly falling into either “thrash” or “glam” categories\, Primus joined a variety of underground bands that refused to be pigeonholed (and by the early ’90s\, had fully infiltrated the mainstream) – merging metal\, funk\, alternative\, punk\, country\, roots rock\, and experimental music\, along with Claypool’s penchant for witty and often humorous storytelling lyrics. \n\n\n\nBuilding a large and loyal following first in and around San Francisco (before eventually\, going global)\, Primus kicked things off with a string of releases that are now considered classic alt-rock titles – 1989’s ‘Suck on This\,’ 1990’s ‘Frizzle Fry\,’ 1991’s ‘Sailing the Seas of Cheese\,’ 1993’s ‘Pork Soda\,’ and 1995’s ‘Tales from the Punchbowl.’ Along the way\, Primus toured with some of rock’s biggest names (Jane’s Addiction\, Public Enemy\, Rush\, U2\, etc.)\, headlined the third-ever Lollapalooza Festival\, and issued a variety of crafty music videos\, which stood out in sharp contrast to the ultra-seriousness of most other video clips at the time. \n\n\n\nAlexander exited Primus in 1996\, but returned in 2003\, in time for an EP/DVD set\, ‘Animals Should Not Try to Act Like People\,’ and a sold out reunion tour\, that lasted over the next few years\, before the drummer departed once more. But as Claypool got to work on putting together a forthcoming book about the band’s history\, Les began longing for the days of when Alexander’s unmistakable and powerful drumming provided the beat. A phone call was placed\, a conversation ensued\, and before you could say\, “Here come the bastards\,” the Claypool-LaLonde-Alexander line-up was back in business. Plans to tour the world over and offering up new music are already in place. Be forewarned…here they come! \n\n\n\nAlthough originally formed in 1984\, it was not until shortly before the end of the decade that the aforementioned classic line-up was solidified. With most hard rock/heavy metal acts at the time either neatly falling into either “thrash” or “glam” categories\, Primus joined a variety of underground bands that refused to be pigeonholed (and by the early ’90s\, had fully infiltrated the mainstream) – merging metal\, funk\, alternative\, punk\, country\, roots rock\, and experimental music\, along with Claypool’s penchant for witty and often humorous storytelling lyrics. \n\n\n\nBuilding a large and loyal following first in and around San Francisco (before eventually\, going global)\, Primus kicked things off with a string of releases that are now considered classic alt-rock titles – 1989’s ‘Suck on This\,’ 1990’s ‘Frizzle Fry\,’ 1991’s ‘Sailing the Seas of Cheese\,’ 1993’s ‘Pork Soda\,’ and 1995’s ‘Tales from the Punchbowl.’ Along the way\, Primus toured with some of rock’s biggest names (Jane’s Addiction\, Public Enemy\, Rush\, U2\, etc.)\, headlined the third-ever Lollapalooza Festival\, and issued a variety of crafty music videos\, which stood out in sharp contrast to the ultra-seriousness of most other video clips at the time. \n\n\n\nAlexander exited Primus in 1996\, but returned in 2003\, in time for an EP/DVD set\, ‘Animals Should Not Try to Act Like People\,’ and a sold out reunion tour\, that lasted over the next few years\, before the drummer departed once more. But as Claypool got to work on putting together a forthcoming book \n\n\n\nabout the band’s history\, Les began longing for the days of when Alexander’s unmistakable and powerful drumming provided the beat. A phone call was placed\, a conversation ensued\, and before you could say\, “Here come the bastards\,” the Claypool-LaLonde-Alexander line-up was back in business. Plans to tour the world over and offering up new music are already in place. Be forewarned…here they come! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Les Claypool’s Frog BrigadeAfter over 20 years\, Les Claypool will once again hit the road with his Fearless Flying Frog Brigade for the Summer of Green Tour. Long considered to be one of the animated bassist’s most beloved bands\, this incarnation of the ever-morphing act boasts longtime Frog Brigade members Skerik (saxophone) and Mike Dillon (percussion\, vibraphone)\, as well as Sean Lennon (guitar)\, Harry Waters (keyboards) and Paulo Baldi (drums). However\, when Claypool initially dreamed up the Frog Brigade at the dawn of the new Millennium\, he actually considered it to be more of his “therapy project.” \n\n\n\nAt the time\, Primus—his long-running\, festival-approved alt-funk trio—had hit a rough patch and Claypool was looking for a new creative outlet. “We called it a hiatus but\, at the time\, we were broken up\,” Claypool says\, referencing Primus’ trajectory in 2000.. “Me and one of my best friends in the entire world\, Larry LaLonde\, weren’t talking.”  \n\n\n\nJust as Primus’ future was starting to feel uncertain\, Claypool was beginning to discover a new\, exciting audience thanks to a high-profile set with Oysterhead—his supergroup with Phish’s Trey Anastasio and The Police’s Stewart Copeland. After receiving an offer to perform at Angels Camp\, Calif.’s Mountain Aire Festival\, Claypool put together a new group of musicians drawn from both his inner circle and the extended improv scene. He briefly toyed with calling the project the Thunder Brigade\, before shifting to the slightly gentler moniker the Frog Brigade. Riffing to the Mountain Aire Festival’s scenic location\, he chose the name as a nod to the jumping frog of Calaveras County popularized by Mark Twain. Then\, he hopped on the road.   \n\n\n\n“I said\, ‘I’m gonna gather some of my favorite musicians together and hit the road.’ I bought this little airstream and packed these guys into this motorhome and started driving up and down the coast playing bars\,” Claypool says. “That was the original Frog Brigade—Skerik\, Jeff Chimenti\, Jay Lane\, Todd Huth from Sausage and then Eenor\, who I found on Craigslist. We just had a blast.” \n\n\n\nThe ensuing run of shows not only exposed Claypool to an entirely new\, open-eared audience but also kickstarted his second act as a solo artist. Not wanting to play songs from the Primus catalog\, Claypool loaded his Frog Brigade sets with new\, juicy originals and covers by prog-rock godfathers like King Crimson.  \n\n\n\n“When I did the Holy Mackerel record\, Highball with the Devil\, in 1996\, I always said that those were the songs I wouldn’t inflict upon the guys of Primus—I just knew that it wasn’t gonna thrill them to play those songs\,” Claypool says. “Some of them were written on guitar and some of them were written on drums. With Frog Brigade\, I was free to do that again. I was free to go in there and be a mad scientist.” \n\n\n\nHe also made the daring decision to perform Pink Floyd’s 1977 psychedelic masterpiece Animals in its entirety each night. \n\n\n\n“I’ve always wanted to play ‘Pigs’ if I had a keyboardist in my band because it’s one of my all-time favorite Pink Floyd songs\,” Claypool says. “And then we said\, ‘Why don’t we learn the whole record. That way we can play two sets.’” \n\n\n\nLes Claypool’s Fearless Flying Frog Brigade\, as the ensemble soon became known\, immediately gelled both on and off the stage—connecting the dots between the jam\, punk\, prog and metal communities along the way. They played a marquee set at the inaugural Bonnaroo in 2002\, participated in the SnoCore Tour and welcomed the likes of Bob Weir and Warren Haynes to the stage. In 2001\, Claypool released Live Frogs Set 1 and 2\, the latter of which featured the Frog Brigade’s award-winning take on Animals. The following year\, the Frog Brigade dropped a full-length studio album\, Purple Onion\, which introduced a slew of new original material and won over fans and musicians alike.  \n\n\n\n“Making the Purple Onion record was an incredible experience\,” Claypool says. “Tom Waits listed it as one of his top 20 albums of all time\, and I can’t even believe that just came out of my mouth. It was a great time for creativity and experimentation. There was a lot of pasta being thrown at the walls at that time. And it was a good period of growth for me. I became way more confident and\, with the Animals set in particular\, I became way more confident in my vocals. I never really considered myself to be a singer—I always felt like I was the narrator of the band but I actually had to sing some of this material and work on my singing.” \n\n\n\nIn 2003\, Primus reunited\, and Claypool’s muse slowly started to lead him elsewhere.  “To me\, the Frog Brigade represented a certain era of what I was doing and then there was a period when I no longer had a guitar in the band. The Frog Brigade had lots of guitar and keyboard so when it became me and the cello and Mike Dillon’s melodic sense and whatnot\, it was just so different that we stopped using the name. It slowly got whittled down—it was no longer Mothers of Invention\, it just became Zappa.” \n\n\n\nYet\, the adventurous spirit Claypool rediscovered with the Frog Brigade has continued to guide his every move\, sending Primus in new directions and helping spawn solo vehicles like the Fancy Band and The Claypool Lennon Delirium\, his group with Lennon and Baldi \n\n\n\nAnd now\, over 20 years since the Frog Brigade’s last full-scale tour\, Claypool has regrouped his highly improvisational outfit for an extended run. The revamped Flying Frog Brigade plans to mix in material from all eras of Claypool’s illustrious solo career\, as well as a selection of choice covers. They will also once again perform Animals every night.  \n\n\n\n“There is a pretty rich catalog of material there so there will definitely be stuff from my entire career\,” Claypool says. “It won’t just be the Frog Brigade era\, but the big element of the Frog Brigade is gonna be playing Animals. But this time we’re doing it with just one guitar and with five marimbas and saxophones so this will be a new interpretation\, obviously—a different interpretation with Sean in there. There might be a Delirium song. There are a lot of popsicle sticks on the table to build some things with.