BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Missoula Underground - ECPv6.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:The Missoula Underground
X-ORIGINAL-URL:https://missoulaunderground.com
X-WR-CALDESC:Events for The Missoula Underground
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20250309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20251102T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20260308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20261101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20270314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20271107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T200000
DTEND;TZID=America/Denver:20260623T230000
DTSTAMP:20260617T040220Z
CREATED:20260616T234026Z
LAST-MODIFIED:20260617T040220Z
UID:10141579-1782244800-1782255600@missoulaunderground.com
SUMMARY:Watchhouse w/ Two Runner at The Wilma
DESCRIPTION:Logjam Presents welcomes Watchhouse for a live concert performance with Two Runner opening at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, June 23\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Watchhouse for a live concert performance with Two Runner opening at The Wilma in Downtown Missoula at 8:00 pm Tuesday\, June 23. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor / standard balcony and reserved premium balcony seating tickets are available. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout WatchhouseWatchhouse\, the North Carolina based duo of Andrew Marlin & Emily Frantz\, have announced a new studio album called Rituals\, due out May 30\, 2025 via Tiptoe Tiger Music / Thirty Tigers. The collection marks the pair’s first release of all new\, original songs since their 2021 self-titled album\, which earned praise from Rolling Stone (“pristine acoustic picking collides with hazy\, dream-like psychedelia”) Mojo\, NPR Music\, American Songwriter and more. \n\n\n\nStarting over a decade ago playing coffee shops and local restaurants around North Carolina\, Watchhouse is a grassroots success story that’s been driven by Marlin’s poignant songwriting. With sold-out shows at legendary venues like Red Rocks and the Ryman Auditorium\, and hundreds of millions of streams\, they’ve earned a reputation for creating music that “redefines roots music for a younger generation” (Washington Post). The duo – now with a family of their own – are two singers and musicians with profound chemistry\, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries\, existential heartbreak\, and communal joys of modern life. The forthcoming album is no exception. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Two RunnerTwo Runner was formed in the fall of 2020 when neighbors Paige Anderson & Emilie Rose became friends and started playing music together. The duo quickly garnered national attention after being featured on GemsOnVHS. They have toured extensively for the last five years alongside celebrated acts such as Sierra Ferrel\, Nick Shoulders\, Watchhouse\, and many others. \n\n\n\nAnderson\, no stranger to the road\, grew up in a touring family bluegrass band. After joining Chuck Ragan’s “Revival Tour” as a teenager\, she discovered the power of raw\, honest songwriting and took it to heart. \n\n\n\nTheir debut album\, Gar Hole Records release\, “Modern Cowboy” was met with national acclaim\, as well as their premiere “Late Dinner”. \n\n\n\nIn 2025 the band grew to include multi-instrumentalist Lucas Lawson to accommodate the band’s ever evolving and innovating sound. \n\n\n\nTheir second full-length album will be released on Gar Hole Records in Summer 2026. \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/watchhouse-w-two-runner-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Acoustic,Bluegrass,Music,Roots
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T200000
DTEND;TZID=America/Denver:20260624T230000
DTSTAMP:20260617T022923Z
CREATED:20260617T022921Z
LAST-MODIFIED:20260617T022923Z
UID:10141581-1782331200-1782342000@missoulaunderground.com
SUMMARY:The Crane Wives - Act II w/ special guest Yasmin Williams at The Wilma
DESCRIPTION:Logjam Presents welcomes The Crane Wives for a live concert performance with special guest Yasmin Williams at The Wilma in Downtown Missoula at 8:00 pm Wednesday\, June 24\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes The Crane Wives for a live concert performance with special guest Yasmin Williams at The Wilma on Wednesday\, June 24. