Avett Brothers with Shane Smith and The Saints at KettleHouse Amphitheater

Logjam Presents welcomes Avett Brothers for a live concert performance with Shane Smith and the Saints at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday, July 19.

Tickets on sale at Logjam Presents Box Offices and online while supplies last.  General admission lawn, reserved stadium seating, reserved premium stadium seating, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome.

Available Ticket Types:

General Admission Lawn: General Admission Lawn tickets allow access to the upper lawn section of the amphitheater located above the reserved stadium seating section.

Reserved Stadium Seating: Reserved Stadium Seating tickets allow access to the seating section located behind the main pit of the amphitheater.

Reserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater.

General Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage.

Premium Box Seating: Experience the best seats in the house with reserved box seating in a prime location, offering unmatched audio quality, crowd-free viewing, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing and venue information can be found here.

All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather, tickets will not be refunded.

About The Avett Brothers
Four-time GRAMMY Award nominees The Avett Brothers made mainstream waves with their critically acclaimed 2009 major label debut, I and Love and You. In 2012, The Carpenter hit #4 on the Billboard 200, followed by Magpie and the Dandelion in 2013, which debuted at #5 on the Billboard 200. The 2017 documentary May It Last: A Portrait of The Avett Brothers (co-directed by Judd Apatow and Michael Bonfiglio) chronicles the process of writing 2016’s True Sadness, which debuted at #1 on Billboard’s Top Albums, #1 on Rock Albums, #3 on the Billboard 200, and scored two Grammy nominations. The film was released theatrically and on HBO to rave reviews and is available on DVD/BluRay/VOD. In 2019, the band released their tenth studio album Closer Than = Together featuring the single “High Steppin’” which reached #1 on the Americana Radio Singles Chart. The Third Gleam came out amidst the COVID-19 pandemic and debuted at #1 on Billboard’s Americana/Folk Albums, #1 Rock Albums, #1 Vinyl Albums, and the single “Victory” hit #1 on the Americana Radio Singles Chart. This year saw the release of The Avett Brothers, an album that is as much untitled as it is self-titled: a collection of songs that revealed themselves naturally over time. Swept Away – a musical inspired by & featuring the music of The Avett Brothers – recently debuted on Broadway. The Avett Brothers have been inducted into the North Carolina Music Hall of Fame and have earned a Lifetime Achievement Award from the Americana Music Association. They are currently on tour throughout the U.S.

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About Shane Smith and The Saints

“It ain’t black or white, babe; it’s all the greys between,” Shane Smith sings in “The Greys Between,” the first single from Norther. On the surface, it’s a cinematic love song about a relationship’s twists and turns, punctuated by slide guitar, Appalachian fiddle, and sharp storytelling. Take a deeper listen to Shane Smith and the Saints’ fourth studio album, though, and those words also sound like the motto of a band that’s spent the past decade blurring the lines between genres.

Norther is anything but monochromatic. Written and recorded during breaks in the band’s touring schedule, the album captures Shane Smith and the Saints at their most colorful, offering up a hard-hitting version of American roots music that’s influenced by country, folk, and roadhouse rock & roll. It’s a sound that’s been shaped by the road, where the Saints spent the past decade on tour, building a cult audience with each gig. Those years of raw, redemptive performances are now paying off — not only with headlining concerts at bucket-list venues like Red Rocks Amphitheater (which the group sold out in 36 hours) and the Ryman Auditorium, but also with an appearance on the hit TV show Yellowstone, where the Saints premiered Norther‘s final track, “Fire in the Ocean,” with an onscreen performance.

“If you spend 10 years playing dive bars and small clubs almost every single night, and you go to the merch booth after every show and hang out with the fans until the staff literally kicks you out, you get to turn those fans into friends,” says Smith, who grew up in Terrell, Texas, before launching his band in Austin. “That’s how we built this thing. We’ve done as many as 240 shows in a single year. We’ve worked so hard to get there, and that hard work has created a beautiful, meaningful audience.”

Beautiful, indeed. Named after the northern winds that blow across Texas during the winter, Norther begins with the haunting “Book of Joe.” Bennett Brown’s fiddle gives the song plenty of orchestral atmosphere, Dustin Schaefer’s electric guitar adds anthemic punch, and Zach Stover’s percussion — which builds toward a pummeling finish, locking in with Chase Satterwhite’s bass along the way — rolls like thunder. At the center of that sound is Smith’s voice: a husky baritone that’s been textured by countless gigs in smoky bars and loud dance halls. It’s a gorgeously raw instrument, caught halfway between tender and tough, and it’s there — somewhere in the middle — that the Saints shine their brightest.

“When you’re in a band like ours, everyone gets their turn to play their music in the van,” Smith explains. “Bennett grew up listening to Appalachian and Celtic-inspired folk and bluegrass music, and you can hear that in the way he plays fiddle. Dustin grew up loving classic rock. When I met my wife, she introduced me to music like Arcade Fire, Alberta Cross, and First Aid Kit — bands that I’d categorize as cinematic folk or cinematic indie-rock — and that had a massive impact on my writing, too. Everybody in this band has their own influences, and we’ve spent years together, letting our sound evolve into something really unique.”

That sound began evolving onstage. Thanks to early albums like 2013’s Coast and 2015’s Geronimo, Shane Smith and the Saints became a popular act in Austin, regularly cutting their teeth with marathon gigs at venues like The Stage On Sixth. “We’d do four-hour sets, sometimes back-to-back, meaning we’d be onstage for eight hours,” Smith remembers. “It taught us to grow tighter as a band, experiment with our sound, and find our identity.”

Released in 2019, Hail Mary introduced the band’s current lineup, as well as a heavier sound that separated the Saints from other Texas acts. It wasn’t rock & roll. It wasn’t country, either. It was everything that connected those genres, glued together by the camaraderie of a road-tested band that built its audience the old-school way: by hitting the stage and winning over the crowd, song after song, night after night.

Norther builds upon that singular sound while also highlighting the bandmates’ road-warrior chops. “We’d be on the road doing shows, and there would be a 48-hour gap where we’d fly into Dallas and try to record everything we possibly could, then fly right back to wherever the bus was,” says Smith, who tapped producer Beau Bedford to helm the album. “It was like that for the entirety of the recording process.” The result is an album that’s filled with all the electricity and eclecticism of the Saints’ live show. For the band’s country-loving fans, there’s “1000 Wild Horses,” which barrels forward at a rootsy gallop. For rock fans, there’s “Fire in the Sky,” which makes room for fiery fretwork and a massive chorus. For those looking to slow dance, there’s “All the Way,” a threadbare piano ballad captured live in the studio, imperfections and all. “Norther has little bit of everything,” Smith says proudly. “It’s not a one-sided album. It’s got every single element of what makes up our sound right now.”

For an independent band like Shane Smith and the Saints, the work is never done. “It’s like you can’t help but feel like you’ve paid your dues to get to a certain spot, but once you get there, you realize you’re just starting to touch the surface of the bigger picture,” Smith admits. “At the end of the day, it still feels like we’re getting discovered. But maybe that’s what it’s all about.” Norther is the soundtrack to that discovery. It’s the sound of a band pushing its limits, broadening its reach, and expanding its audience.

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