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Claypool Lennon DeliriumTwo worlds have collided\, and what glorious and odd worlds they are. After a successful summer tour\, pairing Primus with Ghost of a Saber Tooth Tiger\, the two bandleaders\, Les Claypool and Sean Lennon\, have decided to combine their abstract talents into a project called The Claypool Lennon Delirium. Their efforts thus far have spawned the upcoming\, full-length release called “Monolith of Phobos.” \n\n\n\n“Sean is a musical mutant after my own heart\,” said Claypool. “He definitely reflects his genetics–not just the sensibilities of his dad but also the abstract perspective and unique approach of his mother. It makes for a glorious freak stew.” After some impromptu\, backstage jams and an epic live sit-in on Primus’s psychedelic opus\, “Southbound Pachyderm\,” Claypool approached Lennon about doing a recording project. “I was trying to wrangle up an Oysterhead reunion since Primus was taking a rest for 2016 but the planets just wouldn’t align for that\,” said Claypool. “I don’t like sitting around\, so when Sean said he didn’t have plans for this next year\, we started kicking around the notion of making an old-school\, psychedelic/prog record. Next thing I know\, he’s staying in my guesthouse\, drinking my vino and banging on my drums.” \n\n\n\nLennon responded\, “I told Les that I was Neil Diamond’s nephew. I think that is what really sold him on the idea of working with me.” \n\n\n\nOver the course of six weeks or so\, the two wrote and recorded a total of ten songs with both of them sharing various vocal and instrumental responsibilities\, going beyond their core instruments of bass and guitar. Claypool explained\, “Usually I play the drums and percussion on my records but Sean has such a different feel than I do\, it just made more sense for him to man the kit on most of the tunes on this project. I took the helm at my old vintage API console and let him bang away. He was happy as a piggy rolling in shit every time he grabbed the sticks…his drumming is like a cross between Ringo and Nick Mason. But I think folks will be most surprised by what a monster guitar player he is\, especially when you prod him a bit.” \n\n\n\n“Monolith of Phobos” is just how the title implies–an old-school approach to a psychedelic space rock record. \n\n\n\nLennon added\, “It’s been an honor and a challenge playing with someone of Les’ caliber\, but luckily the Gods of Pinot Noir shone favorably down and granted us a bundle of devilish tunes about monkeys\, outer space and sexual deviancy.” \n\n\n\nThe Claypool Lennon Delirium “Monolith of Phobos” record is slated for a spring release and the band will be touring through the summer. \n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/claypool-gold-featuring-primus-les-claypools-frog-brigade-the-claypool-lennon-delirium-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:90s,Alternative,Bass,Bass Music,Country,Funk,Memorial Day,Metal,Music,Punk,Roots
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260226T200000
DTEND;TZID=America/Denver:20260226T230000
DTSTAMP:20260224T065221Z
CREATED:20260224T065218Z
LAST-MODIFIED:20260224T065221Z
UID:10130930-1772136000-1772146800@missoulaunderground.com
SUMMARY:Neko Case - Midnight Case Tour with Destroyer at The Wilma
DESCRIPTION:Logjam Presents welcomes Neko Case for a live concert performance on the Midnight Case Tour with Destroyer at The Wilma in Downtown Missoula at 8:00 pm Thursday\, February 26\n\n\n\n\n\nLogjam Presents welcomes Neko Case for a live concert performance on the Midnight Case Tour with Destroyer at The Wilma in Downtown Missoula at 8:00 pm Thursday\, February 26. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Neko CaseSinger\, songwriter\, music producer\, visual artist\, and writer Neko Case is the consummate career artist — fearless and versatile\, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. “One of America’s best and most ambitious singer-songwriters” (Rolling Stone) and “essentially peerless” (NPR)\, Case has long been revered as one of music’s most influential artists\, whose authenticity\, lyrical storytelling\, and sly wit have endeared her to a legion of critics\, musicians\, and lifelong fans. In addition to numerous acclaimed and GRAMMY-nominated solo records\, Case is a founding member of Canadian supergroup The New Pornographers. She is the author of The New York Times bestselling memoir ‘The Harder I Fight the More I Love You’ and the weekly Substack newsletter ‘Entering The Lung\,’ and is currently composing the musical theater adaptation of the Academy Award-winning motion picture ‘Thelma & Louise.’ Her new album ‘Neon Grey Midnight Green’ is on Anti Records. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout DestroyerDan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties. Exploring and overturning genres such as glam\, MIDI\, yacht rock\, and even underground Spanish independent artists\, Bejar was proclaimed “Rock’s Exiled King” by The Fader. His is a body of work that consistently flouts convention in favor of musical leaps of faith\, statements of purpose cloaked in subterfuge\, and the joyous refrain of an optimist’s heart cloaked in cynicism. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/neko-case-midnight-case-tour-with-destroyer-at-the-wilma/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251005T190000
DTEND;TZID=America/Denver:20251005T213000
DTSTAMP:20250831T203142Z
CREATED:20250828T125520Z
LAST-MODIFIED:20250831T203142Z
UID:10120031-1759690800-1759699800@missoulaunderground.com
SUMMARY:The Beach Boys at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 7:00 pm Sunday\, October 5 (rescheduled from August 29)\n\n\n\n\n\nDoors @ 5:30 pm \n\n\n\n\n\n\n\n*THIS IS A RESCHEDULED EVENT*\n\n\n\nAll tickets purchased for the originally scheduled date\, Friday\, August 29\, 2025\, will be honored at the rescheduled date. No exchanges necessary. If you purchased tickets to the original date and are unable to attend the rescheduled date\, refunds will be available until 5pm on September 12\, 2025 by submitting a Refund Request Form. Refunds will not be available after the refund deadline. \n\n\n\nFor more information regarding refunds and ticketing visit logjampresents.com/ticketing/For any additional questions\, please reach out to boxoffice@logjampresents.com \n\n\n\n\n\n\n\nLogjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 7:00 pm Sunday\, October 5. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved stadium seating\, general admission seated pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing information and policies can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Beach BoysYou can capsulize most pop music acts by reciting how many hits they’ve had and how many millions of albums they’ve sold. But these conventional measurements fall short when you’re assessing the impact of The Beach Boys. This band has birthed a torrent of hit singles and sold albums by the tens of millions. But its greater significance lies in the fact that The Beach Boys’ songs have forever changed the musical landscape\, profoundly influencing countless performing artists to follow. \n\n\n\nAt the helm of The Beach Boys is lead Singer & Critically acclaimed lyricist\,  Mike Love\, a founding member whose leadership has steered the band through decades of musical evolution. Grammy-winning songwriter Bruce Johnston joined The Beach Boys in 1965\, replacing Glenn Campbell\, who filled-in for Brian Wilson\, on vocals/bass\, when he retired from touring. Highly regarded in his field\, Johnston brought with him a wealth of experience from working with icons like Elton John and Pink Floyd\, The Byrds\, cementing his place among rock’s elite. \n\n\n\nThe current lineup\, including musical director Brian Eichenberger\, Christian Love\, Tim Bonhomme\, Jon Bolton\, Keith Hubacher\, Randy Leago\, and John Wedemeyer\, continues to honor and expand upon the band’s iconic Live performance legacy. This dedication is evident in their rigorous touring schedule\, with the band performing an average of 150 shows a year across a variety of venues worldwide. \n\n\n\nIn 2012\, The Beach Boys marked their 50th anniversary with a reunion tour and the release of “That’s Why God Made the Radio\,” which debuted at #3 on the Billboard charts\, their highest chart position in 37 years. This resurgence of interest highlighted the band’s continued relevance and their ability to resonate with both long-time fans and new listeners alike. \n\n\n\nTheir discography includes milestones like the triple platinum-certified Sounds of Summer and “The Warmth of the Sun\, which have contributed to a renewed interest in their music. Despite having numerous opportunities to retire at the height of their success\, such as after the release of the groundbreaking Pet Sounds masterpiece in 1966\, or after Mike Love’s concept album Endless Summer ignited a second generation of Beach Boys fans and stirred a tempest that rocked the music world\, or after recording Love’s co-written Golden Globe nominated “Kokomo” in 1988 and seeing it become its best-selling single ever\, or after being inducted that same year into the Rock & Roll Hall of Fame\, The Beach Boys have chosen to continue touring and sharing music with the world\, a testament to their commitment to their art and fans. \n\n\n\nThe Beach Boys celebrated the 50th anniversary of the hit “Good Vibrations” – which is widely considered one of the greatest masterpieces in the history of rock and roll – in 2016 with a 50 Years of Good Vibrations tour\, underscoring the song’s status as a rock and roll masterpiece. Mike Love’s memoir\, GOOD VIBRATIONS: My Life as a Beach Boy\, further cemented their place in music history by becoming a New York Times Best Seller. \n\n\n\nRecent years have seen the release of comprehensive box sets like Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971” and Sail On Sailor – 1972\, exploring in-depth the band’s transformative periods. These collections\, featuring a plethora of previously unreleased tracks\, showcase the band’s versatility and profound influence on the music industry. \n\n\n\nIn 2023\, The Beach Boys were celebrated in the CBS tribute special “Grammy Salute to the Beach Boys\,” featuring performances by a diverse array of artists including Beck\, Brandi Carlile\, Michael McDonald\, Pentatonix\, St. Vincent\, Weezer\, Norah Jones\, John Legend\, and Mumford & Sons among others. \n\n\n\nLooking ahead\, the band is set to debut their official book\, The Beach Boys by The Beach Boys\, in April 2024 via Gensis Publications.  