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n—– \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndie-folk band The Crane Wives perform at The Wilma on June 24\, with special guest Yasmin Williams. \n\n\n\nEmerging from the 2010s folk revival and steadily pushing into a bolder\, rock-leaning direction\, The Crane Wives are known for high-energy live shows and emotionally honest songwriting. Fan-favorite tracks like “Curses\,” “Tongues & Teeth\,” and “The Moon Will Sing” showcase their signature blend of vulnerability and drive. \n\n\n\nThe band has built a massive global audience\, racking up hundreds of millions of streams and selling out rooms across the U.S. and beyond. Their latest album\, Beyond Beyond Beyond\, marks a grittier chapter in their evolution\, featuring standout songs like “The Well” and “Scars” while highlighting their continued growth. \n\n\n\nWith over a decade of touring experience and hundreds of shows under their belt\, The Crane Wives have shared stages with artists like The Avett Brothers\, Lake Street Dive\, and The Dead South\, bringing a seasoned\, electric presence wherever they play. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Yasmin WilliamsWhen guitarist and composer Yasmin Williams sits down to compose music\, she doesn’t scour her subconscious for unheard melodies or clever chord progressions. Instead\, she goes granular—fixating on a single note. She’ll play it over and over\, sustaining it\, varying the attack or the release to change its essence\, eventually adding notes to form chords. \n\n\n\nShe has a name for this. She calls it “ruminating” and describes it as a key part of her writing. “I’ve learned a little about how to sit with a note\, and to give things time\,” the Virginia native says. “You find some tiny idea and just play it over and over again until something else pops up … You have to trust that sometimes a note will take you to where it wants to go next.” \n\n\n\nThis intuitive process led Williams to the breathtakingly tactile and rivetingly understated Acadia\, her Nonesuch debut. Its nine original songs expand\, dramatically\, on the sonic space Williams created with her acclaimed 2021 album\, Urban Driftwood. In addition to the crisp fingerpicked guitar that helped establish her as a fast-rising star of instrumental folk\, Williams plays kora\, harp guitar\, banjo\, and electric guitar and bass—all with authority. And where her two previous records have been mostly solo\, Acadia finds Williams collaborating with artists across a wide stylistic range\, including the vocalist Aoife O’Donovan\, violinist Darian Donovan Thomas\, the folk quartet Darlingside\, synthesist Rich Ruth\, and jazz alto saxophonist Immanuel Wilkins. \n\n\n\nWilliams needed these ninjas to help her execute the simultaneously detailed and open-ended music she envisioned. Though her Acadia songs evoke sloping hills and rustic ambles\, they’re not folksy folk: Many are structured as complex suites and are notable for sudden shifts of mood\, spontaneous re-harmonizations\, and the extended mounting- tension ramp-ups common in progressive rock. Williams organized Acadia in three sections: The opening set of songs evokes the wily exuberance of old-time music\, then gently stretches its conventions; the second explores lush\, layered textures and zones of vast atmospheric ambience; the third\, which introduces electric guitar(s) and drums\, has an experimental\, improvisational spirit. She wrote the songs while touring\, and that’s audible: This music has a breathless\, world-in-motion sweep to it. It’s alive with wanderlust—specifically\, that elevated-awareness feeling of journeying when you don’t know exactly where you’re going. \n\n\n\nThat openness is something Williams says she longed for during the extended Urban Driftwood tour. “I used to really love the verse-chorus-bridge structures of folk songs\,” Williams says. “A lot of my earlier music is organized that way\, which I call ‘quick tunes’ and I still love playing.” After doing that a lot\, she says\, she longed for a more experimental ethos. She’s grown “more comfortable with letting things stretch out. I don’t feel like I need to maintain absolute control over the structure. For me\, music is now more about flexibility than it ever has been before.” \n\n\n\nThat could be an unexpected side benefit from the touring she’s done since 2021: The road throws surprises at every turn\, and how an artist responds can be telling. Williams mentions working on a new song the night before her first performance at the Newport Folk Festival. She didn’t finish the song\, which is called “Cliffwalk\,” but on the golfcart ride to the stage psyched herself up to perform it anyway; she’s since worked her improvisation from that day into the arrangement. \n\n\n\nWilliams has similar stories of spontaneous serendipity about nearly every Acadia track. She mentions “Harvest\,” which was conceived as a duet with the pathfinding acoustic guitarist Kaki King. Listening back to the final take\, Williams kept hearing another sound\, particularly in the middle section where harmonic artifacts from the two guitars intertwine in haunting ways. She invited the violinist Darian Donovan Thomas to the studio and shared her idea; literally twenty minutes later\, Williams recalls\, “Harvest” was transformed\, its middle section blossoming into a divinely inspired array of overlapping