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Neko Case – Midnight Case Tour with Destroyer at The Wilma

Neko Case
Logjam Presents welcomes Neko Case for a live concert performance on the Midnight Case Tour with Destroyer at The Wilma in Downtown Missoula at 8:00 pm Thursday, February 26

February 26 @ 8:00 pm 11:00 pm

Logjam Presents welcomes Neko Case for a live concert performance on the Midnight Case Tour with Destroyer at The Wilma in Downtown Missoula at 8:00 pm Thursday, February 26.

Tickets on sale at Logjam Presents Box Offices and online while supplies last. General admission standing room only floor and reserved premium balcony seating tickets are available. All ages are welcome.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing and venue information can be found here.

$54 – $66 Advance Tickets (+ applicable fees)
605 Cold Smoke Lane
Bonner, MT 59823 United States
406-830-4640
View Venue Website

About Neko Case
Singer, songwriter, music producer, visual artist, and writer Neko Case is the consummate career artist — fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth.

“One of America’s best and most ambitious singer-songwriters” (Rolling Stone) and “essentially peerless” (NPR), Case has long been revered as one of music’s most influential artists, whose authenticity, lyrical storytelling, and sly wit have endeared her to a legion of critics, musicians, and lifelong fans.

In addition to numerous acclaimed and GRAMMY-nominated solo records, Case is a founding member of Canadian supergroup The New Pornographers. She is the author of The New York Times bestselling memoir ‘The Harder I Fight the More I Love You’ and the weekly Substack newsletter ‘Entering The Lung,’ and is currently composing the musical theater adaptation of the Academy Award-winning motion picture ‘Thelma & Louise.’

Her new album ‘Neon Grey Midnight Green’ is on Anti Records.


About Destroyer
Dan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties. Exploring and overturning genres such as glam, MIDI, yacht rock, and even underground Spanish independent artists, Bejar was proclaimed “Rock’s Exiled King” by The Fader.

His is a body of work that consistently flouts convention in favor of musical leaps of faith, statements of purpose cloaked in subterfuge, and the joyous refrain of an optimist’s heart cloaked in cynicism.