Published in a limited edition of only 500 copies worldwide\, the book offers an intimate look at the band’s journey from a Hawthorne garage band to international stardom\, enriched with rare photographs and historical documents. \n\n\n\nThe Beach Boys have been a significant presence at major events\, including Live Aid and the Statue of Liberty’s 100th Anniversary Salute\, showcasing their unparalleled ability to captivate audiences. Mike Love’s contributions as a songwriter\, in collaboration with Brian Wilson\, have produced timeless hits like “Surfin’\,” “Fun\, Fun\, Fun\,” and “California Girls\,” “Warmth of the Sun\,” “Good Vibrations\,”  and long list of other titles highlighting his enduring talent. \n\n\n\nContinuing to engage his fans with new and innovative projects\, in 2020 Love released the single “This Too Shall Pass”  featuring John Stamos aimed at offering hope during the Covid-19 pandemic. In 2019\, he released “12 Sides of Summer\,” featuring a mix of original songs\, covers\, and new versions of Beach Boys hits including “Surfin\,” “Surfin’ Safari” and “It’s Ok\,” featuring Hanson. The song marked Love’s second recording with Hanson\, after previously collaborating on “Finally it’s Christmas” for Love’s 2018 holiday album\, Reason For The Season\, which also features vocals from Love’s children: Ambha\, Brian\, Christian\, and Hayleigh Love. In 2017\, Love released a special double album entitled Unleash the Love featuring 13 previously unreleased songs and 14 re-recordings of Beach Boys classics to positive acclaim. \n\n\n\nMike Love’s philanthropy extends his influence far beyond the musical stage\, demonstrating a deep commitment to giving back to the community.  A Grammy® winner and Rock and Roll Hall of Fame member\, Love has been at the forefront of numerous charitable efforts\, using his platform to support a wide range of causes. In 1990\, he responded to President George H. W. Bush’s call for service by founding StarServe\, an initiative aimed at motivating young people towards community service\, showcasing his early commitment to philanthropy. His philanthropic efforts were recognized when he and his wife Jacquelyne received the prestigious Points of Light Award\, highlighting his significant contributions to volunteer service and impacting lives across the globe. Through the Love Foundation\, Mike has supported initiatives focusing on education\, health\, environmental conservation\, and disaster relief\, showcasing a legacy of compassion and service alongside his storied musical career. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/the-beach-boys-at-kettlehouse-amphitheater-2/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:60s,70s,Americana,Classic Rock,Music,Pop
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20251004T190000
DTEND;TZID=America/Denver:20251004T220000
DTSTAMP:20250818T181914Z
CREATED:20250818T181912Z
LAST-MODIFIED:20250818T181914Z
UID:10119618-1759604400-1759615200@missoulaunderground.com
SUMMARY:All Time Low - Everyone's Talking! Tour at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes All Time Low for a live concert performance on the Everyone’s Talking! Tour at KettleHouse Amphitheater in Bonner at 7:00 pm Saturday\, October 4\n\n\n\n\n\nDoors @ 5:30 pm \n\n\n\nLogjam Presents welcomes All Time Low for a live concert performance at KettleHouse Amphitheater in Bonner at 7:00 pm Saturday\, October 4. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout All Time LowThroughout a catalog streamed nearly half-a-billion times and highlighted by multiple gold and platinum certified singles / albums\, All Time Low have continually raised the bar for both pop and punk. Since 2003\, the group has notched five straight Top 10 entries on the Billboard Top 200\, spanning the gold-certified Nothing Personal [2009]\, Dirty Work [2011]\, Future Hearts [2015]\, and Last Young Renegade [2017]. The latter attracted tastemaker acclaim from the likes of Rolling Stone\, Paste\, and more as the band canvassed the world\, headlining arenas on three continents. 2019 saw All Time Low celebrating the anniversary of Nothing Personal\, an album that’s influence remains prevalent with Rock Sound citing its impact on Fall Out Boy\, 5 Seconds of Summer\, and more. After nearly two decades together\, All Time Low rekindled the spark they first ignited in a Baltimore basement on their 2020 full-length studio album\, Wake Up\, Sunshine. These four lifelong friends walked into a tiny room\, plugged in\, and turned up with the same spirit\, but with more experience\, and proficiency gained from performing to millions worldwide. As a result\, they delivered Wake Up\, Sunshine\, a captivating body of work featuring the hit single “Monsters” (feat. blackbear)\, which spent 18 weeks atop Billboard’sAlternative Airplay chart and became the longest charting song ever on the Alternative Radio Mediabase chart. A brand-new version of “Monsters” was released at the end of 2020 featuring both blackbear and global super star Demi Lovato. “Monsters” recently earned All Time Low nominations for “Alternative Song of the Year” and “Alternative Artist of the Year” at the 2022 iHeartRadio Music Awards\, in addition to nominations for “Top Rock Song” at the 2021 Billboard Music Awards and “Favorite Rock Artist” at the 2021 American Music Awards. In 2021\, the band returned with new singles “Once In A Lifetime” and “PMA” (Feat. Pale Waves). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/all-time-low-everyones-talking-tour-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,Rock
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250916T200000
DTEND;TZID=America/Denver:20250916T223000
DTSTAMP:20250818T180057Z
CREATED:20250818T180056Z
LAST-MODIFIED:20250818T180057Z
UID:10119617-1758052800-1758061800@missoulaunderground.com
SUMMARY:The Flaming Lips at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes The Flaming Lips for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, September 16\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes The Flaming Lips for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm on Tuesday\, September 16. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Flaming LipsFormed in Oklahoma City\, OK in 1983\, The Flaming Lips have since become one of the most iconic\, influential\, unpredictable\, and vital forces in American alternative rock music. The band has garnered three GRAMMY® Awards\, a Tony nomination\, and an RIAA Gold-certified Record for Yoshimi Battles the Pink Robots. Q Magazine named them one of the “50 Bands to See Before You Die.” \n\n\n\nThe band has made countless late night television appearances\, appeared in a Super Bowl commercial\,contributed to many film soundtracks\, and collaborated with artists such as Miley Cyrus\, Coldplay’s Chris Martin\, Kacey Musgraves\, Yoko Ono\, The Chemical Brothers\, and so many more. They have set countless records\, broken records\, created spectacular interactive audio/visual events now regarded as legendary. \n\n\n\nFrontman Wayne Coyne has been recognized for works of art that graced many LIPS album covers along with his traveling art exhibit “The King’s Mouth\,” an audiovisual art installation that has been featured in many contemporary art museums around the US. Their latest LP\, American Head\, marks a return to a more melodic and song-oriented body of work and has critically been lauded as their best work in years placing on several Year End/Best Of lists around the world. Evan after a combination of 22 studio recordings\, 16 singles\, 11 compilations\, 11 EP’s and 11 self-released experimental collaborative oddities released in various forms\, quantities and unique mediums\, The Flaming Lips remain in a creative apex that has no bounds. To that end\, they have become an American Treasure and created a genre all to themselves. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/the-flaming-lips-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Alternative,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250831T183000
DTEND;TZID=America/Denver:20250831T223000
DTSTAMP:20250818T173553Z
CREATED:20250818T173552Z
LAST-MODIFIED:20250818T173553Z
UID:10119616-1756665000-1756679400@missoulaunderground.com
SUMMARY:Pixies with Spoon & Fazerdaze at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Pixies for a live concert performance with Spoon & Fazerdaze at the KettleHouse Amphitheater in Bonner at 6:30 pm Sunday\, August 31\n\n\n\n\n\nDoors @ 5:00 pm \n\n\n\nLogjam Presents welcomes Pixies for a live concert performance with Spoon & Fazerdaze at the KettleHouse Amphitheater in Bonner at 6:30 pm Sunday\, August 31. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last.  General Admission lawn\, reserved stadium seating\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Pixies \n\n\n\n2024 is a momentous year for Pixies. 35 years since groundbreaking Platinum-certified album Doolittle catapulted the band into the UK Top Ten\, and 20 years since their celebrated reformation at Coachella\, Pixies are deep into their second act. Bigger than ever\, playing to fans spanning multiple generations\, and in the midst of their most creative purple patch. A brand new album – titled The Night the Zombies Came – marks the group’s tenth studio record (if you count 1987’s Come On Pilgrim). 13 new songs that will arrive aptly in time for Halloween amongst a 2024 touring schedule taking in circa 70 shows across the globe – and even more to be announced in 2025. \n\n\n\nSpend an hour or two in the company of Charles Thompson IV\, and the conversation will soon fall to zombies\, bog people\, Druidism\, medieval theme restaurants\, shopping malls\, the Masons\, surf rock and the practice of slaughtering lambs in Monmouthshire. Along the way\, he might take in Shirley Collins\, the distinctive dry drum sound of 1970s’ Fleetwood Mac\, and the sestina\, a poetic form attributed to the 12th century Provencal troubadour Arnaut Daniel.  \n\n\n\nOut of such disparate wonders are Pixies’ albums made. “Fragments that are related\,” as Thompson (better known as Black Francis) puts it. “And juxtaposed with other fragments in other songs. And in a collection of songs in a so-called LP\, you end up making a kind of movie.” \n\n\n\nSince their earliest days in late 80s’ Massachusetts\, and on past their 2004 reformation\, Pixies have worked this way — proclaiming their love for both Hüsker Dü and Peter\, Paul and Mary\, relishing both loud and quiet\, singing somewhat kaleidoscopically of reincarnation\, scuba diving\, Luis Buñuel\, necromancy\, Samson and Delilah and the 1986 comedy drama Crimes of the Heart. From the start their music has been imagistic\, contradictory\, electrifying. They stand as one of the most influential\, revered and deeply adored bands of all time. \n\n\n\nThe juxtaposed fragments that make up this year’s The Night the Zombies Came are perhaps the most cinematic of their career — gothic meets sci-fi shlock\, horror flicks\, dark folk tales and Ennio Morricone westerns. \n\n\n\nEarly on\, the band noticed the songs were dividing into two camps: what they came to call the ‘Dust Bowl Songs’ — country-tinged\, ballad-esque numbers such as Primrose and Mercy Me\, and on the other side\, the album’s furious punk numbers such as You’re So Impatient and Chicken. Only Jane (the Night the Zombies Came) keeps its feet in both camps — reminiscent of early 60s Phil Spector\, the band hitting the sweet spot between mushy and abrasive\, it’s a track that Thompson allegedly likened to being chased by a swarm of bees. \n\n\n\nFor this outing\, the band returned to work with producer Tom Dalgety\, who has steered Pixies since 2016’s Head Carrier and on through 2019’s Beneath the Eyrie and 2022’s Doggerel\, and whom Thompson refers to as “a good master of a lot of information” and drummer David Lovering calls “a fifth Pixie now.” \n\n\n\nOver the course of the last three records\, they have established a rhythm with Dalgety: the producer heading to Thompson’s house in Massachusetts a week before recording to familiarise himself with the new songs\, sitting in his front room with a laptop\, while the singer strums out a few ideas. “I really love that process\,” Dalgety says. “From a professional\, productive side of things it’s really nice to get to know the songs and experiment. But also from a geeky fan point of view it’s quite cool being sat on the sofa and seeing ten Pixies songs just suddenly unfold in front of you.” \n\n\n\nFrom there\, the band reconvened once again at Guilford Sound studio in Vermont\, sharing a house together\, rehearsing in the living room\, walking through the autumn woods each day to the studio to record. The hours were not relentless. When the sun went down\, Thompson notes\, they could still go howl at the moon. \n\n\n\nBut they used their time wisely and often experimentally. For several records now\, Thompson has been chasing a different sound for the drums — not the expansive boom of the expensive studio live room with its perfect acoustics and high-end microphones\, but something deader and drier and more akin to the records he loved from the early 1970s.  \n\n\n\nFor a couple of Zombies’ tracks — Chicken and Mercy Me\, Lovering and Dalgety relented. The producer set up a small drum kit in a small room\, deadened the drum skins with cloth and gaffer tape. “And they stuff David in there\,” recalls Thompson. “And you know\, climbing in and out of it is sort of like climbing in and out of a fish aquarium. And it probably gets warm in there. So I’m sure that he suffered for my dry drum sound. I don’t know if there was blood\, but there was definitely a lot of sweat. And maybe some tears.” \n\n\n\nLovering is diplomatic. “Compact would be the word for it\,” he says. “Everything was just nice and muffled the way I like to hear it. And if you listen now\, it is concise\, you hear the drums much more\, they’re not as open and brash or arena style. They’re just right there\, and it makes for a different kind of sound.” \n\n\n\nThere were other changes\, too. A line-up shift has brought in bassist Emma Richardson (Band of Skulls)\, and with it\, a different quality to the band’s sound. Thompson praises the restrained elegance of her voice. Dalgety speaks of her “fantastic creative vibe”. Lovering describes her as “a consummate bass player.”  \n\n\n\nThe recent tour\, of which Richardson was a part\, was particularly joyful for the drummer. “I think the response to these shows and the way that we’ve been playing is because of the rhythm section\,” he says. “Of course I’m up there\, but Emma is up there with me. And when the rhythm section is locked on\, and laying it down with power\, Joe and Charles can screw off as much as they want. She’s just killing it.” \n\n\n\nFor Richardson\, the invitation to join Pixies was a huge and unexpected compliment. She spent weeks exploring the band’s back catalogue ahead of the live shows\, trying to understand their magic.“They have this amazing way of making something that is quite a complicated arrangement sound really effortless and very succinct\,” she says. “But actually when you’re picking it apart as a musician you realise all the tricks that they use. How cleverly they form songs and structures and lyrics.” \n\n\n\nThe new record is particularly special to her. “It’s incredible. It feels slightly different from anything they’ve done before. It’s got this brilliant mixture of a knowing nostalgia and a punk\, energetic\, fun element. But it’s got this dark underbelly\, and an almost romantic longing feel to it. They’ve created these little worlds which are quite cerebral and dreamlike\, but it’s also got these big vistas. It’s quite cinematic.” \n\n\n\nZombies also marks an expanded role for guitarist Joey Santiago. The track I Hear You Mary began as an instrumental he wrote for the previous album\, and having also contributed his first lyrics on Doggerel\, on this record\, Thompson set Santiago the task of writing the words to Hypnotised by completing a sestina — a lyrical riddle of sorts\, formed of six stanzas of six lines\, in which words are rotated in a set pattern. Santiago\, startled by the responsibility\, set about labouring over a complex set of lyrics before coming to a realisation: “The truth of the matter is you’re just putting fucking words together. The lesson is just not to be precious. Just fucking do it.” \n\n\n\nIn recent years\, Santiago has also sought to learn more about guitar playing — aware\, he says\, that it might help conquer his long-running imposter syndrome. “I was afraid\, kinda\, that I was going to lose my identity if I started studying it\, but it made my studio experience a lot easier\,” he says. For months\, he found himself following the Youtube algorithm as it guided him through intensive tutorials. “Every musician will tell you that it’s a never ending thing\,” he says. “It’s pretty remarkable that there are 12 notes and there are still possibilities out there.” \n\n\n\nLovering\, too\, has been deep in pursuit of self-improvement. “I find that the only time I get better or change or learn new things is just by playing and playing and playing\,” he says. “It’s taken me 50 years to learn how to play the drums\, and I mean that honestly. In the last year I’ve learned the way to play off my right hand — I never did that in the past\, I was lazy as hell! And everything is like a clock now. So I’m excited not only with what we did with the record\, but for upcoming stuff. We’re going to sound good!” \n\n\n\nBack in the company of Thompson\, the conversation has moved on to headless chickens\, gargoyles\, the lingering presence of the undead. “When we’re putting together a record\,” he says\, “we’re not trying to make it fit around a particular theme\, but there may be a couple of catchphrases or words or concepts that are kicked around. On this particular record\, I would say it would be ‘zombies’. Though it’s not in every song\, and it’s not necessarily presented in a literal way.” \n\n\n\nOn every album they’ve ever made\, Pixies have taken the record’s title from the lyrics — a song title\, or a line. For a time\, Thompson says\, he struggled to find a title for this new collection of songs. “The only phrase that seemed to sound good to me is this one. Everything else seemed too goofy. You would think The Night the Zombies Came would be the most goofy-sounding\, but to my ear\, and to Tom’s also and to the rest of the band\, it felt like ‘Oh\, yeah\, The Night the Zombies Came. That’s it. Of course.” \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout SpoonSpoon\, Austin’s most esteemed rock ambassadors\, have released ten albums to date including a string of five straight top 10 records: Ga Ga Ga Ga Ga (2007)\, Transference (2010)\, They Want My Soul (2014)\, Hot Thoughts (2017)\, and Lucifer on the Sofa (2022). \n\n\n\nLucifer on the Sofa earned the band its first-ever GRAMMY nomination (Best Rock Album) and was praised by Rolling Stone as “The best thing they’ve ever done.” \n\n\n\nHailed by TIME as “one of the greatest American rock bands”\, Spoon topped Metacritic’s chart as the single most critically acclaimed band of the aughts. \n\n\n\nIn 2019\, Spoon released Everything Hits At Once: The Best of Spoon\, which was praised by NPR as a “convincing argument for Spoon being one of their era’s most distinctive and excellent rock bands.” That same year\, Fender released the Britt Daniel Signature Telecaster Thinline as part of their artist signature electric guitar series – highlighting the enduring influence of Daniel’s precision-punk style that has helped fuel Spoon to become what the Guardian calls ‘one of the finest bands of their generation.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout FazerdazeIn a society where being strong and resilient is often held up like a badge of honour\, it’s much\, much harder to acknowledge when enough is enough – to accept when it’s time to let go. It’s a truth that New Zealand singer/producer/multi-instrumentalist Amelia Murray has spent years wrangling with\, but one whose story thankfully comes with an empowering punchline of personal reclamation in the form of ‘Break!’: her returning EP as Fazerdaze. \n\n\n\n“You can get so caught up in these false constructs of niceness and loyalty – these rigid societal constructs of what being a ‘good’ person’ is – but the best thing I did for myself was break free of that paradigm and ruthlessly start putting myself first\,” she begins. “This EP is a punctuation mark of that\, of being disruptive and severing from the false parts of myself.” \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/pixies-with-spoon-fazerdaze-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Indie,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250830T200000
