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Meta
Jesse Welles – Red Tour 2026 with Ratboys at KettleHouse Amphitheater

August 9 @ 8:00 pm – 11:00 pm
Doors @ 6:30 pm
Logjam Presents welcomes Jesse Welles for a live performance on his Red Tour 2026 with special guest Ratboys at KettleHouse Amphitheater in Bonner at 8:00 pm Sunday, August 9.
Tickets on sale at Logjam Presents Box Offices and online while supplies last. General admission lawn, reserved stadium seating, reserved premium stadium seating, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome.
Take a look at these tips to best prepare yourself for a smooth ticket buying experience.
Additional ticketing and venue information can be found here.
All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather, tickets will not be refunded.
$47 – $134
Advance Tickets (+ applicable fees)
About Jesse Welles
Jesse Welles unassumingly upholds and continues the tradition of traveling troubadours, relaying the news, putting pain into words, and healing with a little humor. Fearless, he reports from the frontlines of a divided country on the brink, addressing inequalities and injustices, cutting through all bullshit and driving directly to the source of the matter. His songs leave the same mark in front of a sold-out club as they do under the unbiased eye of a smartphone camera as he strums his guitar alone in the wilderness of Arkansas. Following tens of millions of streams and a groundswell of acclaim from Rolling Stone, the New York Times, and more, the singer, songwriter, and guitar player cuts deep on his 2025 full-length album Middle. “Breathe to write, write to breathe,” he says. “Humans are meant to create, so I’m gonna create music and keep releasing it constantly.”
Jesse calls Ozark, AR home. Growing up, his father worked as a mechanic, and his mom a school teacher. Early on, his grandpa copied The Beatles’ White Album and Sgt. Pepper’s Lonely Hearts Club Band for Jesse. At 12-years-old, he finally scrounged up enough to dough for a “$56 first act guitar from Walmart.” It became like another limb. He fed his obsession by checking CDs out of the public library and ripping them to the family computer, embracing classics from Bob Dylan, Joni Mitchell, Joan Baez, and Woody Guthrie.
Relocating to Nashville, he launched his eponymous band Welles, releasing music and touring incessantly. He logged 280 shows in a year, canvassing North America and Europe alongside the likes of Royal Blood, Highly Suspect, Greta Van Fleet, and Dead Sara. Dropped from his old label (mid-Pandemic), he quit a job at a vegan meat manufacturer and returned to Arkansas. In February 2024, life changed again when dad suffered a heart attack. Sitting in his father’s hospital room with a Woody Guthrie biography on his lap, Jesse realized what he needed to do.
He walked into the Ozarks, placed his phone on a tripod, sang right to it, and posted the performance. The ensuing series of videos made a seismic impact online. He impressively attracted over 1 million followers on Instagram by performing tunes like “Cancer,” “Fentanyl,” and “War Isn’t Murder” out in the cold. On a creative tear, he served up two full-length albums, Hells Welles and Patchwork, and sold out successive headline tours. Capping off 2024, he railed against the corruption of the healthcare system in the powerful polemic “United Health,” which Rolling Stone hailed as “a John Prine-like ballad.”
Now, Jesse turns the page on another chapter with his new album Middle and its first single “Horses.”“It’s a pro-love song,” he notes. “Fear leads to hate. Hate leads to all kinds of atrocities. You build up walls. If you love everyone, it’s a lot easier on you—and everybody else too. Hate is a whip for the mule. Nobody gets nutrition from it.”
“If my music helps you believe you can make art and tell the world how you feel, there would be nothing better,” he leaves off. “I hope you get those paints out of the garage or fill up your journal. Turn on your phone and say what you gotta to say. There’s so much wild stuff in my head. I want to see where it can go.”
About Ratboys
Despite its title, Ratboys’ Singin’ to an Empty Chair is not defined by what’s missing. Rather, it’s the beginning of an important dialogue with a close loved one, vocalist/lyricist Julia Steiner finds herself estranged from.
The band’s sixth studio album – its first for New West Records – fills the space that person left behind, showcasing Ratboys at the peak of their powers — twangy, effervescent, as confident as they’ve ever been, and more emotionally interrogative than ever before. The four-piece Chicago band followed up 2023’s highly acclaimed The Window by reconvening with co-producer Chris Walla, tracking at a rural WI cabin before taking the songs to Steve Albini’s famed Electrical Audio studios in Chicago and Rosebud Studio in Evanston, IL. The results veer from bubbly power-pop to irresistible post-country, along with heart-piercing ballads like “Just Want You to Know the Truth” and a detour into the extraterrestrial on “Light Night Mountains All That.” Singin’ to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which she credits for the clarity found across the album’s unflinching examinations of relationship and self. As the album begins by extending a hand into the void, it concludes with a scene of serenity – all while weaving candid honesty, humor, chaos, and whimsy along the way. “It’s not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.”