halo tones. “He figured out the world of that tune really quickly\, and just lived in that world.” \n\n\n\nWilliams’ calm\, gorgeously consonant music inspires this type of alchemy. Songs like “Sisters” and “Virga” seem to float across scenery in suspended animation\, as though propelled by placid mountain breezes. These pieces are centered around long-held consonant tones; they could easily have grown from those single-note explorations Williams uses as a composition prompt. \n\n\n\n“My fourteen-or fifteen-year-old brain told me: ‘We should let the notes ring out for as long as possible as often as we can\,’” Williams says about her penchant for grand sustained guitar sounds. In high school\, she played guitar for five or six hours a day—more time than she devoted to her first instrument\, the clarinet—and much of that was spent exploring ways to massage and sustain tone. “It just sounded better to me to do that\,” Williams says. “Still does. It requires a lot of practice\, getting hands in the right place … But I love when notes ring out. I love it when notes have time to develop\, in my music and the music I listen to.” \n\n\n\nWilliams doubts that listeners would notice if she one day stopped letting her notes ring out. But it matters to her. And her attention to such a small element of music reveals something essential about Yasmin Williams: She might seem to be way up in the upper atmosphere conjuring ethereal sounds\, but at the same time she’s in the engine room\, tweaking the small details of performance\, using often-overlooked elements of craft to underscore and amplify her compositions. \n\n\n\nThere are only so many ways for fingers to engage with the strings of a guitar\, and most of them are evident on Acadia: Williams pounds the strings\, conjures dense chords with a shredder’s lust for dissonance\, dances through intricate scampering leads (“Dream Lake”)\, chops out syncopated patterns with mechanistic precision\, arpeggiates with a feathery grace. And then\, when it’s time to pare things back to an essence\, she’ll lean into a note and hold it for a good long while\, to see what it has to offer. \n\n\n\n“I was taught to be picky about stuff like articulation\,” Williams says with a laugh. “I guess I learned it. Honestly\, this is the stuff that’s really important to me—the little things. They might go over people’s heads a little bit. They go over my head sometimes. That’s OK\, because they become part of the songs.” \n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/the-crane-wives-act-ii-w-special-guest-yasmin-williams-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:Bluegrass,Music
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T200000
DTEND;TZID=America/Denver:20260627T230000
DTSTAMP:20260617T032503Z
CREATED:20260617T032501Z
LAST-MODIFIED:20260617T032503Z
UID:10141582-1782590400-1782601200@missoulaunderground.com
SUMMARY:Terrapin Flyer - Wave That Flag Summer Tour at The Wilma
DESCRIPTION:Logjam Presents welcomes Terrapin Flyer for a live concert performance on their Wave That Flag Summer Tour at The Wilma in Downtown Missoula at 8:00 pm Saturday\, June 27\n\n\n\n\n\nDoors @ 7:00 pm \n\n\n\nLogjam Presents welcomes Terrapin Flyer for a live concert performance on their Wave That Flag Summer Tour at The Wilma in Downtown Missoula at 8:00 pm Saturday\, June 27. \n\n\n\nTickets on sale at Logjam Presents Box Offices and online while supplies last. All tickets are general admission standing room only. All ages are welcome. \n\n\n\nTake a look at these tips to best prepare yourself for a smooth ticket buying experience. \n\n\n\nAdditional ticketing and venue information can be found here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Terrapin FlyerFor the past 25 years Terrapin Flyer has been touring with the finest in the Grateful Dead community of musicians and has become a fixture of the national music scene\, playing regularly at venues around the country and appearing at music festivals. The band has a dedicated following among fans of the Grateful Dead and other jam bands\, and is known for their authentic interpretations of rare and classic Dead songs. Over the years\, Terrapin Flyer has toured with many notable musicians\, including Melvin Seals from the Jerry Garcia Band\, Vince Welnick\, Tom Constanten from the Grateful Dead and many other Dead-related musicians. Overall\, Terrapin Flyer is a talented and highly regarded band that has made a significant impact on the national music scene. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n	Related
URL:https://missoulaunderground.com/mugevent/terrapin-flyer-wave-that-flag-summer-tour-at-the-wilma/
LOCATION:The Wilma Theater\, 131 Higgins Avenue\, Missoula\, Montana\, 59802\, United States
CATEGORIES:60s,70s,Americana,Classic Rock,Cover Bands,Jam,Music,Tribute Bands
ATTACH;FMTTYPE=image/jpeg:https://missoulaunderground.com/wp-content/uploads/2021/05/Wilma.jpg
END:VEVENT
END:VCALENDAR