DTEND;TZID=America/Denver:20250830T230000
DTSTAMP:20250818T171557Z
CREATED:20250818T171555Z
LAST-MODIFIED:20250818T171557Z
UID:10119615-1756584000-1756594800@missoulaunderground.com
SUMMARY:1st Annual Missoula Symphony on the River - Madman Across the Water / The Music of Elton John at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes the Missoula Symphony Orchestra for their 1st Annual Symphony on the River for a live concert performance featuring “Madman Across the Water: The Music of Elton John” at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, August 30\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes the Missoula Symphony Orchestra for their 1st Annual Symphony on the River for a live concert performance featuring “Madman Across the Water: The Music of Elton John” at KettleHouse Amphitheater in Bonner at 8:00 pm Saturday\, August 30. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission lawn\, reserved stadium seating\, general admission seated pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing information and policies can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Missoula Symphony OrchestraThe Missoula Symphony Orchestra and Chorale has delivered unique\, live symphonic and choral music to Western Montana since 1954. Locals and visitors of all ages and backgrounds attend our concerts\, from our first-time symphony goers to our dedicated sponsors and community members. \n\n\n\nNow\, under the leadership of our new Music Director\, Julia Tai\, we have expanded our offerings even more. Our outreach and education program continues to provide scholarships to University of Montana music students and educational activities in regional public schools. \n\n\n\nEvery staff member\, board member\, artistic director and musician plays a vital role in making the Missoula Symphony possible. Meet the people behind the powerful and memorable musical experiences we bring to Western Montana. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Jeans ‘n’ ClassicsPeter Brennan’s Jeans ‘n Classics has been a transformative force in orchestral music for over 27 years. By blending world-class rock musicians with symphonies\, the ensemble has revolutionized the orchestral experience\, helping orchestras reach a wider and more diverse audience. Jeans ‘n Classics’ innovative approach has engaged listeners across generations\, from 25 to 85 years old\, breathing new life into symphonic performances. \n\n\n\nAt its core\, Jeans ‘n Classics is a collective of accomplished musicians who are deeply connected to both the rock and orchestral worlds. Their goal is to nurture and expand symphonic audiences\, bringing in new fans while maintaining rich traditions. The band’s dynamic arrangements bring a fresh perspective to classic rock and pop albums\, offering reinterpretations that remain familiar yet distinctive\, setting each performance apart. \n\n\n\nWith nearly 1\,000 original orchestrations\, Jeans ‘n Classics has curated an impressive portfolio of 45 captivating productions\, collaborating with over 100 orchestras across North America. Their orchestrations have received global acclaim for their lush\, rock-infused arrangements that emphasize the orchestra’s rich tones while celebrating the energy of iconic rock songs. \n\n\n\nJeans ‘n Classics musicians are known for their exceptional professionalism and artistic finesse. Whether in rehearsal or on stage\, their skillful performances consistently deliver unforgettable live experiences. As the group continues to shape the landscape of symphonic rock\, its legacy of innovation and passion remains integral to the success and evolution of orchestral performances today. \n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/1st-annual-missoula-symphony-on-the-river-madman-across-the-water-the-music-of-elton-john-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:70s,80s,90s,Classic Rock,Covers,Music,Orchestra,Pop,Rock,Symphony
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250829T200000
DTEND;TZID=America/Denver:20250829T230000
DTSTAMP:20250828T124421Z
CREATED:20250818T165144Z
LAST-MODIFIED:20250828T124421Z
UID:10119614-1756497600-1756508400@missoulaunderground.com
SUMMARY:The Beach Boys at KettleHouse Amphitheater (RESCHEDULED to OCTOBER 5)
DESCRIPTION:Logjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, August 29 (RESCHEDULED to OCTOBER 5)\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\n\n\n\n\n*RESCHEDULED EVENT*\n\n\n\nDue to unforeseen circumstances\, The Beach Boys performance at the KettleHouse Amphitheater on Aug 29\, 2025 has been RESCHEDULED for Sunday\, October 05\, 2025. All originally purchased tickets will be honored at the rescheduled date. No exchanges necessary. Event details available here. \n\n\n\nIf you are unable to attend the rescheduled date\, refunds will be available until 5pm September 12\, 2025 by submitting a Refund Request Form. Refunds will not be available after the refund deadline. \n\n\n\nFor more information on box office hours and ticketing please visit https://logjampresents.com/ticketing/ \n\n\n\nAdditional questions regarding refunds and ticketing can be directed to boxoffice@logjampresents.com \n\n\n\nWe cannot thank you enough for your patience and support during this time. We’re all in this together. \n\n\n\nSincerely\, \n\n\n\nLogjam Presents \n\n\n\n\n\n\n\nLogjam Presents welcomes The Beach Boys for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, August 29. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved stadium seating\, general admission seated pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing information and policies can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout The Beach BoysYou can capsulize most pop music acts by reciting how many hits they’ve had and how many millions of albums they’ve sold. But these conventional measurements fall short when you’re assessing the impact of The Beach Boys. This band has birthed a torrent of hit singles and sold albums by the tens of millions. But its greater significance lies in the fact that The Beach Boys’ songs have forever changed the musical landscape\, profoundly influencing countless performing artists to follow. \n\n\n\nAt the helm of The Beach Boys is lead Singer & Critically acclaimed lyricist\,  Mike Love\, a founding member whose leadership has steered the band through decades of musical evolution. Grammy-winning songwriter Bruce Johnston joined The Beach Boys in 1965\, replacing Glenn Campbell\, who filled-in for Brian Wilson\, on vocals/bass\, when he retired from touring. Highly regarded in his field\, Johnston brought with him a wealth of experience from working with icons like Elton John and Pink Floyd\, The Byrds\, cementing his place among rock’s elite. \n\n\n\nThe current lineup\, including musical director Brian Eichenberger\, Christian Love\, Tim Bonhomme\, Jon Bolton\, Keith Hubacher\, Randy Leago\, and John Wedemeyer\, continues to honor and expand upon the band’s iconic Live performance legacy. This dedication is evident in their rigorous touring schedule\, with the band performing an average of 150 shows a year across a variety of venues worldwide. \n\n\n\nIn 2012\, The Beach Boys marked their 50th anniversary with a reunion tour and the release of “That’s Why God Made the Radio\,” which debuted at #3 on the Billboard charts\, their highest chart position in 37 years. This resurgence of interest highlighted the band’s continued relevance and their ability to resonate with both long-time fans and new listeners alike. \n\n\n\nTheir discography includes milestones like the triple platinum-certified Sounds of Summer and “The Warmth of the Sun\, which have contributed to a renewed interest in their music. Despite having numerous opportunities to retire at the height of their success\, such as after the release of the groundbreaking Pet Sounds masterpiece in 1966\, or after Mike Love’s concept album Endless Summer ignited a second generation of Beach Boys fans and stirred a tempest that rocked the music world\, or after recording Love’s co-written Golden Globe nominated “Kokomo” in 1988 and seeing it become its best-selling single ever\, or after being inducted that same year into the Rock & Roll Hall of Fame\, The Beach Boys have chosen to continue touring and sharing music with the world\, a testament to their commitment to their art and fans. \n\n\n\nThe Beach Boys celebrated the 50th anniversary of the hit “Good Vibrations” – which is widely considered one of the greatest masterpieces in the history of rock and roll – in 2016 with a 50 Years of Good Vibrations tour\, underscoring the song’s status as a rock and roll masterpiece. Mike Love’s memoir\, GOOD VIBRATIONS: My Life as a Beach Boy\, further cemented their place in music history by becoming a New York Times Best Seller. \n\n\n\nRecent years have seen the release of comprehensive box sets like Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971” and Sail On Sailor – 1972\, exploring in-depth the band’s transformative periods. These collections\, featuring a plethora of previously unreleased tracks\, showcase the band’s versatility and profound influence on the music industry. \n\n\n\nIn 2023\, The Beach Boys were celebrated in the CBS tribute special “Grammy Salute to the Beach Boys\,” featuring performances by a diverse array of artists including Beck\, Brandi Carlile\, Michael McDonald\, Pentatonix\, St. Vincent\, Weezer\, Norah Jones\, John Legend\, and Mumford & Sons among others. \n\n\n\nLooking ahead\, the band is set to debut their official book\, The Beach Boys by The Beach Boys\, in April 2024 via Gensis Publications.  Published in a limited edition of only 500 copies worldwide\, the book offers an intimate look at the band’s journey from a Hawthorne garage band to international stardom\, enriched with rare photographs and historical documents. \n\n\n\nThe Beach Boys have been a significant presence at major events\, including Live Aid and the Statue of Liberty’s 100th Anniversary Salute\, showcasing their unparalleled ability to captivate audiences. Mike Love’s contributions as a songwriter\, in collaboration with Brian Wilson\, have produced timeless hits like “Surfin’\,” “Fun\, Fun\, Fun\,” and “California Girls\,” “Warmth of the Sun\,” “Good Vibrations\,”  and long list of other titles highlighting his enduring talent. \n\n\n\nContinuing to engage his fans with new and innovative projects\, in 2020 Love released the single “This Too Shall Pass”  featuring John Stamos aimed at offering hope during the Covid-19 pandemic. In 2019\, he released “12 Sides of Summer\,” featuring a mix of original songs\, covers\, and new versions of Beach Boys hits including “Surfin\,” “Surfin’ Safari” and “It’s Ok\,” featuring Hanson. The song marked Love’s second recording with Hanson\, after previously collaborating on “Finally it’s Christmas” for Love’s 2018 holiday album\, Reason For The Season\, which also features vocals from Love’s children: Ambha\, Brian\, Christian\, and Hayleigh Love. In 2017\, Love released a special double album entitled Unleash the Love featuring 13 previously unreleased songs and 14 re-recordings of Beach Boys classics to positive acclaim. \n\n\n\nMike Love’s philanthropy extends his influence far beyond the musical stage\, demonstrating a deep commitment to giving back to the community.  A Grammy® winner and Rock and Roll Hall of Fame member\, Love has been at the forefront of numerous charitable efforts\, using his platform to support a wide range of causes. In 1990\, he responded to President George H. W. Bush’s call for service by founding StarServe\, an initiative aimed at motivating young people towards community service\, showcasing his early commitment to philanthropy. His philanthropic efforts were recognized when he and his wife Jacquelyne received the prestigious Points of Light Award\, highlighting his significant contributions to volunteer service and impacting lives across the globe. Through the Love Foundation\, Mike has supported initiatives focusing on education\, health\, environmental conservation\, and disaster relief\, showcasing a legacy of compassion and service alongside his storied musical career. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/the-beach-boys-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:60s,70s,Americana,Classic Rock,Music,Pop
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250822T200000
DTEND;TZID=America/Denver:20250822T230000
DTSTAMP:20250818T161447Z
CREATED:20250818T161446Z
LAST-MODIFIED:20250818T161447Z
UID:10119613-1755892800-1755903600@missoulaunderground.com
SUMMARY:An August Evening with Wilco at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Wilco for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, August 22\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Wilco for a live concert performance at KettleHouse Amphitheater in Bonner at 8:00 pm Friday\, August 22. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing information and policies can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout WilcoFor 30 years\, Wilco has been a pioneering force in independent music. The Chicago rock band has released 13 studio albums and won multiple Grammy Awards. They have founded their own record label\, dBpm Records\, and renowned Solid Sound festival. The sextet comprised of Jeff Tweedy\, John Stirratt\, Glenn Kotche\, Pat Sansone\, Nels Cline\, and Mikael Jorgensen—continues to be regarded as a live powerhouse\, as described by NPR\, “To see Wilco on stage is to hear the best of the best.” The band’s newest album\, Cousin\, was released in 2023\, followed by 2024’s Hot Sun Cool Shroud EP. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/an-august-evening-with-wilco-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Alt Rock,Alternative,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250821T190000
DTEND;TZID=America/Denver:20250821T230000
DTSTAMP:20250818T153549Z
CREATED:20250818T153547Z
LAST-MODIFIED:20250818T153549Z
UID:10119611-1755802800-1755817200@missoulaunderground.com
SUMMARY:Riley Green "Damn Country Music Tour" at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Riley Green for a live concert performance on his “Damn Country Music Tour” with Drake White\, Mike Ryan and Preston Cooper at KettleHouse Amphitheater in Bonner at 7:00 pm Thursday\, August 21\n\n\n\n\n\nDoors @ 5:30 pm \n\n\n\nLogjam Presents welcomes Riley Green for a live concert performance on his “Damn Country Music Tour” with Drake White\, Mike Ryan and Preston Cooper at KettleHouse Amphitheater in Bonner at 7:00 pm Thursday\, August 21. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission standing pit tickets\, reserved premium stadium tickets\, reserved stadium seating tickets\, and general admission lawn tickets are available. Shuttle and parking tickets for this event are also available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Riley GreenRiley Green has been compelling Country music fans to raise a drink\, shed a tear\, and\, above all\, celebrate where they are from\, since first releasing his self-titled EP in 2018 with Big Machine Label Group. His songs like the No. 1 PLATINUM hit “There Was This Girl\,” the 3X-PLATINUM-certified heart-tugger “I Wish Grandpas Never Died” (which he performed live at the 55th ACM Awards)\, and his chart-topping collab with Thomas Rhett\, “Half of Me\,” have made Riley synonymous with what Country music does best: making listeners feel something with his no-gimmick\, relatable writing and classic feel. \n\n\n\nAn avid sports fan\, former athlete (Jacksonville State University quarterback) and outdoorsman\, Riley is riding a wave of success after being named the Academy of Country Music’s 2020 New Male Artist of the Year\, a former MusicRow Breakout Artist of the Year\, a CMT “Listen Up Artist\,” and one of CRS’s 2020 New Faces. In 2023 Green served as direct support for Morgan Wallen and Luke Combs\, playing to an average of 65\,000 fans each night. Recently Green has wrapped his own headlining Ain’t My Last Rodeo tour\, bringing out Tracy Lawrence and Ella Langley with him. Combs joined Riley on his third No. 1 single “Different ‘Round Here (Ft. Luke Combs)\,” the title track to Riley’s 2019 debut album that he re-recorded with Combs after seeing how fans connected to it. \n\n\n\nHis forthcoming third studio album\, produced by Dann Huff\, will arrive on his birthday\, October 18 with more of the signature Riley Green fans have come to know and love from the good ol’ boy who still lives in his hometown of Jacksonville\, AL. Currently on an incredible hot streak\, Green’s well-earned confidence in his work shines through across the 18-track set with five of the tracks being solely written including standouts “Jesus Saves\,” “Worst Way” and the title track—which finds Green reuniting with his “you look like you love me” duet partner and recent tourmate Ella Langley. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Mike RyanMike Ryan is a San Antonio\, TX born singer/songwriter who has accumulated fans across the US and throughout the world with powerful\, whiskey smooth vocals and well-crafted lyrics. His thoughtful writing style evokes emotion and plants the audience inside his songs. Mike’s brand of country music\, infused with southern rock and soulful rhythms\, has generated over 105 million streams to date. Skillful with a writer’s pen\, and pure entertainment with a guitar\, Mike has secured a notable reputation among country music fans. \n\n\n\nHe has seen exceptional success on the Texas radio charts with five #1 songs to his credit thus far. His first #1 single\, “Dancing All Around It”\, was voted the 2014 Single of the Year by Texas Music Pickers. Additionally\, Mike has received national radio airplay from three different singles on Sirius/XM radio. In 2017\, Brad Paisley cut a song titled “Last Time for Everything” co-written by Ryan. Later\, Paisley laid down the lead guitar tracks on Mike’s eventual #1 song “The ReWrite”. Mike made his national TV debut in 2018 when he was invited to play the White House 4th of July celebration in Washington D.C. That same year\, Mike was named one of Pandora’s “Artists to Watch”. With a steady tour schedule and a rapidly growing fan base\, Mike Ryan is in high demand headlining venues across the country. Catch him now! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/riley-green-damn-country-music-tour-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Country,Country Music,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250820T200000
DTEND;TZID=America/Denver:20250820T230000
DTSTAMP:20250818T150557Z
CREATED:20250818T150555Z
LAST-MODIFIED:20250818T150557Z
UID:10119610-1755720000-1755730800@missoulaunderground.com
SUMMARY:Alabama Shakes 2025 Tour with Y La Bamba at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Alabama Shakes for two nights of live concert performances on their 2025 Tour with Y La Bamba at KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, August 19 and Wednesday\, August 20\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Alabama Shakes for two nights of live concert performances on their 2025 Tour with Y La Bamba at KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, August 19 and Wednesday\, August 20. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Alabama ShakesAfter an eight-year absence\, Alabama Shakes are poised to make their return announcing a 2025 Tour across the U.S. The Athens\, AL-raised band\, comprised of vocalist/guitarist Brittany Howard\, guitarist Heath Fogg\, and bassist Zac Cockrell exploded onto the scene in 2012 with their debut album Boys & Girls\, (ATO Records)\, which entered Billboard’s Independent Albums chart at No. 1. Boys & Girls earned the band multiple GRAMMY nominations and was hailed as one of the year’s best albums by numerous publications\, including Rolling Stone\, which also named lead single “Hold On” the #1 Best Song of 2012. Soon after its release\, the bandmates found themselves thrust into the global spotlight\, achieving such milestones as performing at the White House and on “Saturday Night Live.” \n\n\n\nThe band’s legacy continued to grow with the groundbreaking Sound & Color (ATO Records). Released 10 years ago\, the album debuted at No. 1 on the Billboard 200\, won GRAMMY Awards for Best Alternative Music Album and Best Engineered Album\, Non Classical. The first single\, “Don’t Wanna Fight\,” took honors in the Best Rock Performance and Best Rock Song categories. Sound & Color marked a profound evolution from Alabama Shakes’ debut album\, as The New York Times Magazine observed\, heralding the band’s “soul-stirring\, shape-shifting new sound.” Both Sound & Color and Boys & Girls were certified Platinum by the RIAA. \n\n\n\nThe Shakes’ Cockrell\, Fogg\, & Howard have also reunited in the studio promising new music to fans who have been eagerly awaiting their return. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Y La BambaTo declare one thematic narrative from Lucha\, Y La Bamba’s seventh album\, would be to chisel away a story within a story within a story into the illusion of something singular. \n\n\n\n“Lucha is a symbol of how hard it is for me to tackle healing\, live life\, and be present\,” Luz Elena Mendoza Ramos\, lead vocalist and producer of Y La Bamba\, says of the title behind the album which translates from Spanish to English as ‘fight’ and is also a nickname for Luz\, which means light. The album explores multiplicity—love\, queerness\, Mexican American and Chicanx identity\, family\, intimacy\, yearning\, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist. \n\n\n\nLucha was born out of isolation at the advent of COVID-19 lockdowns\, beginning with a cover of Hank Williams’ “I’m So Lonesome I Could Cry\,” and following Mendoza Ramos as she moved from Portland\, Oregon to Mexico City\, returning to her parents’ home country while revisiting a lineage marred by violence and silence\, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects “another tier of facing vulnerability\,” as Mendoza Ramos explains\, and is a battle cry to fight in order to be seen and to be accepted\, if not celebrated\, in every form—anger and compassion\, externally and internally\, individually and societally. As much as la lucha is about inner work\, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized. \n\n\n\nWhile peeling back layers of the past to better understand the present has been integral to this period of growth for Mendoza Ramos\, time\, trauma\, and history can feel like interconnected\, abysmal loops and music has remained a trusted space for Mendoza Ramos to process\, experiment\, and channel her learnings into a creative practice. In this way\, Lucha has become cyclical\, documenting the parallel trust Mendoza Ramos has built with herself to allow the songs to guide how they should be sung\, or even sound. \n\n\n\n“I’ve been wanting to let whatever feels natural—with rhythm and musical instruments like congas and singing—to just let it be\, in the way that I’m trying to invoke in myself.” Lucha reflects on\, “the continuing process of learning how to exercise my producing skills\,” explains Mendoza Ramos. “I have so many words\, ideas to work with all the time\, and the hardest part for me has been learning to trust my gut. And figuring out how I work best\, and with who.” \n\n\n\nThe result is a collection as sonically sprawling and bold as its subject matter. On “La Lluvia de Guadalajara\,” Y La Bamba leans into a minimal\, avant-garde soundscape as Mendoza Ramos recites a spoken word poem. Later\, rhythms veer into bossa nova territory on “Hues ft. Devendra Banhart\,” a full-circle collaboration for Mendoza Ramos as she reminisces on the significance of finding Banhart’s work nearly two decades earlier: “He was the first young Spanish-speaking musician that wasn’t playing traditional Mexican music I heard when I was 21. There was nothing like it around that time.” \n\n\n\n“Nunca” is a warm\, wind-rich track dedicated to her mother\, Maria Elena Ramos whose poetry is published alongside the Lucha lyrics booklet. “I decided to put my mom’s poem\, which is a poem that she wrote to me\, letting me know how she felt\, exploring her heart in new ways she’s never imagined. Sharing it on the record is me paying attention that she’s expressing herself.” \n\n\n\nWhile each song holds personal significance to Mendoza Ramos\, part of growing into her identity as an artist has been allowing space for protection and boundaries\, and choosing to withhold some of that meaning from the public. Lucha is her own story of the complexity of trauma and nonlinear healing and growth processes\, but she imagines it is also the continuation of her ancestors’ stories and might also be a mirror to the story of others. “Even though I’m trying to fight\, I never want to demonize suffering\, because that’s part of growing. And it’s hard\, because we’re living in times where that [stigma] is what’s happening. So if this—me talking about my mental health and finding healing in my queerness—is a risk\, I hope that I find a community that protects it and protects me\, because they know I have their back. I am also trying to be my mom’s community.” \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/alabama-shakes-2025-tour-with-y-la-bamba-at-kettlehouse-amphitheater/2025-08-20/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,Rock,Rock & Roll
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250819T200000
DTEND;TZID=America/Denver:20250819T230000
DTSTAMP:20250818T150557Z
CREATED:20250818T150555Z
LAST-MODIFIED:20250818T150557Z
UID:10119609-1755633600-1755644400@missoulaunderground.com
SUMMARY:Alabama Shakes 2025 Tour with Y La Bamba at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Alabama Shakes for two nights of live concert performances on their 2025 Tour with Y La Bamba at KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, August 19 and Wednesday\, August 20\n\n\n\n\n\nDoors @ 6:30 pm \n\n\n\nLogjam Presents welcomes Alabama Shakes for two nights of live concert performances on their 2025 Tour with Y La Bamba at KettleHouse Amphitheater in Bonner at 8:00 pm Tuesday\, August 19 and Wednesday\, August 20. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General Admission lawn\, reserved premium stadium seating\, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Alabama ShakesAfter an eight-year absence\, Alabama Shakes are poised to make their return announcing a 2025 Tour across the U.S. The Athens\, AL-raised band\, comprised of vocalist/guitarist Brittany Howard\, guitarist Heath Fogg\, and bassist Zac Cockrell exploded onto the scene in 2012 with their debut album Boys & Girls\, (ATO Records)\, which entered Billboard’s Independent Albums chart at No. 1. Boys & Girls earned the band multiple GRAMMY nominations and was hailed as one of the year’s best albums by numerous publications\, including Rolling Stone\, which also named lead single “Hold On” the #1 Best Song of 2012. Soon after its release\, the bandmates found themselves thrust into the global spotlight\, achieving such milestones as performing at the White House and on “Saturday Night Live.” \n\n\n\nThe band’s legacy continued to grow with the groundbreaking Sound & Color (ATO Records). Released 10 years ago\, the album debuted at No. 1 on the Billboard 200\, won GRAMMY Awards for Best Alternative Music Album and Best Engineered Album\, Non Classical. The first single\, “Don’t Wanna Fight\,” took honors in the Best Rock Performance and Best Rock Song categories. Sound & Color marked a profound evolution from Alabama Shakes’ debut album\, as The New York Times Magazine observed\, heralding the band’s “soul-stirring\, shape-shifting new sound.” Both Sound & Color and Boys & Girls were certified Platinum by the RIAA. \n\n\n\nThe Shakes’ Cockrell\, Fogg\, & Howard have also reunited in the studio promising new music to fans who have been eagerly awaiting their return. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Y La BambaTo declare one thematic narrative from Lucha\, Y La Bamba’s seventh album\, would be to chisel away a story within a story within a story into the illusion of something singular. \n\n\n\n“Lucha is a symbol of how hard it is for me to tackle healing\, live life\, and be present\,” Luz Elena Mendoza Ramos\, lead vocalist and producer of Y La Bamba\, says of the title behind the album which translates from Spanish to English as ‘fight’ and is also a nickname for Luz\, which means light. The album explores multiplicity—love\, queerness\, Mexican American and Chicanx identity\, family\, intimacy\, yearning\, loneliness—and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist. \n\n\n\nLucha was born out of isolation at the advent of COVID-19 lockdowns\, beginning with a cover of Hank Williams’ “I’m So Lonesome I Could Cry\,” and following Mendoza Ramos as she moved from Portland\, Oregon to Mexico City\, returning to her parents’ home country while revisiting a lineage marred by violence and silence\, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects “another tier of facing vulnerability\,” as Mendoza Ramos explains\, and is a battle cry to fight in order to be seen and to be accepted\, if not celebrated\, in every form—anger and compassion\, externally and internally\, individually and societally. As much as la lucha is about inner work\, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized. \n\n\n\nWhile peeling back layers of the past to better understand the present has been integral to this period of growth for Mendoza Ramos\, time\, trauma\, and history can feel like interconnected\, abysmal loops and music has remained a trusted space for Mendoza Ramos to process\, experiment\, and channel her learnings into a creative practice. In this way\, Lucha has become cyclical\, documenting the parallel trust Mendoza Ramos has built with herself to allow the songs to guide how they should be sung\, or even sound. \n\n\n\n“I’ve been wanting to let whatever feels natural—with rhythm and musical instruments like congas and singing—to just let it be\, in the way that I’m trying to invoke in myself.” Lucha reflects on\, “the continuing process of learning how to exercise my producing skills\,” explains Mendoza Ramos. “I have so many words\, ideas to work with all the time\, and the hardest part for me has been learning to trust my gut. And figuring out how I work best\, and with who.” \n\n\n\nThe result is a collection as sonically sprawling and bold as its subject matter. On “La Lluvia de Guadalajara\,” Y La Bamba leans into a minimal\, avant-garde soundscape as Mendoza Ramos recites a spoken word poem. Later\, rhythms veer into bossa nova territory on “Hues ft. Devendra Banhart\,” a full-circle collaboration for Mendoza Ramos as she reminisces on the significance of finding Banhart’s work nearly two decades earlier: “He was the first young Spanish-speaking musician that wasn’t playing traditional Mexican music I heard when I was 21. There was nothing like it around that time.” \n\n\n\n“Nunca” is a warm\, wind-rich track dedicated to her mother\, Maria Elena Ramos whose poetry is published alongside the Lucha lyrics booklet. “I decided to put my mom’s poem\, which is a poem that she wrote to me\, letting me know how she felt\, exploring her heart in new ways she’s never imagined. Sharing it on the record is me paying attention that she’s expressing herself.” \n\n\n\nWhile each song holds personal significance to Mendoza Ramos\, part of growing into her identity as an artist has been allowing space for protection and boundaries\, and choosing to withhold some of that meaning from the public. Lucha is her own story of the complexity of trauma and nonlinear healing and growth processes\, but she imagines it is also the continuation of her ancestors’ stories and might also be a mirror to the story of others. “Even though I’m trying to fight\, I never want to demonize suffering\, because that’s part of growing. And it’s hard\, because we’re living in times where that [stigma] is what’s happening. So if this—me talking about my mental health and finding healing in my queerness—is a risk\, I hope that I find a community that protects it and protects me\, because they know I have their back. I am also trying to be my mom’s community.” \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/alabama-shakes-2025-tour-with-y-la-bamba-at-kettlehouse-amphitheater/2025-08-19/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music,Rock,Rock & Roll
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250813T200000
DTEND;TZID=America/Denver:20250813T233000
DTSTAMP:20250807T012605Z
CREATED:20250807T012604Z
LAST-MODIFIED:20250807T012605Z
UID:10118691-1755115200-1755127800@missoulaunderground.com
SUMMARY:Rainbow Kitten Surprise with Medium Build at KettleHouse Amphitheater
DESCRIPTION:Logjam Presents welcomes Rainbow Kitten Surprise for a live concert performance with Medium Build on the Thanks for Coming Tour at the KettleHouse Amphitheater in Bonner on Wednesday\, August 13\n\n\n\n\n\nLogjam Presents welcomes Rainbow Kitten Surprise for a live concert performance with Medium Build on the Thanks for Coming Tour at the KettleHouse Amphitheater in Bonner on Wednesday\, August 13. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing pit\, reserved premium stadium seating\, reserved stadium seating\, general admission lawn and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome. \n\n\n\nAvailable Ticket Types: \n\n\n\nGeneral Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage. \n\n\n\nReserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater. \n\n\n\nReserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater. \n\n\n\nGeneral Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section. \n\n\n\nPremium Box Seating: Premium Boxes are sold in bundles of two tickets and located in the private box area between the Reserved Stadium Seating the General Admission Lawn. These tickets include one parking pass or two shuttle passes\, a separate entrance for expedited venue entry\, and a dedicated cocktail server offering an expanded menu in addition to concessions. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n*Rainbow Kitten Surprise has partnered with PLUS1 so that $1 per ticket goes towards supporting organizations providing mental health treatment and access to care for the LGBTQ+ community.* \n\n\n\nAll concerts are held rain or shine. Be prepared for extremes such as sunshine\, heat\, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather\, tickets will not be refunded. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Rainbow Kitten SurpriseAs if channeling another dimension where genres simply don’t exist\, Rainbow Kitten Surprise finds harmony in unpredictability – weaving together lyrical poetry\, hummable melodies\, and a rush of instrumental eccentricities. Now boasting over 2 billion global streams across platforms\, the band first began building their devoted fanbase with independent albums SEVEN + MARY(2013) and RKS (2015). In May 2024\, Rainbow Kitten Surprise released their first album in six years\, LOVE HATE MUSIC BOX. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and lead singer Ela Melo\, the record is the band’s most vulnerable project yet\, and has been met with critical praise from Billboard\, Consequence\, Paste\, and more. LOVE HATE MUSIC BOX follows the band’s breakout full-length debut for Elektra\, HOW TO: FRIEND\, LOVE\, FREEFALL\, which arrived in April 2018. Produced by GRAMMY® Award-winner Jay Joyce (Cage The Elephant\, Lainey Wilson)\, the album featured RIAA-certified Platinum single “It’s Called: Freefall\,” earned widespread praise from Billboard\, TIME\, Vice\, and NPR\, and saw the band make several national television appearances\, including performances on “CBS Saturday Morning\,” “The Late Show with Stephen Colbert\,” and PBS’s “Austin City Limits.” After gracing the bills of Bonnaroo\, Lollapalooza\, and Osheaga\, to name a few\, RKS moved 80\,000 tickets of their own on the sold-out 2018/2019 Friend\, Love\, Freefall Tour. \n\n\n\nFollowing a sold-out run of underplay shows in May\, Rainbow Kitten Surprise returned to the road this fall for the LOVE HATE MUSIC BOX Tour\, which notably marked their largest tour to date. The 35-show run included multiple arena headline dates\, a stop at Radio City Music Hall in New York\, and two nights at the iconic Hollywood Palladium in Los Angeles. \n\n\n\nRainbow Kitten Surprise is: Ela Melo (lead vocals)\, Darrick “Bozzy” Keller (guitar\, vocals)\, Ethan Goodpaster (lead guitar\, vocals)\, Jess Haney (drums). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Medium Build \n\n\n\nAs a musician with a nomadic lifestyle\, Nick Carpenter often enters spaces as a stranger and leaves with lifelong friends. The creator of Medium Build possesses a connective charisma that shows in his songs and performances—which can seem like equal parts concerts\, testimony\, and stand-up comedy. That gift and yearning for connection has been amplified during a transformative season for Nick. In 2023\, Medium Build signed with slowplay / Island Records\, toured with Lewis Capaldi\, and reached the Billboard charts for the first time collaborating with X Ambassadors. Life was pulling Carpenter away from his home\, dog\, and sense of belonging in Anchorage to Nashville. Nick spent his drives looking\, listening\, and reflecting. This inner and outer journey led to Country\, the thematic album draws from Carpenter’s roots as much as it considers his future—while exploring genre. His music is as vast and unique as his backstory\, but “if you slow all of my songs down\, they’re just three-cord bummer Country tunes\,” he admits. Evident in the video single “Cutting Thru The Country\,” this collection packs for a trip that explores wide open spaces\, musical frontiers\, and oneself.Medium Build began as the name Nick Carpenter attached to four-track recordings a decade ago. The storyteller applied aspects of a middle-class church-going Georgia childhood and a Tennessee education to truths learned along the way—ultimately delivering the queer extrovert to find a community in Alaska. There is duality and dichotomy in Medium Build’s life and music—but it is drenched in authenticity. The music has endured\, resonated\, and connected with a growing base. “Now I’m realizing that my career can last longer than five seconds and I can kind of just breathe and show one thing at a time\,” Nick shares. His dynamic catalog mirrors the people who have shown up in his corner: Elton John\, Boygenius\, John Mayer\, and Noah Kahan\, to name a few. 2019’s somber and synth-tinged “Be Your Boy” and 2022’s therapeutic “Never Learned To Dance” are fan favorites amid the kaleidoscope of sounds and moods. Country seems much more focused\, even if birthed by uncertainty.Now in his thirties\, Nick says he only recently learned about his father’s poor rural South Carolina upbringing. As a result\, Country music was something Nick’s dad covered up—along with the poverty and corresponding shame of his past. “I had no sense of identity as far as place\,” the artist admits. Lately\, the father and son began talking about the past and sharing Country tunes—exchanging culture and heritage. As an understanding of his DNA developed\, perhaps the twang and American in Medium Build’s songs stood out. However\, his Country is something unsurprisingly personal. “It feels self-soothing\,” Nick says of the opener\, “Beach Chair\,” which is a love letter to self in a time of need. “Crying Over U” is deeply specific but conjures emotions in us all—when confronted by closure and what remains in the rearview.Written on the road\, Country was fittingly recorded on Nashville’s Music Row. Carpenter and creative partner Jake LiBassi\, aka Laiko\, embraced experimentation. “We made the album we wanted to make\,” he says joyfully and confidently. “It’s so easy to get back in touch with yourself if you can throw off the heavy cloak of duty and just do something that feels good.” At a time when people take the same photo a dozen times in search of a curated aesthetic\, Medium Build captures the snapshot. The lyrics and the spirit of Country embrace both wandering and wondering. “I want this to feel lived-in\,” Nick says. “It’s sort of me finding a defined place.” \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/rainbow-kitten-surprise-with-medium-build-at-kettlehouse-amphitheater/
LOCATION:KettleHouse Amphitheater\, 605 Cold Smoke Lane\, Bonner\, MT\, 59823\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2020/04/Kettlehouse-Ampitheater-concert-Photo-jpg.jpg
END:VEVENT
END:VCALENDAR